Jerry Goldsmith – U.S. Marshals (Original Motion Picture Soundtrack)
Label: |
Varèse Sarabande – VCL 1115 1198 |
---|---|
Series: |
Varèse Sarabande CD Club – VCL 1115 1198 |
Format: |
CD
, Album, Deluxe Edition, Limited Edition, Remastered
|
Country: |
US |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Score |
Tracklist
1 | The Set Down | 1:30 | |
2 | Nuggets And Bullets | 1:49 | |
3 | Prison Plane | 0:51 | |
4 | Broken Glasses | 0:46 | |
5 | Zip Gun | 1:50 | |
6 | Almost Down | 1:23 | |
7 | Sinking Plane | 4:23 | |
8 | Consider Him Dangerous | 0:54 | |
9 | At Knife Point | 0:14 | |
10 | The Pen | 1:29 | |
11 | Heading For The Swamp | 2:25 | |
12 | Swamp Search | 6:05 | |
13 | Listen To Me | 1:25 | |
14 | The Humidor | 0:45 | |
15 | Take It All | 1:18 | |
16 | Gym Of The Living Dead | 0:43 | |
17 | Dead In The Shower | 1:39 | |
18 | Eyes On The City | 4:52 | |
19 | Got You | 0:30 | |
20 | Airport Locker | 1:58 | |
21 | The Consulate | 0:59 | |
22 | Following Chen | 5:58 | |
23 | Cemetery Watch | 1:25 | |
24 | Across The Cemetery | 1:09 | |
25 | Funeral Ambush | 2:01 | |
26 | The Front Gate | 2:29 | |
27 | Up The Stairs | 2:13 | |
28 | Into The Building | 1:07 | |
29 | Mark And Royce Fight | 1:59 | |
30 | Turn Around | 2:15 | |
31 | We Lost Him | 1:43 | |
32 | The Wrapper | 0:40 | |
33 | The Great Sam | 1:04 | |
34 | Ship Fight | 1:18 | |
35 | Mark’s Wounded | 0:37 | |
36 | The Glock | 1:24 | |
37 | Trying To Escape | 1:19 | |
38 | Free To Go | 2:40 | |
39 | End Credits | 7:19 |
Companies, etc.
- Phonographic Copyright ℗ – Warner Bros. Entertainment Inc.
- Copyright © – Warner Bros. Entertainment Inc.
- Licensed To – Varèse Sarabande Records
- Manufactured By – Concord
- Distributed By – Concord
- Recorded At – Todd-AO Studios, Hollywood, USA
- Mixed At – Todd-AO Studios, Hollywood, USA
- Edited At – Todd-AO Studios, Hollywood, USA
- Remixed At – Uniteye
- Mastered At – Uniteye
Credits
- Art Direction – Jimmy Hole
- Bass – Susan Ranney
- Bassoon – Michael O'Donovan (2)
- Cello – Todd Hemmenway
- Clarinet – James Kanter*
- Composed By, Conductor – Jerry Goldsmith
- Contractor [Orchestra] – Sandy De Crescent*
- Copyist – William Motzing
- Copyist [Music Preparation] – Jo Ann Kane Music Service*
- Drums, Percussion – Steven Schaeffer*
- Flute – Susan Greenberg
- French Horn – Yvonne Suzette Moriarty*
- Harp – Katie Kirkpatrick
- Keyboards – Randy Kerber
- Liner Notes – Daniel Schweiger
- Musical Assistance [Assistant To Mr. Goldsmith] – Lois Carruth
- Oboe – Phillip Ayling*
- Orchestra – The Hollywood Studio Symphony
- Orchestrated By – Vince Bartold
- Producer – Jerry Goldsmith
- Recorded By [Recordist] – Andy Bass
- Reissue Producer [Deluxe Edition] – Cary E. Mansfield
- Remastered By, Recorded By, Mixed By, Edited By – Bruce Botnick
- Score Editor – Ken Hall
- Technician [Score Synchronization], Edited By – Neil Bulk*
- Trombone – Phillip Teele*
- Trumpet – Warren Luening Jr.*
- Tuba – Norman Pearson
- Viola – Victoria E. Miskolczy*
- Violin – Tamara Hatwan Chang
Notes
Limited Edition of 3000 copies
Music composed and conducted by Jerry Goldsmith, our deluxe edition expands the original release from 9 to a whopping 39 tracks! The album was remastered by Bruce Botnick, Jerry Goldsmith's recording engineer for the original scoring sessions, from the original sources.
Militaristic snare drums, hammering percussion and French horns along with synth percussion puts, staccato use of the piano and keyboard percussion, define Jerry Goldsmith’s score to Stuart Baird’s 1998 action thriller U.S. Marshals.
Music composed and conducted by Jerry Goldsmith, our deluxe edition expands the original release from 9 to a whopping 39 tracks! The album was remastered by Bruce Botnick, Jerry Goldsmith's recording engineer for the original scoring sessions, from the original sources.
Militaristic snare drums, hammering percussion and French horns along with synth percussion puts, staccato use of the piano and keyboard percussion, define Jerry Goldsmith’s score to Stuart Baird’s 1998 action thriller U.S. Marshals.
Barcode and Other Identifiers
- Barcode: 888072125766
Other Versions (4)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
|
U. S. Marshals (Original Motion Picture Soundtrack) (CD, Album) | Varèse Sarabande | VSD-5914 | 1998 | |||
New Submission
|
U.S. Marshals (Original Motion Picture Soundtrack) (CD, Album) | Varèse Sarabande | VSD-5914 | US | 1998 | ||
New Submission
|
追跡者 = U.S. Marshals (Original Motion Picture Soundtrack) (CD, Album) | Volcano (3) | C8-1021 | Japan | 1998 | ||
New Submission
|
U.S. Marshals (Original Motion Picture Soundtrack) (Cassette, Album) | Varèse Sarabande | VSD-5914-4 | Thailand | 1998 |
Recommendations
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2019 USCD —Album, Club Edition, Deluxe Edition, Limited Edition, Reissue
-
2018 USCD —Album, Reissue, Remastered
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2011 USCD —Album, Limited Edition, Reissue, Remastered
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2010 USCD —Album, Reissue, Remastered
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2021 USCD —Album, Deluxe Edition, Limited Edition, Reissue
-
2017 USCD —Album, Limited Edition, Reissue, Remastered
-
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2015 USCD —Album, Reissue, Remastered
-
2018 USCD —Album, Club Edition, Deluxe Edition, Limited Edition
Reviews
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Edited 2 months agoA fugitive kind of score!
While this sequel to the big-screen adaptation of the tv classic, “The Fugitive” is the lesser regarded followup, filmmaker Stuart Baird’s no less exciting “U.S. Marshals” is bolstered by yet another powerhouse score by arguably one of Hollywood’s most hardworking film composers, the late Jerry Goldsmith.
As of this writing, it’s still difficult to believe that the iconic award-winning legend has departed this plane nearly two decades ago. However, as a testament to his enduring legacy, revered to his a genius-level of compositional skill and understanding in the use (or lack therof) of his contributions to a director’s vision.
To this day, numerous specialty record labels continue to re-release, re-master, often expanding on his hottest-selling efforts, re-recordings, and premiere issues.
This time, Wesley Snipes is on the run from the hot on his heels law enforcer Tommy Lee Jones, with the action deftly complimented by Goldsmith’s propulsive and expansive symphonic orchestral tracks, many cues buffetted by synthesizers and rumbling percussion, making for a markedly improved listening experience on this “Deluxe Edition.”
This new version of the score effectively obliterates the original Varèse Sarabande 30 minute presentation, more than doubling the total running time. Unlike the narrative’s protagonists of this feature’s finale, you will never leave this score exhausted, only satisfied in the fact that Goldsmith’s mastery of scoring in all cinematic genre scores remains peerless.
Release
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New Submission
New Submission
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15 copies from €18.81