The Soft Machine* – Jet-Propelled Photographs
Label: |
Charly Records – CDGR 188 |
---|---|
Format: |
CD
, Reissue, Remastered
|
Country: |
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Released: |
|
Genre: |
Rock |
Style: |
Prog Rock |
Tracklist
1 | That's How Much I Need You Now | 2:25 | |
2 | Save Yourself | 2:42 | |
3 | I Should've Known | 7:27 | |
4 | Jet-Propelled Photograph (a.k.a. Shooting At The Moon) | 2:30 | |
5 | When I Don't Want You | 2:46 | |
6 | Memories | 2:56 | |
7 | You Don't | 3:42 | |
8 | She's Gone | 2:08 | |
9 | I'd Rather Be With You | 3:38 |
Companies, etc.
- Phonographic Copyright ℗ – Charly Schallplatten GmbH
- Copyright © – Charly Schallplatten GmbH
- Pressed By – MPO
- Remastered At – Charly Studios
Credits
- Band [Personnel], Drums, Vocals – Robert Wyatt
- Band [Personnel], Lead Guitar – Daevid Allen
- Band [Personnel], Piano, Organ – Mike Ratledge
- Band [Personnel], Vocals – Kevin Ayers
- Liner Notes – John Platt
Notes
Recorded in London, April, 1967
Digitally remastered at Charly Studios
This re-issue:
℗ 1997 Charly Schallplatten GmbH.
© 1997 Charly Schallplatten GmbH.
Country of Origin . Made in the E.U.
Includes 8 pp. booklet
Opinions differ as to the purpose of the original sessions. Certainly they were demos, but Glorglio Gomelsky (who paid for the recordings and subsequently held onto the tapes) claims they were to be the basis of a proper album. Robert Wyatt re it differently, claiming that they were more in the nature of publisher's demos and that the majority weren't being seriously considered as material for the band to perform on stage.
Digitally remastered at Charly Studios
This re-issue:
℗ 1997 Charly Schallplatten GmbH.
© 1997 Charly Schallplatten GmbH.
Country of Origin . Made in the E.U.
Includes 8 pp. booklet
Opinions differ as to the purpose of the original sessions. Certainly they were demos, but Glorglio Gomelsky (who paid for the recordings and subsequently held onto the tapes) claims they were to be the basis of a proper album. Robert Wyatt re it differently, claiming that they were more in the nature of publisher's demos and that the majority weren't being seriously considered as material for the band to perform on stage.
Barcode and Other Identifiers
- Barcode (Text): 4 017692 321227
- Barcode: 4017692321227
- Label Code: LC 8477
- SPARS Code: ADD
- Matrix / Runout: CDGR 188 MPO 01 @@@@ 1 .01
- Mastering SID Code: IFPI L036
- Mould SID Code (Variant 1): IFPI 1224
- Mould SID Code (Variant 2): IFPI 120F
- Rights Society: SPA
Other Versions (5 of 48)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Faces And Places Vol. 7 (LP, Stereo) | BYG Records | 529.907, BYG 529 907 | 1972 | |||
New Submission
|
Faces And Places Vol. 7 (LP) | BYG Records | YX-6027 | Japan | 1972 | ||
Faces And Places Vol. 7 (LP) | BYG Records | 529.907, BYG 529 907 | 1972 | ||||
New Submission
|
Faces And Places Vol. 7 (LP) | BYG Records | 529.907, BYG 529 907 | 1972 | |||
New Submission
|
Faces And Places Vol. 7 (LP, Promo, Stereo) | BYG Records | YX-6027 | Japan | 1972 |
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1998 USCompilation, Remastered
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Reviews
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Edited 4 months agoOn all versions of the album 'Jet Propelled Photographs' the actual duration of the track 'I should 've known' is 7'25''. On the compilations 'Man in a deaf corner' and 'Turns On (an early collection)' that same track (identical version) clocks in at 7'39''. What version has the correct original speed ?
Release
See all versions
Data Correct
Data Correct
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