The Alan Parsons ProjectPyramid

Genre:

Pop

Style:

Art Rock

Year:

Tracklist

Voyager 2:24
What Goes Up... 3:31
The Eagle Will Rise Again 4:20
One More River 4:15
Can't Take It With You 5:06
In The Lap Of The Gods 5:27
Pyramania 2:45
Hyper-Gamma-Spaces 4:19
Shadow Of A Lonely Man 5:34

Credits (27)

Versions

Filter by
    253 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, All Disc Pressing
    Arista – AB 4180 US 1978 US1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Stereo
    Arista – 7C 062-60792 Scandinavia 1978 Scandinavia1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Stereo
    EMI Electrola – 1C 064-60 792 1978 1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Stereo, Gatefold
    Arista – 3C 064 - 60792 Italy 1978 Italy1978
    Recently Edited
    Cover of Pyramid, 1978-05-26, Vinyl Pyramid
    LP, Album, Stereo, Gatefold
    Arista – SPART 1054 UK 1978 UK1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – 5N 058-60792 Netherlands 1978 Netherlands1978
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – AB 4180 Canada 1978 Canada1978
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    Arista – 14C 062-60792 Greece 1978 Greece1978
    New Submission
    Cover of Piramide, 1978, Vinyl Piramide
    LP, Album, Stereo, Gatefold
    Arista – AB 4180 Argentina 1978 Argentina1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    Arista – AB 4180 Singapore, Malaysia & Hong Kong 1978 Singapore, Malaysia & Hong Kong1978
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Stereo
    Arista – SPART 1054 Yugoslavia 1978 Yugoslavia1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – SPART 4C 058-60792 Belgium 1978 Belgium1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    Arista – AB 4180 New Zealand 1978 New Zealand1978
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold Cover
    Arista – SPART.1054 Australia 1978 Australia1978
    Recently Edited
    Cover of Pyramid, 1978, Cassette Pyramid
    Cassette, Album
    Arista – ATC-4180 US 1978 US1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Blue Transparent
    Arista – 7C 062-60792 Scandinavia 1978 Scandinavia1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Limited Edition, Orange, Gatefold
    Arista – 5N 058N-60792 Netherlands 1978 Netherlands1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    Arista – 10C066-060.792 Spain 1978 Spain1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Polygram – 14C 064-9198743 Greece 1978 Greece1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    Arista – 18(0931)00127 Colombia 1978 Colombia1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Club Edition
    Arista – 27 699-8 1978 1978
    New Submission
    Cover of Pyramid, 1978-06-00, Vinyl Pyramid
    LP, Album, Terre Haute Press
    Arista – AB 4180 US 1978 US1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – 2C 068 60792 1978 1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    EMI Electrola – 1C 064-60 792 1978 1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    Arista – AB 4180 US 1978 US1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – 8E 072 - 60 792 Portugal 1978 Portugal1978
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – ASTJ(D) 44 South Africa 1978 South Africa1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    Arista – 31C 064 60792 Brazil 1978 Brazil1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – 33C 062-60792 Mexico 1978 Mexico1978
    Recently Edited
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – 4C 058-60792 Belgium 1978 Belgium1978
    Cover of Pyramid, 1978, 8-Track Cartridge Pyramid
    8-Track Cartridge, Album, Stereo
    Arista – AT8 4180 US 1978 US1978
    Recently Edited
    Cover of Pyramid, 1978, Cassette Pyramid
    Cassette, Album
    EMI Electrola – 1C 264-60 792 1978 1978
    New Submission
    Cover of Pyramid = Pirámide, 1978, Cassette Pyramid = Pirámide
    Cassette, Album
    Arista – 10 C 266-060.792 Spain 1978 Spain1978
    New Submission
    Cover of Pyramid = ピラミッド, 1978, Vinyl Pyramid = ピラミッド
    LP, Album, Stereo, Gatefold
    Arista – IES-81095 Japan 1978 Japan1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Club Edition, Stereo, Indianapolis Pressing
    Arista – AB 4180 US 1978 US1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – 14C 064-60792 Greece 1978 Greece1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    BLAM (2) – 1025 Turkey 1978 Turkey1978
    Recently Edited
    Cover of Pyramid, 1978, Cassette Pyramid
    Cassette, Album
    Arista – TCAB 4180 New Zealand 1978 New Zealand1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album
    EMI International – BOLP-416 Bolivia 1978 Bolivia1978
    New Submission
    Cover of Pyramid, 1978, Vinyl Pyramid
    LP, Album, Gatefold
    Arista – ASTJ 44 South Africa 1978 South Africa1978
    New Submission

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    Reviews

    • emcee65evil's avatar
      emcee65evil
      Fantastic pressing, ultra quiet background and excellent dynamic remaster!
      Absolutely kills my respectable Japanese pressing, well worth adding to your collection.
      • estebanmejiamesa's avatar
        Edited 2 months ago
        As a longtime collector of Pyramid, I was excited to receive this 45 RPM special edition. Having owned multiple pressings, from '70s originals to recent reissues, I had high hopes. While the pressing is exceptional, the mastering leaves much to be desired.

        The Pressing: Absolutely Top-Tier. Pressed by Optimal Media, this 180g vinyl is flawless, perfectly flat, dead silent, and free of any surface noise. The build quality is as good as it gets.

        The Mastering: Lacks Energy and Depth. Here’s where things get disappointing. The sound isn’t bad, but it’s surprisingly lifeless for a 45 RPM release. Compared to earlier versions, this one feels too restrained:

        ✔ Mids are recessed, losing warmth and clarity.
        ✔ Lacks dynamics, missing the punch and excitement expected at 45 RPM.
        ✔ Older pressings -yes, even standard '70s versions- sound richer and more engaging.

        If you're after a pristine pressing, this delivers. But if you’re looking for the ultimate sonic experience, this isn’t it. A missed opportunity for what could have been the definitive version.

        ⭐⭐⭐ 3/5 – Great pressing, underwhelming sound.
        • francoiswalhain's avatar
          Edited 3 months ago
          Absolutely perfect pressing
          Vinyl is also rigid and flat in a high quality inner sleeve
          No clicks no pops. Sounds like a digital file : clinical and no particular emotion, from a musical standpoint I prefer Eye in the Sky
          • 19Walrus67's avatar
            19Walrus67
            This version by far sounds the best. I've compared US, UK, Swedish and this German pressed version easily wins. Very dynamic. The UK isn't bad at all and does come with a gatefold jacket, the Swedish is nice but too polite and the US is dull and uninvolving. I'll take the German press any day of the week.
            • Spicoli66's avatar
              Spicoli66
              Yip - this is the best pressing you’ll get. It’s got more punch and clarity than any UK or Japanese original (which I have). There’s tons of base and a full soundstage. MOV are probably the most under-rated vinyl pressing firms around. I have so many unexpectedly good pressings from these guys.

              Cost me A$50 and it’s as good as any MFSL version of other albums (excl the 2x 45rpm which are in another league).

              Buy it and be happy.
              • midasminer's avatar
                midasminer
                Agree with others, MOV did great on this one. I bought a signed copy at his concert in Reno, NV.
                • ocalcagni's avatar
                  ocalcagni
                  A remarkable sound, an audiophile experience from start to finish.
                  • upsbucky's avatar
                    upsbucky
                    Edited 8 months ago
                    I can't speak for all of the digital discs because I haven't played them yet. I bought this set for the double 45 vinyl. I know that is a ridiculously amount of coin to spend on one album but the audio quality of the lps are fantastic. Some say they can't tell the difference between 45 and 33 1/3 but my ears can. And if buying this set is the only way to acquire it then I'm in. I've got the Tales, Eye In The Sky and Ammonia Avenue box sets too and have been very happy with those also. Besides all the discs you do get a beautiful hardcover book with lots of interesting facts and photos along with a full size poster. The Alan Parsons Project has been a #1 band for me since at least the mid eighties, have seen them live going on 5 times now and that's why I don't hesitate buying these glorified box sets.
                    • Miami-Vice's avatar
                      Miami-Vice
                      I wonder what is done with a half speed process by Miles Showell in the Abbey Road Studios so that it doesn't sound better than a 46 year old Japanese pressing? Not to mention the German pressing. I keep saying it: Alan Parsons Project records don't need to be remastered. The gain is marginal, if anything. But in of transparency, dynamics, stage and everything else you can name, the half speed can't compete. If it were the other way around, I would be delighted. But that's not the case. (Verified purchase)
                      • Miami-Vice's avatar
                        Miami-Vice
                        I wonder what is done with a half speed process by Miles Showell in the Abbey Road Studios so that it doesn't sound better than a 46 year old Japanese pressing? Not to mention the German pressing. I keep saying it: Alan Parsons Project records don't need to be remastered. The gain is marginal, if anything. But in of transparency, dynamics, stage and everything else you can name, the half speed can't compete. If it were the other way around, I would be delighted. But that's not the case. (Verified purchase)

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                        • Avg Rating:4.06 / 5
                        • Ratings:5751

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