The Doors – Strange Days 1967: A Work In Progress
Label: |
Bright Midnight Archives – 603497817276 |
|---|---|
Format: |
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Pays: |
Worldwide |
Sortie: |
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Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| A1 | Strange Days | 3:09 | |
| A2 | You're Lost Little Girl | 3:03 | |
| A3 | Love Me Two Times | 3:17 | |
| A4 | Horse Latitudes | 1:35 | |
| A5 | We Could Be So Good Together | 2:23 | |
| B1 | I Can't See Your Face In My Mind | 3:22 | |
| B2 | When The Music's Over | 11:06 |
Sociétés, etc.
- Maison de disque – Warner Music Group
- Maison de disque – WMIS Limited
- Maison de disque – Warner Music Group Holding GmbH
- Commercialisé par – Rhino Entertainment Company
- Fabriqué pour – Rhino Entertainment Company
- Copyright ℗ phonographique – Rhino Entertainment Company
- Copyright © – Rhino Entertainment Company
- Enregistré à – Sunset Sound Recorders
- Pressé par – Optimal Media GmbH – BO27212
- Publié par – Wixen Music Publishing, Inc.
- Laque coupée à – Bernie Grundman Mastering
Crédits
- [Worldwide Publishing istration] – Randall Wixen
- Art Direction, Supervised By [Supervision] – Rory Wilson
- Design – D.Norsen*
- Drums – John Densmore
- Engineer [Audio Engineering] – Bruce Botnick
- Guitar – Robby Krieger
- Image Editor [Photo Editor] – Amelia Halverson
- Keyboards, Marimba – Ray Manzarek
- Lacquer Cut By [Lacquer Cutting] – Bernie Grundman
- Legal – Ziffren, Brittenham LLP*
- Liner Notes [Inner Sleeve] – Bruce Botnick
- Management [Worldwide Management] – Kenny Nemes
- Mastered By – Bruce Botnick
- Producer [Produced By] – Paul A. Rothchild
- Product Manager – Jeremy Sponder
- Product Manager [Packaging Manager] – Matthew Taoatao
- Project Manager [Project Assistance] – Susanne Savage
- Research [The Doors Archivist] – David Dutkowski
- Supervised By [Production Supervisor] – Jac Holzman
- Supervised By [Project Supervision] – Patrick Milligan
- Vocals – Jim Morrison
- Words By, Music By – The Doors
Notes
Comes with a printed inner sleeve and has a 'Record Store Day Exclusive' sticker on the front shrink-wrap.
There may also be a sticker on the back of the shrink-wrap with some company information.
[Back cover]
All tracks were recorded from February to May 1967 and are early versions of album tracks.
Audio Engineering • Bruce Botnick,
Sunset Sound Recorders, Hollywood
Worldwide Management • Jeffrey Jampol & Kenny Nemes for Jam, Inc.
[Back cover and labels]
℗ & © 2025 Rhino Entertainment Company
Manufactured for & Marketed by Rhino Entertainment Company,
a Warner Music Group Company
Made in
[Inner sleeve]
Lacquer Cutting: Bernie Grundman at Bernie Grundman Mastering, Hollywood, California
Legal: John Branca, David Byrnes and Kelly Vallon Ciccotti of Ziffren, Brittenham LLP
Worldwide Publishing istration: Randall Wixen & Kim Stockemer for Wixen Music Publishing, Inc.
© 2025 Rhino Entertainment Company, A Warner Music Group Company
['Record Store Day Exclusive' sticker]
Rough Mixes From The Album's Early 1967 Sessions Discovered After 58 Years!
Without The Final Overdubs Heard On The Original Release.
Runouts are etched.
[US RSD release page - Quantity is for US only]
Quantity: 7500
Release type: RSD Exclusive Release
[Rhino's 2025 RSD page]
Limited Edition of 14,000 Individually Numbered Worldwide Units
In runouts, all Optimal plating symbols may be inverted (e.g., “⊥” vs “T”) and/or mirrored (e.g., “1△” vs “△↾”).
There may also be a sticker on the back of the shrink-wrap with some company information.
[Back cover]
All tracks were recorded from February to May 1967 and are early versions of album tracks.
Audio Engineering • Bruce Botnick,
Sunset Sound Recorders, Hollywood
Worldwide Management • Jeffrey Jampol & Kenny Nemes for Jam, Inc.
[Back cover and labels]
℗ & © 2025 Rhino Entertainment Company
Manufactured for & Marketed by Rhino Entertainment Company,
a Warner Music Group Company
Made in
[Inner sleeve]
Lacquer Cutting: Bernie Grundman at Bernie Grundman Mastering, Hollywood, California
Legal: John Branca, David Byrnes and Kelly Vallon Ciccotti of Ziffren, Brittenham LLP
Worldwide Publishing istration: Randall Wixen & Kim Stockemer for Wixen Music Publishing, Inc.
© 2025 Rhino Entertainment Company, A Warner Music Group Company
['Record Store Day Exclusive' sticker]
Rough Mixes From The Album's Early 1967 Sessions Discovered After 58 Years!
Without The Final Overdubs Heard On The Original Release.
Runouts are etched.
[US RSD release page - Quantity is for US only]
Quantity: 7500
Release type: RSD Exclusive Release
[Rhino's 2025 RSD page]
Limited Edition of 14,000 Individually Numbered Worldwide Units
In runouts, all Optimal plating symbols may be inverted (e.g., “⊥” vs “T”) and/or mirrored (e.g., “1△” vs “△↾”).
Code-barres et autres identifiants
- Code-barres (Text): 6 03497 81727 6
- Code-barres (Scanned, UPC-A): 603497817276
- Société des droits d'auteur: GEMA/BIEM
- Informations sur la matrice (Side A runout, variant 1): BO27212-01 A1 BG ▽ RCV1-727372-A 0603497817276
- Informations sur la matrice (Side B runout, variant 1): BO27212-01 B1 BG ▽ RCV1-727372-B 0603497817276
- Informations sur la matrice (Side A runout, variant 2): BO27212-01 A1 BG ▽ RCV1-727372-A 0603497817276 I1
- Informations sur la matrice (Side B runout, variant 2): BO27212-01 B1 BG ▽ RCV1-727372-B 0603497817276 I1
Recommandations
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2024 USA & EuropeVinyl —LP, Album, Record Store Day, Limited Edition, Numbered -
2022 WorldwideVinyl —LP, Record Store Day, Compilation, Limited Edition, Numbered, Stereo -
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2021 WorldwideVinyl —LP, Record Store Day, Limited Edition, Numbered -
2023 EuropeVinyl —LP, Record Store Day, Limited Edition, Numbered, Stereo -
2020 WorldwideVinyl —LP, Record Store Day, Limited Edition, Numbered -
2018 WorldwideVinyl —LP, Album, Reissue, Remastered, Stereo -
2019 UK, Europe & USVinyl —LP, Album, Record Store Day, Limited Edition, Numbered, Reissue -
2024 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Stereo
Avis
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Modifié il y a 12 joursWhy is the song "We Could Be So Good Together" even on this album? It's a song from "Waiting for the sun" released July 3, 1968!
I would like some explanation. -
Modifié il y a 1 moisMy copy plays clean and clear.
This is an incredible album. As a long time fan of this album, I’m absolutely amazed by the vibrant, psychedelic, and authentic energy bursting from each of these songs. To my ears (and mind), these versions all seem a bit more mellow as compared to their original final album counterparts.
For fans of the original album, this release is an absolute sonic treat. -
Modifié il y a 1 moisBoth sides have so much distortion it's unlistenable. I haven't tried to clean the record yet though... -
Picked this up on RSD, havent stopped spinning it since. Sounds absolutely gorgeous and haunting. If you know the songs well you will notice some differences but nothing insane. Personally I find this rendering to be more stirring than the regular one, and I'm obsessed.
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OK, I wasn't going to get this but I heard someone's rip of it and had to get my own copy. This is a really stellar sounding release. Even though the title track is missing the Moog, it sounds incredible. In my humble opinion, it's better and more immersive than even the 5.1 from Perception. The mixes aren't all massively different but the tracks all sound great. This won't replace your best copy of the original LP, but it's worth your time if you really like this album.
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Modifié il y a 23 joursReceived copy 00602 today. Definite difference than the original. Sounds great to me.
Robbie Krieger's guitar licks are standing out.Horae latitude sounds more psychedelic.Still listening, and enjoying the subtleties. -
Modifié il y a 1 moisAlright, file this under "Doors Completionist". Having only heard Strange Days 100 times, I struggled to pinpoint what was actually different here other than playing with some levels and knobs with the final mix. Doors Raw or Doors Stripped Down or Doors Demos this aint. They didn't have a random alt mix of Strange Days somewhere to flesh this out?
I still love you (two times) Doors Camp. That RSD Detroit was STELLLLLLLAR. But this is a whiff. -
very pleased with the audio quality , nice colour for the disk and Lacquer Cut By Bernie Grundman deserves 5 stars in my modest opinion
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I'm a bit disappointed about this release. Great colour of record, nice artwork, but there are not spectacular differences on the record itself. It alll sounds good, but i expected work in progress... not slightly different mixes. -
This release looks great, the cover art is really well done as is the inner sleeve. The blue vinyl also looks great but more importantly sounds really good. However these mixes only have very subtle differences and don’t sound dramatically different from the original versions. It’s sort of interesting but for £38 I’m not really feeling this was good value.
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126 copies de 29,00 $US