Little Feat – Waiting For Columbus
Label: |
Hot Tomato Records – 8122-78274-2 |
|---|---|
Format: |
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Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| 1-1 | The Band | 1:54 | |
| 1-2 | Fat Man In The Bathtub | 4:54 | |
| 1-3 | All That You Dream | 4:29 | |
| 1-4 | Oh Atlanta | 4:20 | |
| 1-5 | Old Folk's Boogie | 4:27 | |
| 1-6 | Dixie Chicken | 8:58 | |
| 1-7 | Tripe Face Boogie | 7:10 | |
| 1-8 | Rocket In My Pocket | 3:58 | |
| 1-9 | Time Loves A Hero | 4:20 | |
| 1-10 | Day Or Night | 5:31 | |
| 1-11 | Mercenary Territory | 4:37 | |
| 1-12 | Spanish Moon | 5:36 | |
| The Encore | |||
| 2-1 | Willin' | 4:42 | |
| 2-2 | Don't Bogart That t | 1:02 | |
| 2-3 | A Apolitical Blues | 3:51 | |
| 2-4 | Sailin' Shoes | 6:24 | |
| 2-5 | Feats Don't Fail Me Now | 5:35 | |
| Previously Unissued Outtakes | |||
| 2-6 | One Love Stand | 4:27 | |
| 2-7 | Rock And Roll Doctor | 4:17 | |
| 2-8 | Skin It Back | 5:40 | |
| 2-9 | On Your Way Down | 6:26 | |
| 2-10 | Walkin All Night | 4:13 | |
| 2-11 | Cold, Cold, Cold | 5:19 | |
| 2-12 | Day At The Dog Races | 12:12 | |
| Outtakes First Issued On Hoy-Hoy! | |||
| 2-13 | Skin It Back | 4:41 | |
| 2-14 | Red Streamliner | 5:00 | |
| 2-15 | Teenage Nervous Breakdown | 4:12 |
Companies, etc.
- Record Company – Warner Music Group
- Record Company – AOL Time Warner
- Recorded At – Rainbow Theatre London
- Recorded At – Lisner Auditorium
- Recorded By – Manor Mobile
- Recorded By – Fedco Audio Labs
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Copyright © – Rhino Entertainment Company
- Made By – Warner Music Manufacturing Europe
- Mixed At – Westlake Audio
- Mixed At – The Complex
- Mixed At – Capitol Studios
- Remastered At – DigiPrep
- Designed At – GAPD
- Pressed By – WMME Alsdorf
Credits
- A&R [Assistance] – Robin Hurley
- Art Direction, Design – Greg Allen (7)
- Band [Little Feat], Bass – Kenny Gradney
- Band [Little Feat], Congas, Percussion, Vocals – Sam Clayton
- Band [Little Feat], Drums, Percussion, Vocals – Richie Hayward
- Band [Little Feat], Vocals, Guitar [Guitars] – Paul Barrère*
- Band [Little Feat], Vocals, Guitar [Guitars], Maracas, Cowbell – Lowell George
- Band [Little Feat], Vocals, Piano, Electric Piano, Organ, Synthesizer – Bill Payne
- Coordinator [Liner Notes] – Leigh Hall
- Featuring [With The Tower Of Power Horn Section], Baritone Saxophone [Baritone Sax] – Stephen "Doc" Kupka*
- Featuring [With The Tower Of Power Horn Section], Tenor Saxophone [1st Tenor Sax], Clarinet, Soloist [Solos], Alto Saxophone [Alto Sax] – Lenny Pickett
- Featuring [With The Tower Of Power Horn Section], Tenor Saxophone [2nd Tenor Sax] – Emilio Castillo
- Featuring [With The Tower Of Power Horn Section], Trumpet [1st], Trombone – Mic Gillette
- Featuring [With The Tower Of Power Horn Section], Trumpet [2nd], Arranged By [Horns] – Greg Adams
- Featuring [With] – Tower Of Power Horn Section
- Featuring [With], Backing Vocals – Patrick Simmons (tracks: 2-14)
- Featuring [With], Guitar – Mick Taylor (tracks: 2-3)
- Liner Notes [Reissue] – B.S.*
- Management – Deep South Entertainment
- Management [Business Affairs] – Malia Doss
- Mixed By – Warren Dewey (tracks: 1-1 to 2-10)
- Mixed By [Assistant Engineers] – Steve Hodge (tracks: 1-1 to 2-10)
- Photography By [Photos] – Robert Matheu
- Producer – Paul Barrère* (tracks: 2-13 to 2-15)
- Product Manager – Emily Cagan
- Recorded By [With The Fedco Remote, Assisted By] – Andy Bloch (tracks: 1-1 to 1-4, 1-12 to 2-2, 2-4 to 2-7, 2-9, 2-10, 2-12 to 2-15)
- Recorded By [With The Fedco Remote] – Warren Dewey (tracks: 1-1 to 1-4, 1-12 to 2-2, 2-4 to 2-7, 2-9, 2-10, 2-12 to 2-15)
- Recorded By [With The Manor Mobile Unit, Assisted By] – Andy Bloch (tracks: 1-5 to 1-11, 2-3, 2-8, 2-11)
- Recorded By [With The Manor Mobile Unit] – George Massenburg (tracks: 1-5 to 1-11, 2-3, 2-8, 2-11)
- Reissue Producer [This Reissue/Compilation Produced For Release By] – Paul Barrere
- Remastered By – Dan Hersch
- Research [Editorial Research] – Steven Chean
- Supervised By [Editorial Supervision] – Sheryl Farber
Notes
Recorded at:
The Rainbow Theatre, London, England, with the Manor Mobile Unit, 8/1/77 (-), 8/2/77 (1-8, 1-11, 2-8), 8/3/77 (1-6, 1-7, 2-3), 8/4/77 (1-5, horn break on 1-6, 1-9, 1-10, 2-11)
Lisner Auditorium, George Washington University, Washington, DC, with the Fedco Remote, 8/8/77 (1-2 to 1-4, 1-12 to 2-2, 2-10, 2-13, 2-14), 8/9/77 (2-5 to 2-7, 2-12, 2-15), 8/10/77 (2-4, 2-9)
[Note: Manchester City Hall, Manchester, England (7/29/77) was also recorded on 24-track tape, but nothing was ever used from this date.]
Disc 1 (all) & disc 2 (2-1 to 2-5) from the original release of Waiting For Columbus, Warner Bros. #2BS-3140 (2/10/78)
Refurbished at Sunset Sound, Hollywood, CA; Westlake Audio, Los Angeles, CA (8/19/77-9/10/77). Mixed at Westlake Audio, Los Angeles, CA (9/12/77-10/16/77)
[Note: For aesthetic reasons, the playing order of Sides 2 (1-9 to 1-12) & 3 (1-6 to 1-8) has been switched so that the band's main set (contained on Disc 1) now concludes with the long ovation that leads into the encore.]
Disc 2 (2-6 to 2-10)
Performances that were refurbished & mixed for the original album Waiting For Columbus, but not used.
Disc 2 (2-11, 2-12)
Selections that were apparently never considered for inclusion on either the original album or Hoy-Hoy! They are newly mixed from the original multitrack tapes and do not contain any overdubs.
Disc 2 (2-13 to 2-15)
First issued on the album Hoy-Hoy!, Warner Bros. #2BSK-3538 (7/29/81)
Refurbished & mixed at George Massenburg Studios (The Complex), West Los Angeles, CA (12/80-3/81)
[Note: This release now contains all the songs that were performed at the series of shows recorded for this album.]
Reissue annotation:
Mixes for "Cold, Cold, Cold" & "Day At The Dog Races" (2-11, 2-12) at Capitol Studios
Art Direction, Design: GregAllen@gapd
This Reissue/Compilation ℗ 1978, 1981 & 2002 Warner Bros. Records Inc. © 1978 & 2002 Warner Bros. Records Inc. & Rhino Entertainment Company.
Made in .
Released in slim double jewel case housed in an extra cardboard sleeve, with 24 pp. booklet.
The Rainbow Theatre, London, England, with the Manor Mobile Unit, 8/1/77 (-), 8/2/77 (1-8, 1-11, 2-8), 8/3/77 (1-6, 1-7, 2-3), 8/4/77 (1-5, horn break on 1-6, 1-9, 1-10, 2-11)
Lisner Auditorium, George Washington University, Washington, DC, with the Fedco Remote, 8/8/77 (1-2 to 1-4, 1-12 to 2-2, 2-10, 2-13, 2-14), 8/9/77 (2-5 to 2-7, 2-12, 2-15), 8/10/77 (2-4, 2-9)
[Note: Manchester City Hall, Manchester, England (7/29/77) was also recorded on 24-track tape, but nothing was ever used from this date.]
Disc 1 (all) & disc 2 (2-1 to 2-5) from the original release of Waiting For Columbus, Warner Bros. #2BS-3140 (2/10/78)
Refurbished at Sunset Sound, Hollywood, CA; Westlake Audio, Los Angeles, CA (8/19/77-9/10/77). Mixed at Westlake Audio, Los Angeles, CA (9/12/77-10/16/77)
[Note: For aesthetic reasons, the playing order of Sides 2 (1-9 to 1-12) & 3 (1-6 to 1-8) has been switched so that the band's main set (contained on Disc 1) now concludes with the long ovation that leads into the encore.]
Disc 2 (2-6 to 2-10)
Performances that were refurbished & mixed for the original album Waiting For Columbus, but not used.
Disc 2 (2-11, 2-12)
Selections that were apparently never considered for inclusion on either the original album or Hoy-Hoy! They are newly mixed from the original multitrack tapes and do not contain any overdubs.
Disc 2 (2-13 to 2-15)
First issued on the album Hoy-Hoy!, Warner Bros. #2BSK-3538 (7/29/81)
Refurbished & mixed at George Massenburg Studios (The Complex), West Los Angeles, CA (12/80-3/81)
[Note: This release now contains all the songs that were performed at the series of shows recorded for this album.]
Reissue annotation:
Mixes for "Cold, Cold, Cold" & "Day At The Dog Races" (2-11, 2-12) at Capitol Studios
Art Direction, Design: GregAllen@gapd
This Reissue/Compilation ℗ 1978, 1981 & 2002 Warner Bros. Records Inc. © 1978 & 2002 Warner Bros. Records Inc. & Rhino Entertainment Company.
Made in .
Released in slim double jewel case housed in an extra cardboard sleeve, with 24 pp. booklet.
Barcode and Other Identifiers
- Barcode (Text): 0 8122-78274-27
- Barcode (String): 081227827427
- Rights Society: GEMA/BIEM
- Label Code: LC 02982
- Matrix / Runout (CD1, variants 1 to 9): [Warner W logo] 812278274-2/1 03/02
- Matrix / Runout (CD2, variants 1 to 9): [Warner W logo] 812278274-2/2.2 03/02
- Mastering SID Code (CD1 & CD2, variants 1 to 9): IFPI L011
- Mould SID Code (CD1, variant 1): IFPI 0568
- Mould SID Code (CD2, variant 1): IFPI 05A5
- Mould SID Code (CD1, variant 2): IFPI 05N2
- Mould SID Code (CD2, variant 2): IFPI 05N9
- Mould SID Code (CD1 variant 3): IFPI 05N7
- Mould SID Code (CD2 variant 3): IFPI 05L3
- Mould SID Code (CD1 variant 4): IFPI 0588
- Mould SID Code (CD2 variant 4): IFPI 05N7
- Mould SID Code (CD1 variant 5): IFPI 05N4
- Mould SID Code (CD2 variant 5): IFPI 05P1
- Mould SID Code (CD1 variant 6): IFPI 05P2
- Mould SID Code (CD2 variant 6): IFPI 05R3
- Mould SID Code (CD1 variant 7): IFPI 057T
- Mould SID Code (CD2 variant 7): IFPI 05P1
- Mould SID Code (CD1 variant 8): IFPI 0581
- Mould SID Code (CD2 variant 8): IFPI 05M7
- Mould SID Code (CD1 variant 9): IFPI 05M8
- Mould SID Code (CD2 variant 9): IFPI 05L2
Other Versions (5 of 119)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Waiting For Columbus (2×LP, Album, Los Angeles Pressing) | Warner Bros. Records | 2BS 3140 | US | 1978 | ||
| Waiting For Columbus (2×LP, Album, Stereo, Gatefold) | Warner Bros. Records | WB 66 075, 2B 3140 | 1978 | ||||
|
Recently Edited
|
Waiting For Columbus (2×LP, Album, Stereo, Gatefold) | Warner Bros. Records | WB 66 075, WB 66075, 2BS-3140, 2B 3140 | Netherlands | 1978 | ||
|
Recently Edited
|
Waiting For Columbus (2×LP, Album, Gatefold) | Warner Bros. Records | K66075, K 66075 | UK | 1978 | ||
|
Recently Edited
|
Waiting For Columbus (2×LP, Album, Stereo, Gatefold) | Warner Bros. Records | W 66075 | Italy | 1978 |
Recommendations
Reviews
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rather over-extended. little feat were a great band at one point or another, and lowell george a remarkable songwriter, but this live recording has a somewhat self-satisfied feel. however, it has its moments.
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