MadonnaHard Candy

Label:

Warner Bros. Records – 470972-1

Format:

All Media , Album
Vinyl , LP, Repress , White w/ Blue Splatter
Vinyl , LP, Repress , White w/ Pink Splatter
Vinyl , 12", 33 ⅓ RPM , Black
CD , Album

Country:

US

Released:

Genre:

Pop

Style:

Contemporary R&B

Tracklist

LP-A1 Candy Shop
EngineerAndrew Coleman (3)
4:16
LP-A2 4 Minutes
FeaturingTimbaland
KeyboardsDanja
ScratchesDJ Demo*
Written-ByT. Mosley*
4:04
LP-A3 Give It 2 Me 4:48
LP-B1 Heartbeat
EngineerAndrew Coleman (3)
4:04
LP-B2 Miles Away
GuitarJustin Timberlake
Written-ByT. Mosley*
4:49
LP-B3 She's Not Me
GuitarWendy Melvoin
6:05
LP-C1 Incredible 6:20
LP-C2 Beat Goes On
FeaturingKanye West
Written-ByK. West*
4:27
LP-C3 Dance 2night
Bass, GuitarDarrell Pearson*
Co-producerHannon Lane
KeyboardsHannon Lane
Written-ByT. Mosley*
5:03
LP-D1 Spanish Lesson
GuitarMonte Pittman
3:38
LP-D2 Devil Wouldn't Recognize You
KeyboardsDanja
ScratchesDJ Demo*
Written-ByT. Mosley*
5:09
LP-D3 Voices
Co-producerHannon Lane
InstrumentsDanja
StringsStevie Blacke
Written-ByT. Mosley*
3:39
Bonus Disc
12"-E 4 Minutes (Tracy Young Mixshow)
FeaturingTimbaland
Producer [Additional Production]Joe Carrano
RemixTracy Young
6:19
12"-F 4 Minutes (Peter Saves New York)
FeaturingTimbaland
Producer [Additional Production]Eric Kupper
RemixPeter Rauhofer
10:52
CD-1 Candy Shop 4:16
CD-2 4 Minutes 4:04
CD-3 Give It 2 Me 4:08
CD-4 Heartbeat 4:04
CD-5 Miles Away 4:49
CD-6 She's Not Me 6:05
CD-7 Incredible 6:20
CD-8 Beat Goes On 4:27
CD-9 Dance 2night 5:03
CD-10 Spanish Lesson 3:38
CD-11 Devil Wouldn't Recognize You 5:09
CD-12 Voices 3:39

Companies, etc.

  • Record CompanyWarner Bros. Records Inc.
  • Record CompanyWarner Music Group
  • Copyright ©Warner Bros. Records Inc.
  • Copyright ©WEA International Inc.
  • Phonographic Copyright ℗Warner Bros. Records Inc.
  • Phonographic Copyright ℗WEA International Inc.
  • Pressed ByGZ Digital Media – 76679E
  • Pressed ByRainbo Records – S-65293
  • Pressed ByRainbo Records – S-65294
  • Pressed ByCinram, Olyphant, PA – Z69097

Credits

  • Art Direction [Art Director]Giovanni Bianco
  • Backing VocalsJustin Timberlake (tracks: LP-B2, LP-C3, LP-D2, LP-D3)
  • Co-producerMadonna (tracks: LP-A1, LP-A3, LP-B1, LP-B3 to LP-C2, LP-D1)
  • DrumsTimbaland (tracks: LP-A2, LP-C3, LP-D2)
  • Edited By [Protools]Ron Taylor (tracks: LP-A2, LP-B2, LP-C3,LP- D2, LP-D3)
  • EngineerVadim Chislov (tracks: LP-A2, LP-B2, LP-C3, LP-D2, LP-D3)
  • Executive-ProducerMadonna
  • GuitarDan Warner (tracks: LP-B2, LP-C3, LP-D3)
  • Keyboards [Additional]Hannon Lane (tracks: LP-B2, LP-D2, LP-D3)
  • Lacquer Cut ByKPG*
  • Mixed ByAndrew Coleman (3) (tracks: LP-A3, LP-B3 to LP-C2, LP-D1)
  • Photography BySteven Klein
  • ProducerTimbaland (tracks: LP-A2, LP-B2, LP-C3, LP-D2, LP-D3)
  • Programmed By, Mixed By, Recorded ByDemacio "Demo" Castellon (tracks: LP-A2, LP-B2, LP-C3, LP-D2, LP-D3)
  • Recorded ByMarcella "Ms. Lago" Araica* (tracks: LP-A2, LP-B2, LP-C3, LP-D2, LP-D3)
  • Recorded By [Additional]Nate Hertwick* (tracks: LP-A1, LP-A3, LP-B1, LP-B3 to LP-C2, LP-D1)
  • Recorded By, Mixed BySpike Stent* (tracks: LP-A1, LP-A3, LP-B1, LP-B3 to LP-C2, LP-D1)
  • Written-ByP. Williams* (tracks: LP-A1, LP-A3, LP-B1, LP-B3 to LP-C2, LP-D1)

Notes

The vinyl discs are d as "Candy Colored" on the hype sticker: disc one is White with Blue splatter, disc two is White with Pink splatter.

This is the 2nd pressing of the album and is the corrected release pressed by GZ Digital Media (identified by 76679E in the LP runouts), following a recall by Madonna of the original 1st pressing color misprint, which has Solid Blue and Solid Pink vinyl discs (pressed by Rainbo and identified by S-6528x in LP runouts).

A mispressed version of the Solid Blue & Pink misprint was also released, with tracks by an unknown artist on Side A.

3 Disc Set Includes:
- Deluxe Gatefold Jacket
- Full-Length "Hard Candy" album on two Candy Colored vinyl discs.
- Exclusive DJ Remix 12" - Side A: "4 Minutes (Tracy Young Mixshow)" - Side B: "4 Minutes (Peter Saves New York)" on black vinyl.
- Standard "Hard Candy" album on CD in a generic die-cut white paper sleeve.
Catalogue No. 1-470972 (#1).

© 2008 Warner Bros. Records Inc.
©℗ 2008 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S.
Made in the U.S.

Barcode and Other Identifiers

  • Barcode (Text): 0 9362-49868-6 7
  • Barcode (String): 093624986867
  • Barcode (scan 13 ean): 0093624986867
  • Matrix / Runout (Runout Side A): 1-421372-A KPG@ATM 76679E1/A 17478.1 (3) ⋅⋅⋅
  • Matrix / Runout (Runout Side B): 1-421372-B KPG@ATM 76679E2/A 17478.2 (3) ⋅⋅⋅
  • Matrix / Runout (Runout Side C): 1-421372- C KPG@ATM 76679E3/A 17478.3 (3) ⋅⋅⋅
  • Matrix / Runout (Runout Side D): 1-421372-D KPG@ATM 76679E4/A 17478.4 (3) ⋅⋅⋅
  • Matrix / Runout (Runout Side E): 3905- 470972- 1(A) DISC 3 S-65293 [signature]
  • Matrix / Runout (Runout Side F): 3905- 470972 - 1(B) DISC 3 S-65294 [signature]
  • Matrix / Runout (CD): 1 421372-2 TEXT 01 M1S13 Z69097
  • Mastering SID Code (CD, appears twice): ifpi L909
  • Mould SID Code (CD): IFPI 2U9E

Other Versions (5 of 77)

View All
Title (Format) Label Cat# Country Year
Hard Candy (CD, Album) Warner Bros. Records 9362-49884-9, 936249884-9 Europe 2008
Hard Candy (CD, Album, Box Set, Limited Edition) Warner Bros. Records 440444-2 UK, Europe & US 2008
Hard Candy (CD, Album) Warner Bros. Records 421372-2 US 2008
Recently Edited
Hard Candy (CD, Album) Warner Bros. Records 511269-2 US 2008
Recently Edited
Hard Candy (CD, Album) Warner Bros. Records 9362498849 Australia 2008

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Reviews

  • francocimaglia's avatar
    francocimaglia
    Reviewing every record in my collection:

    Ok THIS: This is the real deal

    Great packaging, Beautiful Discs and AWESOME Sounding Vinyl. The mastering on this album has never been the best, the cd sounds canned and compressed and the streaming versions sound ok, nothing special. But This, this sounds like a whole different mastering, either that or I was extremely lucky with my pressing since after all these years the records don't have any background noise and the bass it's greatly balanced, I would go as far as to say that is missing a bit in that department (which I deeply prefer, since I don't like bassy masterings) my only complaints are that certain songs have the S's way to sharp, but listening to other sources such as the cd and streaming also suffer of this (it's particularly noticing in She's Not Me)

    I've listened the Solid color ones in the past and they sound ten times worse than this one; those are big bass heavy and with lots of background noise. These ones not only sound better, but also look much better.

    Definitely a 10/10 pressing, must have in any collection
    • DJCVR's avatar
      DJCVR
      Surrounded By Idiots meets Madonna. I had to check this out and after hearing the Kanye tracks on "Rebel Heart" I have to say Madonna does better with Ye. The Timbo tracks stand out : "4 Minutes" is a "FutureSex" throwaway and "Dance 2Night" sounds like a preview off "20/20" while "Devil ..." sounds like a throwaway off "Shock Value". The only Timbo collab that sounds original is "Miles Away" a ballad that feels like 80's pop updated with a timeless tale of love lost.
      "Give it 2 Me" has one of the most insane synth breaks I've heard on a record but the veiled GAGA disses on "She's Not Me" made me recall why I put a flame to my copy of Britney's greatest hits : Sex kittens from Madonna's family tree (including Madonna herself) just dont have GAGA's lyrical ability or vocal range, and after that diss led to the second disc, I could tell this wasn't the woman off the "Holiday" record that even made me take a peek in her discography.
      Other than being an industry jump off, this album shows that not even with the work of VA's best can Madonna put together a dope record.
      A few choice cuts could have been handled by other artists and are obvious throwaways or re-workings of tracks from the Surrounded By Idiots camp ("Spanish Lesson" is just "Spanglish" off "Justified").
      All I learned from "Hard Candy" is that Madonna is an overrated industry jump off.
      • Recordyear72's avatar
        Recordyear72
        My copy is perfect. I also paid less than $25 used. These sellers are like ticket scalpers. I don't care if it's out of print, misprint, blue, pink ,yellow or black or even if it was a scratch and sniff. The album was released at $34.99. I would never pay more than $50 for a vg+ or better vinyl. None are actually worth that to me.
        • PokemonBlueVersion's avatar
          The original misprint with the solid blue and pink discs sounds a bit better than this white splatter edition.

          Both sound very good, but the clarity and bass are a bit better on the solid blue/pink misprint than on this version. I'm guessing it's because the misprint is a first pressing, or possibly due to the pressing plant. Otherwise this is a good version to have since it does sound better than the CD.
          • boytoysoldierco's avatar
            boytoysoldierco
            Pressing absolutely knocks. Sounds eons superior to both CD and high-res digital. Dynamic bass. Much more depth, sizzle to the production. Tracks really come out at you loud and proud, very happy to own this! The extra DJ 12” is a nice touch, the remixes are solid. Gorgeous candy splatter vinyl, thick discs. Overall beautiful presentation with a full color trifold jacket. The essential edition of this album to own, for sure.
            • bijanxx's avatar
              bijanxx
              The sound quality on this is stellar. I was a bit fearful, based on some reviews, that this was gonna just be eye candy. Nope, it sounds crisp AND is pretty to look at. So happy to have this in my collection.
              • sk8erbrofeet's avatar
                sk8erbrofeet
                Edited 3 years ago
                THIS WAS MASTERED DIFFERENTLY THEN THE CD.

                To anyone who thinks this sounds like the CD, check that everything is aligned and that you aren’t using some low budget cartridge/stylus or pre-amp. If you have cheap equipment of course you won’t hear a difference.

                On the CD some of the clipping from being too loud is almost unbearable. Listen to “Voices” side by side, it’s toned down, balanced and easier to listen to. It’s the same story with Devil The Beat Goes on. Heavy bass songs are warmer and sound more natural.

                I’m not someone who thinks something sounds better just because it’s on a record. Example with American Life, the CD is the clear winner. Only the cassette Of American Life is mastered better then the CD. (That never happens.) I recorded Hard Candy LP to a Type 4 Metal Cassette and listen to that now when I’m lazy.
                • lenny087's avatar
                  lenny087
                  The sound quality on this is just ok. Sounds like you're playing the cd. A little disappointing, it's nothing like the sound quality of Ray of Light, both the blue version and black which are 'incredible'. The packaging and the pink and blue swirl effect vinyl make up for it.
                  • aidiothir's avatar
                    aidiothir
                    My favorite Madonna album. These prices are insane unfortunately. Also it hasn't pressed in Europe all these years, so i'am waiting this to get a European repress if ever in the future so that i can buy it.
                    • onmyd's avatar
                      onmyd
                      What is the "Pin" that is listed as coming with this record? PIN code or a badge?

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