Bob Dylan – Blood On The Tracks
Label: |
Sony Music Commercial Music Group – 88985457481 |
|---|---|
Series: |
Original Master Recording |
Format: |
Box Set
, Limited Edition, Numbered
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Ballad |
Tracklist
| A1 | Tangled Up In Blue | |
| A2 | Simple Twist Of Fate | |
| B1 | You're A Big Girl Now | |
| B2 | Idiot Wind | |
| B3 | You're Gonna Make Me Lonesome When You Go | |
| C1 | Meet Me In The Morning | |
| C2 | Lily, Rosemary And The Jack Of Hearts | |
| D1 | If You See Her, Say Hello | |
| D2 | Shelter From The Storm | |
| D3 | Buckets Of Rain |
Companies, etc.
- Record Company – Sony Music Entertainment
- Manufactured By – Sony Music Entertainment
- Manufactured For – Mobile Fidelity Sound Lab, Inc.
- Distributed By – Mobile Fidelity Sound Lab, Inc.
- Licensed From – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Copyright © – Columbia Records
- Phonographic Copyright ℗ – Columbia Records
- Distributed By – Mobile Fidelity Sound Lab, Inc.
- Mastered At – Mobile Fidelity Sound Lab
- Lacquer Cut At – Mobile Fidelity Sound Lab
- Mastered At – Record Technology Incorporated – 33129
- Mastered At – Record Technology Incorporated – 33191
- Pressed By – Record Technology Incorporated
- Copyright © – Ram's Horn Music
Credits
- Art Direction – Ron Coro
- Engineer – Phil Ramone
- Illustration [Back Cover Illustration], Cover [Back Cover Illustration] – David Oppenheim (3)
- Lacquer Cut By – KW*
- Liner Notes – Pete Hamill
- Mastered By – Krieg Wunderlich
- Mastered By [Assisted By] – Shawn R. Britton
- Musician – Eric Weissberg And Deliverance
- Musician, Bass – Tony Brown (3)
- Musician, Organ – Paul Griffin
- Musician, Steel Guitar – Buddy Cage
- Photography By [Cover Photo], Cover [Cover Photo] – Paul Till
Notes
1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe
Limited to 9,000 hand-numbered copies. Pressed at RTI on SuperVinyl.
Mastered at Mobile Fidelity Sound Lab®, Sebastopol, CA on The Gain 2 Ultra Analog System™
©1975, 2018 Columbia Records, a division of Sony Music Entertainment / ℗1975, 2018 Columbia Records, a division of Sony Music Entertainment / Manufactured for Mobile Fidelity Sound Lab, Inc. by Sony Music Entertainment.
Specially Plated and Pressed on 180 Grams of High Definition Vinyl. Distributed by Mobile Fidelity Sound Lab, Inc., under license from Sony Music Entertainment.
SuperVinyl™ formulae developed and manufactured by NeoTech.
Includes jacket with reproduction artwork (featuring black printing), each LP housed in individual jacket, and info sheet insert.
First cat. # (UD1S 2-006) on labels, box spine, box back sticker.
Second cat. # (88985457481) on box back, sleeves, in label matrices.
© 1974 Rams Horn Music
Limited to 9,000 hand-numbered copies. Pressed at RTI on SuperVinyl.
Mastered at Mobile Fidelity Sound Lab®, Sebastopol, CA on The Gain 2 Ultra Analog System™
©1975, 2018 Columbia Records, a division of Sony Music Entertainment / ℗1975, 2018 Columbia Records, a division of Sony Music Entertainment / Manufactured for Mobile Fidelity Sound Lab, Inc. by Sony Music Entertainment.
Specially Plated and Pressed on 180 Grams of High Definition Vinyl. Distributed by Mobile Fidelity Sound Lab, Inc., under license from Sony Music Entertainment.
SuperVinyl™ formulae developed and manufactured by NeoTech.
Includes jacket with reproduction artwork (featuring black printing), each LP housed in individual jacket, and info sheet insert.
First cat. # (UD1S 2-006) on labels, box spine, box back sticker.
Second cat. # (88985457481) on box back, sleeves, in label matrices.
© 1974 Rams Horn Music
Barcode and Other Identifiers
- Barcode (Text): 8 21797 20062 2
- Barcode (Scanned): 821797200622
- Rights Society: ASCAP
- Matrix / Runout (Side A label): 88985457481A
- Matrix / Runout (Side B label): 88985457481B
- Matrix / Runout (Side C label): 88985457481C
- Matrix / Runout (Side D label): 88985457481D
- Matrix / Runout (Side A runout): UD1S 2-006A 19 KW@MOFI 33129.1 (1)...
- Matrix / Runout (Side B runout): UD1S 2-006B 19 KW@MOFI 33129.2 (1)...
- Matrix / Runout (Side C runout): UD1S 2-006C 20 KW@MOFI 33191.3 (1)...
- Matrix / Runout (Side D runout): UD1S 2-006D 20 KW@MOFI 33191.4 (1)...
Other Versions (5 of 261)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Blood On The Tracks (LP, Album, Stereo) | CBS | 69097, CBS 69097, PC 33235 | Europe | 1975 | |||
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Recently Edited
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Blood On The Tracks (LP, Album, Stereo) | CBS | CBS 69097, S 69097, PC 33235 | UK | 1975 | ||
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Recently Edited
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Blood On The Tracks (8-Track Cartridge, Album, Stereo) | Columbia | PCA 33235 | US | 1975 | ||
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Recently Edited
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Blood On The Tracks (LP, Album, Stereo, Terre Haute Pressing, Black Liner Notes) | Columbia | PC 33235 | US | 1975 | ||
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Recently Edited
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Blood On The Tracks (LP, Album) | CBS | SBP 474262, PC 33235 | New Zealand | 1975 |
Recommendations
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2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
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2022 USVinyl —LP, Album, Reissue, Remastered, Stereo -
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2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
2015 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
Reviews
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Just compared this with the MoFi SACD, and it's clear that this mastering puts additional emphasis on Dylan's vocal and guitar, rather than the backing instrumentation, while the SACD brings the other instruments up to a comparable volume to match the vocals. Which makes this release's version of "Idiot Wind" cut like a knife, without sounding shrill, while "Tangled Up In Blue"'s chiming guitar harmonics are pushed to the background.
Oh, and the SACD curiously does not mute the sound of the leader tape between songs. -
Edited 3 months agoIts hard to believe this hasnt sold out and isnt commanding silly prices. To think the Santana Abraxas 1Step commands silly fees as such while arguably being inferior in some aspects to its 2008 33rpm counterpart makes it furthermore so.
This one is INCREDIBLE. It walks the 33rpm edition and then some.... bass impact, clarity, soundstage and air, dynamics and sheer signal to noise.... off the charts good and it takes about 10 seconds of A/B to FEEL THIS! If only they were always this definitive, but sadly not all the 1Steps have been. Oh well like the Abraxas proves, theres plenty who will pay through the anal cavity for unwanted 1Steps!!!
The downside for me would be the packaging which sucks when a lovely tip on gatefold is more than enough to do justice to the album. -
Just incredible. Grew up with the record but have never experienced it quite like this. Night and day difference compared to the standard Mofi 33. -
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Funny how the only negative reviews pop up after MoFi Gate. This version is definitive and offers an amazing listening experience. Easily the best sound version of this album and worth every penny you’ll pay for it. And no, it doesn’t “sound digital” …lol
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Wanted to love this but not the case. I keep chasing the perfect BOTT and was hoping this was it. I think I have just about every US pressing of this classic. My sealed copy was incredibly filthy upon first glance. Even had some glue or some other sticky candy-like substance on the opening track. Wet cleaned both LP’s and found a measure of improvement eliminating clicks and pops. Sonically it seems to lack any brightness. After making EQ adjustments it is a very listenable pressing but not the “Go To” copy I was hoping I finally found. For the money it’s somewhat of a disappointment. I gave it 4 stars because there’s no 3.5 button. -
Yes, this record has it all except sound stage depth. In that department it has none. Despite all the fidelity, it sounds dimensionally flat and left me disappointed. The Absolute Analogue pressing from 1998 is still a better listen. I'm glad everybody loves this because I can sell mine, doubt I'll listen to it again
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This is the Best Mastering and Pressing of this masterpiece from Bob. He is in the room with you strumming a guitar . Such an amazing soundscape.
Release
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Recently Edited
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