EaglesThe Long Run

Label:

Asylum Records – UDSACD 2234

Series:

Ultradisc UHR

Format:

SACD , Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition

Country:

US

Released:

Genre:

Rock

Style:

Country Rock

Tracklist

1 The Long Run
Lead Vocals [Lead Vocal]Don Henley
OrganDon Felder
Slide GuitarJoe Walsh
Written-ByGlenn Frey
3:42
2 I Can't Tell You Why
Guitar [Solos], SoloistGlenn Frey
Lead Vocals [Lead Vocal]Timothy B. Schmit
Written-ByTimothy B. Schmit
4:56
3 In The City
Lead Vocals [Lead Vocal], Slide GuitarJoe Walsh
Written-ByJoe Walsh
3:46
4 The Disco Strangler
Lead Vocals [Lead Vocal]Don Henley
Written-ByGlenn Frey
2:46
5 King Of Hollywood
Guitar [End Guitar Solo], SoloistJoe Walsh
Guitar [First Guitar Solo], SoloistGlenn Frey
Guitar [Second Guitar Solo], SoloistDon Felder
Lead VocalsGlenn Frey
Written-ByGlenn Frey
6:28
6 Heartache Tonight
Lead Vocals [Lead Vocal]Glenn Frey
Slide GuitarJoe Walsh
Written-ByJ.D. Souther*
4:26
7 Those Shoes
Guitar [Solo], SoloistJoe Walsh
Guitar [Talk Box Guitars]Joe Walsh
Lead Vocals [Lead Vocal]Don Henley
Written-ByGlenn Frey
4:56
8 Teenage Jail
Guitar [Solo], SoloistDon Felder
Lead VocalsGlenn Frey
Synthesizer [Solo], SoloistGlenn Frey
Written-ByJ.D. Souther*
3:44
9 The Greeks Don't Want No Freaks
Backing Vocals [Background Vocals]"The Monstertones"*
Featuring [Background Vocals]Jimmy Buffett
Lead Vocals [Lead Vocal]Don Henley
Written-ByGlenn Frey
2:20
10 The Sad Café
Alto SaxophoneDavid Sanborn
Guitar [Solo], SoloistDon Felder
Lead Vocals [Lead Vocal]Don Henley
Written-ByJ.D. Souther*
5:35

Companies, etc.

  • Record CompanyWarner Music Group
  • Mastered AtMobile Fidelity Sound Lab
  • Marketed ByMobile Fidelity Sound Lab, Inc.
  • Manufactured ForWarner Music Group
  • Produced ForPandora Productions Ltd.
  • Phonographic Copyright ℗Elektra/Asylum Records
  • Copyright ©Elektra/Asylum Records
  • Published ByCass County Music
  • Published ByRed Cloud Music
  • Published ByJeddrah Music
  • Published ByWow And Flutter Music
  • Published ByFingers Music
  • Published ByGear Publishing Co.
  • Published ByIce Age Music
  • Recorded AtBayshore Recording Studios
  • Recorded AtOne Step Up Recording Studio
  • Recorded AtLove 'N Comfort Studios
  • Recorded AtBrittania Recording Studio
  • Recorded AtRecord Plant, Los Angeles
  • Mixed AtBayshore Recording Studios
  • Manufactured BySonopress – 58259098
  • Manufactured BySonopress – 58259099
  • Glass Mastered AtSony DADC – A0103417846-A911
  • Glass Mastered AtSony DADC – A0103417846-B911

Credits

  • Crew [Eagles Road Crew]Tony Taibi
  • Design, Art DirectionKosh*
  • Engineer [Assistant At Brittania And The Record Plant]Phil Jamtass*
  • Engineer [Assistant At Love 'n' Comfort]Bob Winder
  • Engineer [Engineered By]Ed "Radar" Marshall*
  • Engineer [Engineering Assistant At Bayshore]John Swain
  • Engineer [Engineering Assistant At One Step Up]Mark Curry (3)
  • ManagementIrv Azoff*
  • Mastered ByRob LoVerde
  • Mixed ByBill Szymczyk
  • Photography By [Eagles]Jim Shea
  • Photography By [Photograph Of Bill Szymczyk By]Jann Zlotkin
  • Producer [Produced By]Bill Szymczyk
  • TechnicianBuddy Thornton

Notes

[Publishers]
1, 2, 4 to 10 Cass County Music / Red Cloud Music (ASCAP)
2 Jeddrah Music (ASCAP)
3, 10 Wow & Flutter Music (ASCAP)
4, 7 Fingers Music (ASCAP)
6 Gear Publishing Co (ASCAP)
6, 8, 10 Ice Age Music (ASCAP)

℗ © 1979 Elektra/Asylum Records, a Warner Music Group company.
Mastered by Rob LoVerde at Mobile Fidelity Sound Lab®, Sebastopol, CA on the GAIN HD SYSTEM™

[On SACD]
Made in Austria.

[In booklet]
Special tip of the engineer's cap to Buddy Thornton for making sure all of the electronics went to their proper places.

Single-pocket gatefold with an 8- stapled booklet.

Barcode and Other Identifiers

  • Barcode (Scanned, UPC-A): 821797223461
  • Barcode (Text): 8 21797 22346 1
  • Rights Society: ASCAP
  • Matrix / Runout (SACD layer): 58259098/0821797223461 A0103417846-A911 2000 1A00
  • Mastering SID Code (SACD layer): IFPI LY23
  • Matrix / Runout (CD layer): 58259099/0821797223461 A0103417846-B911 22 A00
  • Mastering SID Code (CD layer): IFPI L556
  • Mould SID Code: IFPI 94B1

Other Versions (5 of 252)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Long Run (LP, Album, SP - Specialty Pressing, 1 Pressing Ring) Asylum Records 5E 508 US 1979
Recently Edited
The Long Run (LP, Album) Asylum Records AS 52181 Europe 1979
The Long Run (Cassette, Album) Asylum Records 5C 5508 US 1979
Recently Edited
The Long Run (LP, Album, Gatefold) Asylum Records W 52181 Italy 1979
Recently Edited
The Long Run (LP, Album, Gatefold) Asylum Records X5E-508 Canada 1979

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Reviews

  • ParkerPGibson's avatar
    ParkerPGibson
    This mastering is a dud - they forgot to turn on the NR that was used to decode the original master tape. How could something like this be overlooked, considering all of the other Eagles' releases from Mofi are properly decoded... I was hoping this would've been the definitive mastering, but clearly not. Maybe Analogue Productions will do it properly some years from now.

    If you do not believe me, do a side by side of virtually every other release from this album. They do not have this weird un-decoded tape compressive sound.
    • FlatWaxAU's avatar
      FlatWaxAU
      Edited 6 months ago
      I would agree this SACD is the least appealing of the MOFI series. It’s a little sterile, and SQ varies track to track. ‘I Can’t Tell You Why’ sounds fantastic, whereas ‘Long Run’ is flat and boring. Maybe it has more to do with the original recording, than the actual remaster.
      • Atomicinv's avatar
        Atomicinv
        The music is great but I wanted more from the production of this SACD. For starters it is only 2 channel stereo. It sounds relatively flat compared to my other SACDs or even some CDs
        • rockdisc's avatar
          rockdisc
          IMO this is the worst Eagles MFSL SACD out of the bunch. Soft and kind of muffled in some areas but too bright in others.The other Eagles MFSL SACDs are superb and better balanced throughout with the harmony vocals sounding amazing. But my original first press of "The Long Run" W. Target CD blows this away. Only MY opinion though...
          • craigvc's avatar
            craigvc
            Edited one year ago
            I haven't listened to this album in its entirety since the early 80s, but I bought most of the singles back then, and played both sides of them to death as a kid (which is how I'm so familiar with b-sides such as "The Disco Strangler") ...

            While I don't have a direct reference to other versions/masterings of this album, I can say that what I'm hearing from this SACD through my speakers is STUNNINGLY good. This is obviously a very well-recorded, thoughtfully well-mixed, and well-mastered edition.

            I love the pillowy thump of the drums, the crystal-clear cymbals (and how they're sometimes fancifully mixed back and forth across the speakers), the warmth of the bass guitar, the spread behind the speakers of the keyboards, and the middle-center positioning of the vocals (sometimes surrounded with harmonies).

            It begs to be turned up louder, and when I do I'm rewarded with even more immersive stereo sounds that never become harsh.

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            • Avg Rating:4.62 / 5
            • Ratings:42
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