Isotonik – The Isotonik E.P.
Label: |
Ffrreedom – 869725.1 |
|---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM, EP
|
Country: |
UK & Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Hardcore |
Tracklist
| A1 | Everywhere I Go (Fizzy Orange Mix) | 5:48 | |
| A2 | Everywhere I Go (Pure Orange Mix) | 5:53 | |
| B1 | Let's Get Down | 5:23 | |
| B2 | Rush | 5:25 |
Companies, etc.
- Marketed By – Barclay
- Marketed By – Metronome Musik GmbH
- Phonographic Copyright ℗ – Ffrreedom
- Copyright © – Ffrreedom
- Copyright © – London Records 90 Ltd.
- Pressed By – DFI
- Recorded At – Blaze Studios, New York
Credits
- Lacquer Cut By – Porky (5)
- Producer, Mixed By – Chris Paul
Notes
Sleeve:
WILL REG HOLDSWORTH REALLY GET HOLD OF RITA?!
MIKE BLADWIN RULES. EASY!
℗ 1992 FFRREEDOM © 1992 FFRREEDOM.
THE COPYRIGHT IN THIS SOUND RECORDING IS OWNED BY
LONDON RECORDS 90 LTD. MARKETED IN BY BARCLAY & IN BY METRONOME MUSIK GMBH.
FFRR RECORDS, P.O. BOX 1422, CHANCELLORS HOUSE, CHANCELLORS ROAD, LONDON W6 9SG
Label A:
Will Reg Holdsworth really get hold of Rita?!
Label B:
Mike Baldwin Rules. Easy!!!
Info:
There is also a mispressing with B side label on the A side: The Isotonik E.P.
The record sleeve states side AA, whereas the record label states side B.
A1 & A2 vocals recorded in New York at the Blaze Studios (Uncredited).
A1 samples:
· Martha Reeves & The Vandellas - Nowhere To Run / Motoring (Uncredited Vocals).
A2 samples:
· Martha Reeves & The Vandellas - Nowhere To Run / Motoring (Uncredited Vocals).
· Kariya - Let Me Love You For Tonight (Uncredited Refrain).
· 2 Bad Mice - Hold It Down (Uncredited Breakbeat).
B1 samples:
· Inner City - Big Fun (Uncredited Vocal).
Stamped in runouts: DFI 92 _3̶2̶ TAB X 108 A1 and DFI 92_ 3 TAB X 108 AA1
Etched in runouts: A PORKY PRIME CUT. PUT KETTLE ON MAViS... and A PORKY PRIME CUT. .... MY BUT iT DOES SUiT YOu.
WILL REG HOLDSWORTH REALLY GET HOLD OF RITA?!
MIKE BLADWIN RULES. EASY!
℗ 1992 FFRREEDOM © 1992 FFRREEDOM.
THE COPYRIGHT IN THIS SOUND RECORDING IS OWNED BY
LONDON RECORDS 90 LTD. MARKETED IN BY BARCLAY & IN BY METRONOME MUSIK GMBH.
FFRR RECORDS, P.O. BOX 1422, CHANCELLORS HOUSE, CHANCELLORS ROAD, LONDON W6 9SG
Label A:
Will Reg Holdsworth really get hold of Rita?!
Label B:
Mike Baldwin Rules. Easy!!!
Info:
There is also a mispressing with B side label on the A side: The Isotonik E.P.
The record sleeve states side AA, whereas the record label states side B.
A1 & A2 vocals recorded in New York at the Blaze Studios (Uncredited).
A1 samples:
· Martha Reeves & The Vandellas - Nowhere To Run / Motoring (Uncredited Vocals).
A2 samples:
· Martha Reeves & The Vandellas - Nowhere To Run / Motoring (Uncredited Vocals).
· Kariya - Let Me Love You For Tonight (Uncredited Refrain).
· 2 Bad Mice - Hold It Down (Uncredited Breakbeat).
B1 samples:
· Inner City - Big Fun (Uncredited Vocal).
Stamped in runouts: DFI 92 _3̶2̶ TAB X 108 A1 and DFI 92_ 3 TAB X 108 AA1
Etched in runouts: A PORKY PRIME CUT. PUT KETTLE ON MAViS... and A PORKY PRIME CUT. .... MY BUT iT DOES SUiT YOu.
Barcode and Other Identifiers
- Barcode (Text): 0 42286 97251 0
- Barcode (Scanned): 042286972510
- Rights Society: BIEM
- Rights Society: STEMRA
- Label Code: LC 7654
- Price Code: BA 122
- Matrix / Runout (A Side (Label)): TABX 108 A
- Matrix / Runout (B Side (Label)): TABX 108 B
- Matrix / Runout (A Side Runout): DFI 92 _3̶2̶ TAB X 108 A1 A PORKY PRIME CUT. PUT KETTLE ON MAViS...
- Matrix / Runout (B Side Runout): DFI 92_ 3 TAB X 108 AA1 A PORKY PRIME CUT. .... MY BUT iT DOES SUiT YOu.
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Isotonik E.P. (CD, EP) | Ffrreedom | TABCD 108, 869 725-2 | UK & Europe | 1992 | ||
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Recently Edited
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The Isotonik EP (12", EP, 33 ⅓ RPM) | Orange Records (2) | CITRUS 02 | UK | 1992 | ||
|
Recently Edited
|
The Isotonik EP (7", 45 RPM) | Ffrreedom | TAB 108, 869 724-7 | UK | 1992 | ||
|
New Submission
|
The Isotonik E.P. (Cassette, EP, Single) | Ffrreedom | TABMC 108, 869 725-1 | UK | 1992 | ||
|
New Submission
|
The Isotonik E.P. (12", 33 ⅓ RPM, EP, Mispress) | Ffrreedom | TABX 108, 869 725-1, 869725.1 | UK | 1992 |
Recommendations
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1992 UKVinyl —12", 45 RPM -
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Reviews
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Edited 4 months agoThe Fizzy Orange mix is laced with something, when that piano break and the vocals come in I could be stone cold sober and start rushing my tits off, bloody excellent tune.
Oh and when the strings come in towards the end of Let’s Get Down I honestly could cry. -
You can tell DJ Hype had a helping in the studio with this release and there is something about the drums in the Pure Orange Mix that is most definitely his work. Otherwise, the tunes are very similar to Different Strokes in vibe but to be honest Isotonik did the happy sound better than most and the production was always on point.
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Everywhere I Go (Pure Orange Mix) is an absolute bomb that will rip any party to this day. ni fckin way i would sell this lol
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Edited 7 years agoI love this EP so much! This is probably down the fact that "Everywhere I Go (Fizzy Orange Mix)" is one of the first balls to the wall happy tunes I ever heard. It completely blew my mind because I had only previously been exposed to lesser tunes that helped create what this was such as Maurice "This is Acid" and I was a BIG fan of Public Enemy. So to hear these crazy synths, breakbeats, and those Chuck D samples really knocked my socks off! Eventually when I would get the original EP I was treated to "Rush". This is a really great tune with interesting phasing effects of the breakbeats and wonderful happy synth sounds that had a touch of darkness to them without bringing down the happy vibes. "Lets Get Down" is an ok track but it sounds more like a DJ Red Alert & Mike Slammer B side track then Isotonik. The only track here I don't bother with is "Everywhere I Go (Pure Orange Mix)". I can never find a reason to play or use this in any mixes because It's not the Fizzy Orange version. I'm actually starting to ware my copy out, I've used it far too much. -
Let's Get Down is for me one of the best oldskool piano anthems ever written and oozes hands in the air, good time vibes. Rush, however, is one of the weakest - Stef's vocal ability is spot on but whoever matched her up with those synths (okay, so we know who it is...) has something lacking in musical ability is all i'll say!
Release
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Recently Edited
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