The Doors – Live At Konserthuset, Stockholm, September 20, 1968
Label: |
Bright Midnight Archives – 603497827152 |
|---|---|
Format: |
|
Country: |
USA & Europe |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| Early Show | |||
| A1 | Introduction | 0:03 | |
| A2 | Five To One | 4:41 | |
| A3 | Love Street | 3:12 | |
| A4 | Love Me Two Times | 3:30 | |
| A5 | When The Music’s Over | 13:01 | |
| B1 | A Little Game | 1:50 | |
| B2 | The Hill Dwellers | 2:49 | |
| B3 | Light My Fire | 11:37 | |
| B4 | The Unknown Soldier | 6:37 | |
| Late Show | |||
| C1 | Five To One | 7:30 | |
| C2 | Mack The Knife | 1:45 | |
| C3 | Alabama Song (Whisky Bar) | 1:24 | |
| C4 | Back Door Man | 4:33 | |
| C5 | You’re Lost Little Girl | 3:24 | |
| C6 | Love Me Two Times | 3:45 | |
| D1 | When The Music’s Over | 13:56 | |
| D2 | Wild Child | 2:35 | |
| D3 | Money (That’s What I Want) | 3:23 | |
| E1 | Wake Up! | 1:47 | |
| E2 | Light My Fire | 11:58 | |
| F1 | The End | 16:32 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Rhino Entertainment Company
- Copyright © – Rhino Entertainment Company
- Mastered At – Memphis Record Pressing – MRP5386
- Lacquer Cut At – Bernie Grundman Mastering
- Pressed By – GZ Media – 274555E
- Manufactured For – Rhino Entertainment Company
- Marketed By – Rhino Entertainment Company
- Recorded At – Konserthuset, Stockholm
Credits
- [Worldwide Publishing istration] – Randall Wixen
- Art Direction, Design – D. Norsen*
- Image Editor [Photo Editor] – Amelia Halverson
- Lacquer Cut By – BG*
- Legal – Ziffren, Brittenham LLP*
- Liner Notes – David Dutkowski
- Management – Kenny Nemes
- Mixed By, Edited By, Mastered By [From 4-Track Multi-Tracks] – Bruce Botnick
- Photography By – TT News Agency
- Product Manager [Packaging Manager] – Matthew Taoatao
- Product Manager [Project Assistance] – Susanne Savage
- Production Manager – Alicia Yaffe
- Supervised By [Art Supervision] – Lisa Glines
- Supervised By [Project Supervision] – Patrick Milligan
Notes
Limited Edition of 11,500 numbered copies.
The Doors Live at Konserthuset, Stockholm features a live radio broadcast from September 20, 1968 which has never before received an official release. The comprehensive set includes rare live performances of “Mack The Knife,” “Love Street,” and “You’re Lost Little Girl.” It’s a great sounding recording of a great performance of The Doors during their infamous 1968 European Tour with Jefferson Airplane.
℗ & © 2024 Rhino Entertainment Company (...) Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company. (...) Made in Czech Republic.
Comes in a trifold jacket, some copies with plain paper inner sleeves and others with white paper poly-lined inner sleeves with cut corners.
The runout strings are stamped except "603497827152-A/B/C/D/E, RCV1-726129-F 603497827152 and BG ∆" are etched.
The Doors Live at Konserthuset, Stockholm features a live radio broadcast from September 20, 1968 which has never before received an official release. The comprehensive set includes rare live performances of “Mack The Knife,” “Love Street,” and “You’re Lost Little Girl.” It’s a great sounding recording of a great performance of The Doors during their infamous 1968 European Tour with Jefferson Airplane.
℗ & © 2024 Rhino Entertainment Company (...) Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company. (...) Made in Czech Republic.
Comes in a trifold jacket, some copies with plain paper inner sleeves and others with white paper poly-lined inner sleeves with cut corners.
The runout strings are stamped except "603497827152-A/B/C/D/E, RCV1-726129-F 603497827152 and BG ∆" are etched.
Barcode and Other Identifiers
- Barcode (Text, sticker on shrink wrap): 6 03497 82715 2
- Barcode (Scanned, sticker on shrink wrap): 603497827152
- Other (Hype sticker): RCV1 726129 | 603497827152
- Rights Society: GEMA/BIEM
- Matrix / Runout (Runout side A, variant 1): MRP5386/603497827152-A 274555E1 1843458 603497827152-A BG ∆
- Matrix / Runout (Runout side B, variant 1): MRP5386/603497827152-B 274555E2 1843458 603497827152-B BG ∆
- Matrix / Runout (Runout side C, variant 1): MRP5386/603497827152-C 274555E3 1790965 603497827152-C BG ∆
- Matrix / Runout (Runout side D, variant 1): MRP5386/603497827152-D 274555E4 1790968 603497827152-D BG ∆
- Matrix / Runout (Runout side E, variant 1): MRP5386/603497827152-E 274555E5 603497827152-E BG ∆
- Matrix / Runout (Runout side F, variant 1): MRP5386/603497827152-F 274555E6 1874025 RCVI-726129-F 603497827152 BG ∆
- Matrix / Runout (Runout side A, variant 2): MRP5386/603497827152-A 274555E1 #6 1790952 603497827152-A BG ∆
- Matrix / Runout (Runout side B, variant 2): MRP5386/603497827152-B #2 274555E2 1790954 603497827152-B BG ∆
- Matrix / Runout (Runout side C, variant 2): MRP5386/603497827152-C #2 274555E3 1790965 603497827152-C BG ∆
- Matrix / Runout (Runout side D, variant 2): MRP5386/603497827152-D #2 274555E4 1790968 603497827152-D BG ∆
- Matrix / Runout (Runout side E, variant 2): MRP5386/603497827152-E #4 1805706 274555E5 603497827152-E BG ∆
- Matrix / Runout (Runout side F, variant 2): MRP5386/603497827152-F #2 274555E6 1823673 RCVI-726129-F 603497827152 BG ∆
- Matrix / Runout (Runout side A, variant 3): MRP5386/603497827152-A #3 274555E1 1843458 603497827152-A BG ∆
- Matrix / Runout (Runout side B, variant 3): MRP5386/603497827152-B #3 274555E2 1842038 603497827152-B BG ∆
- Matrix / Runout (Runout side C, variant 3): MRP5386/603497827152-C #2 274555E3 1790965 603497827152-C BG ∆
- Matrix / Runout (Runout side D, variant 3): MRP5386/603497827152-D #2 274555E4 1790968 603497827152-D BG ∆
- Matrix / Runout (Runout side E, variant 3): MRP5386/603497827152-E #1 274555E5 1840636 603497827152-E BG ∆
- Matrix / Runout (Runout side F, variant 3): MRP5386/603497827152-F 274555E6 #9 1823673 RCVI-726129-F 603497827152 BG ∆
Other Versions (2)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Live At Konserthuset, Stockholm September 20, 1968 (2×CD, Album, Record Store Day, Limited Edition, Stereo) | Bright Midnight Archives | 603497825578, R2 726129 | US | 2024 | ||
|
New Submission
|
Live At Konserthuset, Stockholm September 20, 1968 (2×CD, Album, Record Store Day, Limited Edition, Stereo) | Bright Midnight Archives | 603497825578, R2 726129 | Europe | 2024 |
Recommendations
-
2023 EuropeVinyl —LP, Record Store Day, Limited Edition, Numbered, Stereo -
-
2022 WorldwideVinyl —LP, Record Store Day, Compilation, Limited Edition, Numbered, Stereo -
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2025 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Numbered, Stereo -
2021 WorldwideVinyl —LP, Record Store Day, Limited Edition, Numbered -
2020 WorldwideVinyl —LP, Record Store Day, Limited Edition, Numbered -
2019 UK, Europe & USVinyl —LP, Album, Record Store Day, Limited Edition, Numbered, Reissue -
2023 WorldwideBox Set —Limited Edition, Numbered, Remastered, Stereo -
2018 USA & EuropeVinyl —LP, Album, Record Store Day, Limited Edition, Numbered
Reviews
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Straordinario!
Tre vinili azzurri meravigliosi, perfettamente flat, un suono stratosferico!
Ogni fan dei Doors dovrebbe averlo in collezione. -
5/5 Sounds amazing. The solo by Ray at the start of When The Music's Over had e double-fisted air-punching -
Finally, I got around to listening to my copy. This sounds, in my opinion, very well done. Musically, it sounds crisp and amazing. The distortion when Jim screams for me just adds to the raw grungy I don't give a fuck attitude of his persona. Honestly, this is a very well put together release. It's definitely worth owning for a Doors fan. -
Edited one year agoI am in such two minds about this release; it is true that 3 out of the available 4 tracks are spectacularly recorded. It’s just the vocals for the most part are very distorted when the mic gets overloaded. Regardless, if you can pick it up at a decent price ($46USD equivalent in my case at my local record store in Ontario) - please do not hesitate. This is my very first live doors album, and I believe this one is no less than a holy Grail due to its historical importance. -
Amazing sounding LP. I watching the VHS performance of this concert. The sound was terrible. But they did an excellent job remastering this for Vinyl. I own most of The Doors live records. This is now my favorite release, right up there with Live @ The Hollywood Bowl ‘68 -
I think Robbie is mixed above Ray and that is an improvement. Robbie shines on this release. Kreiger does not get enought props for his fretwork in the first place. I've been listening to this show, my favorite Doors performance, since the 90's on the boot Apocalypse Now. Too bad that it sounds like it was recorded on a 2-Track, but better than somebody's pocket. Very listenable recording, now cleaned up, of a classic performance.
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This is another excellent live release The Doors, another home run. It sounds very good more often than not, and when it doesn’t it’s still pretty good. Outstanding mastering quality and awesome packaging (besides plain paper sleeves for LPs). Performance wise this is some of the best, capturing the band at their live performance peak. The eclectic setlist is another great feature, live versions of some rarities. -
Man I love this record! It sounds so good and crisp. The distortion of the voice when Jim screams into the microphone just adds to the atmosphere of the recording. By far my favorite Doors live release! Also the packaging and vinyl look very nice. 10 of 10 🔥
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This was my introduction to the Doors, when I taped an hour of this off a Swedish radio broadcast around 1980. I loved this and played it constantly. The distorted vocals always stood out as part of the Doors sound, so for me it is just great to finally have this complete and on great crisp sounding vinyl.
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