Tim Hecker – Ravedeath, 1972
Label: |
Kranky – krank154 |
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Format: |
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Country: |
US |
Released: |
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Genre: |
Electronic |
Style: |
Drone |
Tracklist
A1 | The Piano Drop | 2:54 | |
A2 | In The Fog: I-II | 10:53 | |
B1 | In The Fog: III | 5:00 | |
B2 | No Drums | 3:24 | |
B3 | Hatred Of Music: I | 6:11 | |
C1 | Hatred Of Music: II | 4:22 | |
C2 | Analog Paralysis, 1978 | 3:51 | |
C3 | Studio Suicide, 1980 | 3:24 | |
D | In The Air: I-III | 12:21 |
Companies, etc.
- Copyright © – Tim Hecker
- Phonographic Copyright ℗ – Tim Hecker
- Copyright © – Kranky, Ltd.
- Phonographic Copyright ℗ – Kranky, Ltd.
- Recorded At – Fríkirkjan, Reykjavík
- Mastered At – Chicago Mastering Service
- Lacquer Cut At – Chicago Mastering Service
Credits
- Engineer – Paul Corley
- Lacquer Cut By – JW*
- Layout [Artwork Layout] – David Nakamoto
- Mastered By – James Plotkin
- Photography [Cover Artwork Courtesy] – MIT Museum
- Piano [Additional Piano] – Ben Frost
Notes
Gatefold sleeve.
Written Winter 2010 in Montreal and Banff. Recorded July 21, 2010 at Fríkirkjan Church, Reykjavík, Iceland. Written for computer, pipe organ, synthesizer, piano, microphone and guitar amp . Thanks to Ben, Paul, Lawrence, Aline, Valgeir & Greenhouse Studios, Reykjavík.
© & ℗ 2011 Tim Hecker and Kranky, Ltd.
No track durations on release.
Written Winter 2010 in Montreal and Banff. Recorded July 21, 2010 at Fríkirkjan Church, Reykjavík, Iceland. Written for computer, pipe organ, synthesizer, piano, microphone and guitar amp . Thanks to Ben, Paul, Lawrence, Aline, Valgeir & Greenhouse Studios, Reykjavík.
© & ℗ 2011 Tim Hecker and Kranky, Ltd.
No track durations on release.
Barcode and Other Identifiers
- Barcode (Sticker): 796441815418
- Matrix / Runout (Side A runout, etched): KRANK 1541-A [CMS logo]JW101202
- Matrix / Runout (Side B runout, etched): KRANK 154 B (Re2) [CMS logo]JW110115
- Matrix / Runout (Side C runout, etched): KRANK 154-C [CMS logo]JW101202
- Matrix / Runout (Side D runout, etched): KRANK 154-D [CMS logo]JW101202
Other Versions (5 of 11)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Ravedeath, 1972 (CD, Album) | Kranky | krank154 | US | 2011 | ||
New Submission
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Ravedeath, 1972 (CDr, Album, Promo) | Kranky | KRANK154 | UK & Europe | 2011 | ||
New Submission
|
Ravedeath, 1972 (CD, Album) | Kranky | krank154 | US | 2011 | ||
New Submission
|
Ravedeath, 1972 (CD, Album) | Kranky | krank154 | US | 2011 | ||
Ravedeath, 1972 (12×File, FLAC, Album) | Kranky | none | US | 2011 |
Recommendations
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2000 CanadaVinyl —LP, Album
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Reviews
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a reissue of this album along with 'harmony in ultraviolet' can currently be found on Tim's bandcamp: https://timhecker.bandcamp.com/merch
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Got a repress of this! Funny enough in the same month I had made the comment below on hoping there would be a repress! In The Fog is still separated but I’m extremely happy to finally have this masterpiece on vinyl!
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Crossing my fingers for a repress of this sometime soon! Hopefully with In The Fog all on the same side!
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Tim Hecker has been on heavy rotation on author’s playlist. The music can be defined concisely as beautiful rendition of rough soundscapes which subsit in the milieu of drone, horns, piano and noise elements. Heavy drones are implemented wherever, the artist felt it necessary, the music gives the listener a calm feeling in the midst of this wonderful chaos of soundscapes. Rave Death is no exception to above detailed summary of Hecker’s music adventure.
Ravedeath, 1972 has two series based tracks i.e. In the fog and Hatred of music. With Hatred of music, we dwell into the most haunting side of this album. There are quite moments in this album too with less noise. But for the most part, it’s the noise textured music that steals the show. This album's a heavy and huge and it consolidates its other two counterparts – Harmony in ultraviolet and An Imaginary country -
Tim Hecker's music speaks for itself. It might be not easy for the ordinary listener to get into the heavy ambient drone sounds of this Canadian composing wizard, but if you are willing to give him a chance, you will experience soundscapes that will challenge your imagination like no other artist will. Distorted, dark, intense, haunting, soul crushingly beautiful, there is so much emotion, detail and drama hidden beneath the soundscapes of this album, it will feed your soul like...a never-ending poem full of hope, heartbreak and nostalgia. Probably best listened to on a clear cold night when you can look out your window and see the stars.
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Edited 9 years ago..... for me is the BEST album of Tim Hecker....MASTERPIECE!!!!!!!!!!!!!!!!!!!!!!
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This album is very hard to listen... because i have heard the ep dropped pianos released the same year...and that was very nice... but in this i hear an artist who is trying to compete with his fellow artists like ben frost and maybe lawrence english.... but this is a ing era... we will be tuning for the next experimental electronic artists... and im sure there will be lots of them...
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