Don Cherry – Where Is Brooklyn?
Tracklist
A1 | Awake Nu | 6:55 | |
A2 | Taste Maker | 6:45 | |
A3 | The Thing | 5:50 | |
B1 | There Is The Bomb | 4:50 | |
B2 | Unite | 17:45 |
Companies, etc.
- Record Company – Blue Note Records
- Record Company – Liberty Records, Inc.
- Record Company – Universal Music
- Record Company – Capitol Records, Inc.
- Record Company – Universal International Music B.V.
- Copyright © – UMG Recordings, Inc.
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Optimal Media GmbH – BL54241
- Manufactured By – Optimal Media GmbH
Credits
- Bass – Henry Grimes
- Cornet – Don Cherry
- Cover [Cover Design], Design [Cover Design] – Matt Delfino
- Drums – Edward Blackwell*
- Lacquer Cut By – KPG*
- Mastered By – Kevin Gray
- Painting [Cover Painting] – Moqui*
- Producer [Produced By] – Alfred Lion
- Recorded By [Recording By] – Rudy Van Gelder
- Sleeve Notes – Ornette Coleman
- Tenor Saxophone [Tenor Sax], Piccolo Flute [Piccolo] – Pharoah Sanders
- Written-By – Don Cherry
Notes
Comes with a plain white poly-lined inner sleeve.
From back cover:
"Recorded on November 11, 1966
A Blue Note Records release; Originally released in 1969 on Blue Note Records © 2022 UMG Holdings Inc.
Made in the EU.
LP mastering: Kevin Gray, Cohearent Audio"
From labels:
"A Blue Note Records release; Originally released in 1969 on Blue Note Records © 2022 UMG Holdings Inc.
Made in the EU."
From hype sticker on front:
"AUDIOPHILE VINYL REISSUES
FROM THE FINEST IN JAZZ SINCE 1939
MASTERED FROM
THE ORIGINAL ANALOG TAPES
Mastered by
KEVIN GRAY at Cohearent Audio
Manufactured at Optimal on
180 GRAM VINYL
BNClassic01"
From sticker on back:
"Made in "
Runouts are etched.
Runouts variant 2 contain mirrored elements 1X and 1△
From back cover:
"Recorded on November 11, 1966
A Blue Note Records release; Originally released in 1969 on Blue Note Records © 2022 UMG Holdings Inc.
Made in the EU.
LP mastering: Kevin Gray, Cohearent Audio"
From labels:
"A Blue Note Records release; Originally released in 1969 on Blue Note Records © 2022 UMG Holdings Inc.
Made in the EU."
From hype sticker on front:
"AUDIOPHILE VINYL REISSUES
FROM THE FINEST IN JAZZ SINCE 1939
MASTERED FROM
THE ORIGINAL ANALOG TAPES
Mastered by
KEVIN GRAY at Cohearent Audio
Manufactured at Optimal on
180 GRAM VINYL
BNClassic01"
From sticker on back:
"Made in "
Runouts are etched.
Runouts variant 2 contain mirrored elements 1X and 1△
Barcode and Other Identifiers
- Barcode (Text): 6 02438 76171 5
- Barcode (Scanned, UPC-A): 602438761715
- Label Code: LC00383
- Matrix / Runout (Side A label): BNST 84311-A
- Matrix / Runout (Side B label): BNST 84311-B
- Rights Society: BIEM/SDRM
- Other (Sticker Catalog Number): BNClassic01
- Matrix / Runout (Side A runout, variant 1): 3876171 00602438761715-A KPG@CA BL54241-A1
- Matrix / Runout (Side B runout, variant 1): 3876171 00602438761715-B KPG@CA BL54241-B1
- Matrix / Runout (Side A runout, variant 2): 3876171 00602438761715·A KPG@CA 1X BL54241-A1
- Matrix / Runout (Side B runout, variant 2): 3876171 00602438761715·B KPG@CA BL54241-B1 1△
Other Versions (5 of 21)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Where Is Brooklyn? (LP, Album) | Blue Note | BST 84311 | US | 1969 | |||
New Submission
|
Where Is Brooklyn? (LP, Album) | Blue Note | BST 84311 K | 1969 | |||
Recently Edited
|
Where Is Brooklyn? (LP, Album) | Blue Note | BST 84311 | US | 1969 | ||
New Submission
|
Where Is Brooklyn? (LP, Album) | Blue Note | BST 84311 | Japan | 1969 | ||
New Submission
|
Where Is Brooklyn? / The Art Of Smiling (LP, Album, Reissue) | Blue Note | BST 84311 | US | 1973 |
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2021 WorldwideVinyl —LP, Album, Reissue, Stereo
Reviews
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Dead silent copy, convincing groove and weight of mastering, this "classic" pressing does a great job at transmitting the beauty and energy of this session.
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Just a perfect pressing, sound is phenomenal and I wish more challenging albums like this would be reissued at this quality.
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Clear, vibrant sound. Wide soundstage. It seems like you hear Don Cherry coming from one speaker and Pharoah Sanders coming from the other speaker. For me, that stereo effect is overdone. I get that this music is very challenging, but I absolutely love it. My copy has a lot of quiet ticks on Side 1, nothing that ruins the experience, but it would be nicer if it was quieter.
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This is an incredible-sounding reissue of one of my favorite Don Cherry albums. Very clear sound, with great soundstage, and imaging
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Optimal got this one right, and a wonderful mastering job by KG. Glad to add this one to my collection.
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Release
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