Art Blakey And The Jazz Messengers* – The Witch Doctor
Tracklist
A1 | The Witch Doctor | |
A2 | Afrique | |
A3 | Those Who Sit And Wait | |
B1 | A Little Busy | |
B2 | Joelle | |
B3 | Lost And Found |
Companies, etc.
- Record Company – Blue Note Records
- Record Company – Blue Note Records Inc.
- Record Company – Capitol Records, LLC
- Copyright © – UMG Recordings, Inc.
- Copyright © – Mosaic Images LLC
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Record Technology Incorporated – 36296
- Printed By – Stoughton Printing Co.
Credits
- Art Direction – Frank Gauna
- Bass – Jymie Merritt
- Drums – Art Blakey
- Engineer [Recording Engineer] – Rudy Van Gelder
- Lacquer Cut By – KPG*
- Mastered By [LP Mastering] – Kevin Gray
- Photography By – Francis Wolff
- Photography By [Cover] – Martin Felix
- Piano – Bobby Timmons
- Producer [Original Session] – Alfred Lion
- Sleeve Notes – Nat Hentoff
- Supervised By [LP Reissue Supervision] – Joe Harley
- Tenor Saxophone – Wayne Shorter
- Trumpet – Lee Morgan
Notes
Recorded March 14, 1961.
Barcode and Other Identifiers
- Barcode (Text): 6 02435 14860 1
- Barcode (Scanned, UPC-A): 602435148601
- Matrix / Runout (A-side label): B0032875-01 A
- Matrix / Runout (B-side label): B0032875-01 B
- Matrix / Runout (Side A runout, etched): B0032875-01 00602435148601-A KPG@CA w/JH 36296.1(3)...
- Matrix / Runout (Side B runout, etched): B003285-01 00602435148601-B KPG@CA 36296.2(3)...
Other Versions (5 of 14)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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The Witch Doctor (LP, Album, Stereo) | Blue Note | BST 84258, BST-84258 | US | 1967 | ||
The Witch Doctor (LP, Album) | Blue Note | BST 84258 | US | 1967 | |||
New Submission
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The Witch Doctor (Reel-To-Reel, 3 ¾ ips, ¼", 4-Track Stereo, 7" Cine Reel, Album) | Blue Note | STB 84258 | US | 1967 | ||
New Submission
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The Witch Doctor (LP, Album) | Blue Note | BST 84258 | Japan | 1967 | ||
Witch Doctor (LP, Album, Reissue, Stereo) | Applause Records | APBL 2315 | US | 1981 |
Recommendations
Reviews
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Not the best recording in the Blue Note canon but “A Little Busy” is worth the price of ission in whatever form you take it.
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Edited 9 months agoPersonally, the distortion on the drums only adds to this release. Goes to show how hot-shit of a player Blakey was. Proto-blast beats... and the rest of the band absolutely kills it on this recording, particularly the horn arrangements and solos. Love this one! Very progressive hard-bop. Don't miss out!
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I'll try to add some nuance to all the reviews here. It seems as if some people just trash this release, and then some other people feel the need to defend it.
Okay, there is distortion at times on the drums, probably due to mic placement or something else with the recording that day. But that's only in the solos and maybe here and there when Art really puts force on the drums. And maybe that is the reason for this recording being shelved in the first place?
With that said, I don't think the overall sound is bad. I really enjoy this Tone Poet, and the session is really burning hot, in all the right ways. I even think there are nice dynamics there if you look past the occasional drum distortion.
Since people have gotten crazy about a '60s recording not being perfect, this record can be had for cheap. So buy it! -
Edited one year agoI don’t understand some of the reviews here. This is one of my best sounding and best musical jazz records in my collection. Art Blakey is on fire! The drums are in your living room. If distortion is what you call it then I love distortion.
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Wow. I was expecting the worst reading these reviews. Sounds wonderful to me: really clean, dynamic, good separation and maybe my ears are dead to distortion, but the drums sounds great. There’s a drum solo in Afrique where the snares feature - even this sounds sharp and good. Very happy with this excellent album. BTW - 1972 Technics 1500 - Ortofon Blue, Yamaha receiver and Polk Audio bookshelf speakers. Nothing too special. Listening as I type - excellent clarity.
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While I can’t say I noticed any of the surface noise others mentioned, the drums are super hot and distort in places. To me though, this sounds more like a recording issue than poor mastering.
Really enjoyed this one. -
Unfortunately I have to agree … Tom tons have some distortion particularly on side A. This record is cut way too hot. But the music is awesome, groovy. Lee Morgan kills here. If you are a fan of Art Blakey, get it. Otherwise, there are better options
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Edited one year agoPlayed it several times. Musically a fantastic Messengers record. Great playing and very swinging sounds here. The sound is superb and the pressing ist very quit and clear. Don't understand the problem with distortions. My copy don't have any distortions from the beginning to the end. Maybe some here have either mispressings or the used systems are shitty adjusted or simply bad. Played it with Van Den Hul DDT II and Nagaoka MP 110.
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