Basement Jaxx – Remedy
Label: |
XL Recordings – XLCD 129 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Big Beat |
Tracklist
| 1 | Rendez-Vu | 5:45 | |
| 2 | Yo-Yo | 4:29 | |
| 3 | Jump N' Shout | 4:42 | |
| 4 | U Can't Stop Me | 3:40 | |
| 5 | Jaxxalude | 0:35 | |
| 6 | Red Alert | 4:17 | |
| 7 | Jazzalude | 0:23 | |
| 8 | Always Be There | 6:24 | |
| 9 | Sneakalude | 0:11 | |
| 10 | Same Old Show | 5:55 | |
| 11 | Bingo Bango | 5:58 | |
| 12 | Gemilude | 0:47 | |
| 13 | Stop 4 Love | 4:53 | |
| 14 | Don't Give Up | 5:14 | |
| 15 | Being With U | 3:49 |
Companies, etc.
- Phonographic Copyright ℗ – XL Recordings
- Phonographic Copyright ℗ – XL Recordings Ltd.
- Copyright © – XL Recordings
- Distributed By – Vital (2)
- Published By – MCA Music Ltd.
- Published By – Copyright Control
- Glass Mastered At – Nimbus – D3287
- Pressed By – Nimbus – D3287
- Mastered At – The Exchange
Credits
- Mastered By – Mike Marsh
- Written-By – Ratcliffe* (tracks: 1 to 4, 6, 8, 10, 11, 13 to 15)
Notes
Standard jewel case with a clear tray and a 3- fold-out booklet.
Brit Awards 2000 Nominee
All tracks published by MCA Music except track 10 published by Copyright Control.
The copyright in this sound recording is owned by XL Recordings Ltd.
℗ XL Recordings 1999. © XL Recordings 1999.
Made in England.
Track 6 contains a sample from 'Far Beyond' performed by Locksmith. Used courtesy of Arista Records Inc.
Track 10 contains samples from 'Hip Hop vs. Rap' performed by KRS-One courtesy of Nervous Records.
Track 11 contains a sample from 'Merenque' by Bolivar courtesy of Wave Records (10).
Matrices and Mastering SID Codes are mirrored. The last two digits of the matrix are dotted (e.g. 1 reads ⁞).
Brit Awards 2000 Nominee
All tracks published by MCA Music except track 10 published by Copyright Control.
The copyright in this sound recording is owned by XL Recordings Ltd.
℗ XL Recordings 1999. © XL Recordings 1999.
Made in England.
Track 6 contains a sample from 'Far Beyond' performed by Locksmith. Used courtesy of Arista Records Inc.
Track 10 contains samples from 'Hip Hop vs. Rap' performed by KRS-One courtesy of Nervous Records.
Track 11 contains a sample from 'Merenque' by Bolivar courtesy of Wave Records (10).
Matrices and Mastering SID Codes are mirrored. The last two digits of the matrix are dotted (e.g. 1 reads ⁞).
Barcode and Other Identifiers
- Barcode (Text): 6 34904 01292 2
- Barcode (Scanned): 634904012922
- Matrix / Runout (Variant 1): D3287 XLCD 129 1:1 [Nimbus logo]
- Mastering SID Code (Variant 1): IFPI L123
- Mould SID Code (Variant 1): ifpi 2301
- Matrix / Runout (Variant 2): D3287 XLCD 129 1:5 [Nimbus logo]
- Mastering SID Code (Variant 2): IFPI L123
- Mould SID Code (Variant 2): ifpi 2305
- Matrix / Runout (Variant 3): D3287 XLCD 129 1:0 [Nimbus logo]
- Mastering SID Code (Variant 3): IFPI L123
- Mould SID Code (Variant 3): ifpi 2319
- Matrix / Runout (Variant 4): D3287 XLCD 129 1:1 [Nimbus logo]
- Mastering SID Code (Variant 4): IFPI L123
- Mould SID Code (Variant 4): ifpi 2317
- Matrix / Runout (Variant 5): D3287 XLCD 129 1:1 [Nimbus logo]
- Mastering SID Code (Variant 5): IFPI L123
- Mould SID Code (Variant 5): ifpi 2304
- Matrix / Runout (Variant 6): D3287 XLCD 129 1:1 [Nimbus logo]
- Mastering SID Code (Variant 6): IFPI L123
- Mould SID Code (Variant 6): ifpi 2318
- Matrix / Runout (Variant 7): D3287 XLCD 129 :· 1:3 [Nimbus logo]
- Mastering SID Code (Variant 7): IFPI L123
- Mould SID Code (Variant 7): ifpi 2333
- Matrix / Runout (Variant 8): D3287 XLCD 129 1:3 [Nimbus logo]
- Mastering SID Code (Variant 8): IFPI L123
- Mould SID Code (Variant 8): ifpi 2335
- Matrix / Runout (Variant 9): D3287 XLCD 129 :·: 1:2 [Nimbus logo]
- Mastering SID Code (Variant 9): IFPI L123
- Mould SID Code (Variant 9): ifpi 2305
- Matrix / Runout (Variant 10): D3287 XLCD 129 1:5 [Nimbus logo]
- Mastering SID Code (Variant 10): IFPI L123
- Mould SID Code (Variant 10): ifpi 2316
- Matrix / Runout (Variant 11): D3287 XLCD 129 :·: 1:5 [Nimbus logo]
- Mastering SID Code (Variant 11): IFPI L123
- Mould SID Code (Variant 11): ifpi 242A
- Matrix / Runout (Variant 12): D3287 XLCD 129 :·: 1:4 [Nimbus logo]
- Mastering SID Code (Variant 12): IFPI L123
- Mould SID Code (Variant 12): ifpi 2304
- Matrix / Runout (Variant 13): D3287 XLCD 129 ː∙ 1:0 [Nimbus logo]
- Mastering SID Code (Variant 13): IFPI L123 IFPI L123
- Mould SID Code (Variant 13): ifpi 2319
- Matrix / Runout (Variant 14): D3287 XLCD 129 ː∙ 1:0 [Nimbus logo]
- Mastering SID Code (Variant 14): IFPI L123 IFPI L123
- Mould SID Code (Variant 14): ifpi 2329
Other Versions (5 of 42)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Remedy (2×LP, Album) | XL Recordings | XLLP 129 | UK | 1999 | |||
| Remedy (CD, Album) | Astralwerks | ASW 6270-2, 0 1704 66270 2 3 | US | 1999 | |||
| Remedy (CD, Album) | SAR (3) | AICT 63 | Japan | 1999 | |||
| Remedy (Cassette, Album) | XL Recordings | XLMC 129 | UK | 1999 | |||
|
Recently Edited
|
Remedy (CD, Album) | XL Recordings | 827.0129.20, XLCD 129 | Europe | 1999 |
Recommendations
Reviews
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Basement Jaxx is an interesting concept. they mix house with drum'n'bass and the neodisco thing and have no fear to make themselves ridiculous. i think they are more 'p-funk' than others might claim themselves. some tracks are silly, some get on the listeners' nerves, but the album works. and there are two really great tracks on it: "always be there" - a dramatic dnb-house-something (with very good female vocals) that explores the frontiers of the mind, and "don't give up" which comes without a real beat.
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