Tracklist
| A1 | Intro | |
| A2 | No Reason | |
| A3 | We're All To Blame | |
| A4 | Angels With Dirty Faces | |
| A5 | Some Say | |
| A6 | The Bitter End | |
| A7 | Open Your Eyes | |
| B1 | Slipping Away | |
| B2 | I'm Not The One | |
| B3 | Welcome To Hell | |
| B4 | Pieces | |
| B5 | There's No Solution | |
| B6 | 88 | |
| B7 | Noots |
Companies, etc.
- Phonographic Copyright ℗ – Aquarius Records Ltd.
- Copyright © – Aquarius Records Ltd.
- Recorded At – Sound City Studios
- Recorded At – Ocean Studios
- Recorded At – Reaction Studios
- Recorded At – Umbrella Studio, Toronto
- Recorded At – Soundtrack Studios
- Recorded At – Sidecar Studio, North Hollywood, CA
- Mastered At – Bernie Grundman Mastering
- Pressed By – Flashback Records (17) – FR-1258
- Published By – EMI April Music Canada
- Copyright © – EMI April Music Canada
- Published By – Rectum Renovator Music
- Copyright © – Rectum Renovator Music
- Published By – EMI April Music Inc.
- Pressed By – Flashback Records (17)
Credits
- A&R – Robert Stevenson (3)
- [A&R ] – Tara Podolsky
- [Recording istration] – Andrew Huggins
- Art Direction, Design – Louis Marino
- Band, Bass – Cone McCaslin
- Band, Drums – Stevo*
- Band, Guitar [Slaybial Destruction] – Dave Brownsound
- Band, Vocals [Sing], Guitar, Piano, Keyboards, Mellotron – Biz (4)
- Co-producer [Co-Produced By] – Deryck Whibley (tracks: A2, A3, A6)
- Edited By [Additional Editing By] – Jorge Vivo
- Engineer [Assistant Engineer] – Femio Hernandez (tracks: A2, A3, A5, A6, B5)
- Engineer [Engineered By] – Matt Hyde
- Illustration, Artwork – GIA (9)
- Lacquer Cut By – I.S.D*
- Layout [LP Layout] – Michael Johansen
- Management – Nettwerk Management
- Management [Business Affairs] – Gizelle Jacobs
- Management [Marketing] – Eric Wong (2)
- Mastered By – Brian Gardner
- Mixed By – Tom Lord-Alge (tracks: A2, A3, A5, A6, B5)
- Mixed By [Assisted By] – Steve Sisco (tracks: A1, A4, A7 to B4, B6, B7)
- Music By, Lyrics By – Sum 41
- Producer [Produced By] – Greig Nori
- Recorded By [Assisted By] – Steve Sisco
- Technician [Drum Tech] – Jon Nicholson (3)
- Technician [Guitar Tech] – Low Tech*
- Technician [Pro Tools] – John O'Mahony (tracks: A1, A4, A7 to B4, B6, B7)
- Technician [Pro Tools], Engineer [Additional Engineering By] – Cameron Webb
- Technician [Pro Tools], Engineer [Additional Engineering] – Ed Krautner
- Written-By [All Tracks Written By] – Sum 41
Notes
℗© 2004 Aquarius Records Ltd. Made in Canada.
A1, A4, A7 to B4, B6, B7 mixed at Soundtrack Studios, NYC.
A2, A3, A5, A6, B5 mixed at South Beach Studios, Miami, FL.
Recorded at:
Sound City, Van Nuys, CA - Assisted by Pete Martinez and Miles Wilson.
Ocean Studios, Burbank, CA - Assisted by Jason Cupp.
Reaction Studios, Toronto, ON - Assisted by Chris Stringer.
Umbrella Sound Studios, Toronto, ON - Assisted by Robert Poteraj and Matthew Davies.
Soundtrack New York, NYC - Assisted by Steve Sisco.
Sidecar Studio, North Hollywood, CA.
Additional information:
• Printed on back of cover - "B7 is an unlisted bonus track which was originally included on the CD release of the album". However, it is listed on this release.
• All runout information is etched.
Publishing info:
All rights for EMI April Music Canada (SOCAN) & Rectum Renovator Music (SOCAN) istered by EMI April Music Inc. (ASCAP).
A1, A4, A7 to B4, B6, B7 mixed at Soundtrack Studios, NYC.
A2, A3, A5, A6, B5 mixed at South Beach Studios, Miami, FL.
Recorded at:
Sound City, Van Nuys, CA - Assisted by Pete Martinez and Miles Wilson.
Ocean Studios, Burbank, CA - Assisted by Jason Cupp.
Reaction Studios, Toronto, ON - Assisted by Chris Stringer.
Umbrella Sound Studios, Toronto, ON - Assisted by Robert Poteraj and Matthew Davies.
Soundtrack New York, NYC - Assisted by Steve Sisco.
Sidecar Studio, North Hollywood, CA.
Additional information:
• Printed on back of cover - "B7 is an unlisted bonus track which was originally included on the CD release of the album". However, it is listed on this release.
• All runout information is etched.
Publishing info:
All rights for EMI April Music Canada (SOCAN) & Rectum Renovator Music (SOCAN) istered by EMI April Music Inc. (ASCAP).
Barcode and Other Identifiers
- Barcode (Printed, Sticker): 0 60270 06181 1
- Barcode (Scanned, Sticker): 060270061811
- Rights Society: ASCAP
- Rights Society: SOCAN
- Matrix / Runout (Side A runout): FR-1258 - Q2-618LP A I.S.D
- Matrix / Runout (Side B runout): FR-1258 - Q2-618LP B
Other Versions (5 of 53)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Chuck (CD, Album) | Island Records | 986 419-1 | Europe | 2004 | ||
|
Recently Edited
|
Chuck (CD, Album, Enhanced) | Island Records | B0003492-02 | US | 2004 | ||
|
New Submission
|
Chuck (LP, Album) | Island Records | B0003492-01 | US | 2004 | ||
|
Recently Edited
|
Chuck (CD, Album) | Aquarius Records (3) | Q2 00618 | Canada | 2004 | ||
|
New Submission
|
Chuck (CD, Album, Club Edition, Enhanced) | Island Records | B0003492-02 | US | 2004 |
Recommendations
Reviews
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Just ordered through Amazon. It’s currently $39 05/19/23. This is a great pressing in my opinion. Sounds very clean. I had to clean little white paper scraps off before play. Impressed with the sound quality. Highly recommend getting a copy while the price is right. -
From the holographic artwork, lyric sheet, and the record itself, this is 100% incredible. Feels special to finally own this on vinyl!
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Very happy with this pressing the record is nice and flat quiet and clear I had the 2014 press but I selling it for a stupid amount! Available on eBay and Amazon -
The record sounds good, but it’s hard to find a copy in mint condition. I bought two and one was warped and the other jacket was smashed. $35-48 dollars is a good price for this I think if it’s mint.
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I find that records from this era and genre of music often don't translate quite well into vinyl pressings. This is the exception. They really nailed it with the pressing sound-wise and look-wise and the packaging (the holographic looks so good). Really glad I own this.
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So happy to finally have a pressing of this that doesn't have the pause between songs. Only downside for me is that they still refuse to include "Subject to Change" as one of the bonus tracks.. it's fantastic! -
This is the one to grab if you can! Sounds great! No annoying pauses, little to no surface noise on my copy. And as mentioned the artwork looks fantastic and the green LP just really brings it together. -
They really fucking nailed this.
Packaging: 4.5/5
Sound: 5/5
I'll forever bitch about paper inner sleeves, but other than that the packaging is amazing. The holographic cover suits the album art much better than Does This Look Infected, and the colour of the record fits the album art perfectly, which is always a plus. Just like the Does This Look Infected recent reissue, this one sounds amazing. I strongly believe it must have been remastered for the format, it just sounds too good. The heavy guitars never get muddy or unintelligible, and when the acoustic sections hit, I hear it differently from how I've ever heard it before in other formats. As some comments already mentioned, some of the previous issues seemed to have an annoying pause in between tracks, which is not present in this one. Tracks carry over to each other seamlessly, and it really adds to the experience. If at any point in your life you've enjoyed this project, I would heavily recommend picking this up.
Reviewed with Pro-Ject X1 // Audio Technica VM750SH // iFi Zen Phono -
I emailed Le Noise and will get back to what they respond in of the variant that they were selling for RSD 2023 given that there are supposedly 3 variants (green/orange/brown) -
Release
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Recently Edited
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