Jethro Tull – Stand Up
Label: |
Chrysalis – 0190295932855 |
|---|---|
Format: |
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Country: |
USA & Europe |
Released: |
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Genre: |
Folk, World, & Country |
Style: |
Folk Rock |
Tracklist
| A1 | A New Day Yesterday | 4:11 | |
| A2 | Jeffrey Goes To Leicester Square | 2:13 | |
| A3 | Bourée | 3:48 | |
| A4 | Back To The Family | 3:54 | |
| A5 | Look Into The Sun | 4:37 | |
| B1 | Nothing Is Easy | 4:27 | |
| B2 | Fat Man | 2:52 | |
| B3 | We Used To Know | 4:04 | |
| B4 | Reasons For Waiting | 4:07 | |
| B5 | For A Thousand Mothers | 4:19 |
Companies, etc.
- Record Company – Vinyl Collector
- Record Company – Warner Music Group
- Produced For – Chrysalis Productions
- Phonographic Copyright ℗ – Parlophone Records Ltd.
- Copyright © – Parlophone Records Ltd.
- Published By – Chrysalis Music
- Published By – BMG Chrysalis
- Licensed From – The Ian Anderson Group Of Companies
- Recorded At – Morgan Studios
- Recorded At – Olympic Studios
- Designed At – Waldo's Design & Dream Emporium
- Pressed By – Optimal Media GmbH – BG54367
Credits
- Artwork – Phil Smee
- Artwork [Idea] – Terry Ellis
- Bass Guitar – Glen Cornick*
- Composed By – Ian Anderson (tracks: A1, A2, A4 to B5)
- Cover [Based On Ideas From] – Terry Ellis
- Cover [Printed From Woodcuts By] – Jimmy Grashow*
- Drums, Percussion [All Manner Of Percussion] – Clive Bunker
- Electric Guitar – Martin Lancelot Barre*
- Engineer – Andy Johns
- Flute, Acoustic Guitar, Electric Organ [Hammond Organ], Piano, Mandolin, Balalaika, Mouth Organ, Vocals [Sang] – Ian Anderson
- Mixed By [Stereo Remix By] – Steven Wilson
- Photography By – Jan Persson (4)
- Producer [Produced By] – Terry Ellis
- Research [Audio Research And Assistance] – Don Needham
- Research, Coordinator [Project Co-ordination] – Tim Chacksfield
- Sleeve Notes, Research [Additional Research] – Martin Webb
- Written-By, Composed By – Ian Anderson
Notes
Housed in a gatefold jacket containing the LP in a white poly lined inner sleeve, a 24-page large format booklet and a voucher for an MP3 version of the album.
When the gatefold jacket is opened, a cut-out of the band pops up, similar to the old pop-up books.
[Sticker:]
The Steven Wilson 2016 stereo remix on 180gm vinyl
0190295932855
[Vinyl Collector logo]
Includes code for MP3 version of the album
www.facebook.com/vinylcollector
[Booklet p. 3:]
Recorded on 8 track at Morgan Studios, London, 1969 except [A3 recorded at Olympic Sound Studio 1]
Artwork [...] at Waldo's Design & Dream Emporium
Photography by [...] and from the Chrysalis Archive.
[Rear sleeve:]
℗ & © 2016 Parlophone Records Ltd, a Warner Music Group Company. [...] Made in the E.U.
[Labels:]
Published by BMG Chrysalis under licence from the Ian Anderson Group Of Companies.
Made in EU.
Runouts etched. Symbols added during plating will appear mirrored, e.g. 1I+ and 2+ in runout variant 3.
When the gatefold jacket is opened, a cut-out of the band pops up, similar to the old pop-up books.
[Sticker:]
The Steven Wilson 2016 stereo remix on 180gm vinyl
0190295932855
[Vinyl Collector logo]
Includes code for MP3 version of the album
www.facebook.com/vinylcollector
[Booklet p. 3:]
Recorded on 8 track at Morgan Studios, London, 1969 except [A3 recorded at Olympic Sound Studio 1]
Artwork [...] at Waldo's Design & Dream Emporium
Photography by [...] and from the Chrysalis Archive.
[Rear sleeve:]
℗ & © 2016 Parlophone Records Ltd, a Warner Music Group Company. [...] Made in the E.U.
[Labels:]
Published by BMG Chrysalis under licence from the Ian Anderson Group Of Companies.
Made in EU.
Runouts etched. Symbols added during plating will appear mirrored, e.g. 1I+ and 2+ in runout variant 3.
Barcode and Other Identifiers
- Barcode (Text): 0 190295 932855
- Barcode (Scanned): 0190295932855
- Label Code: LC 30419
- Rights Society: GEMA/MS
- Matrix / Runout (Variant 1 - runout A-side): BG54367-01 A1 0190295932855
- Matrix / Runout (Variant 1 - runout B-side): BG54367-01 B1 0190295932855
- Matrix / Runout (Variant 2 - runout A-side): BG54367-01 A1 0190295932855 ⊥Λ
- Matrix / Runout (Variant 2 - runout B-side): BG54367-01 B1 TΛ 0190295932855
- Matrix / Runout (Variant 3 - runout A-side): BG54367-01 A1 0190295932855 1I+
- Matrix / Runout (Variant 3 - runout B-side): BG54367-01 B1 0190295932855 2+
Other Versions (5 of 300)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Stand Up (LP, Album, Gatefold Pop-Up) | Reprise Records | RS 6360 | US | 1969 | ||
| Stand Up (LP, Album, Stereo, Gatefold) | Island Records | ILPS 9103, ILPS-9103 | UK | 1969 | |||
|
Recently Edited
|
Stand Up (LP, Album, Gatefold) | Reprise Records | RS 6360 | Canada | 1969 | ||
|
Recently Edited
|
Stand Up (LP, Album, Stereo) | Island Records | 849 303 UY | 1969 | |||
|
Recently Edited
|
Stand Up (LP, Album) | Island Records | ILPS 9103 | 1969 |
Recommendations
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2015 EuropeVinyl —LP, Album, Reissue, Repress, Stereo -
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Reviews
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COMPARISON TIME:
2017 Steven Wilson remix EU press
Vs
2022 AP 2x45rpm remaster
Took me a while to compare these mainly as i feared for the AP (and i wanted to wait til i had two identical decks setup for rapid A/B'ing). In my opinion, the SW Remix of Aqualung crushes the AP UHQR. The SW Remix of Benefit betters the AP 2x45rpm but not to the extent of Aqualung. Yet i am glad to be aboard the AP fanboy train and say this double 45rpm does the business and does it better than Wilsons remix. For me its the clarity and expansiveness that does it for the AP. Wilson has cleaned up the sound again but Stand Up doesnt need beefing up the way Aqualung desperately did and Benefit also benefitted from and here the Wilson mix is abit too aloof. Too phat. Too closed in. Clean and non fatiguing yes. But compared to the AP its abit lifeless.
The AP just has more texture, more expanse and more life. Andersons flute sounds so much more lifelike in particular.
Pressing quality wise theres little in it. Out the sleeve the SW Remix from Optimal is MUCH quieter. As often the case with QRP/RTI presses, a wash clean before two or three plays is essential to finish the work the plant couldnt be bothered to. Once cleaned the pressing matches, perhaps exceeds the Optimal job.
Packaging wise.... theres no arguing on the jacket front.... AP WINS. Thick, glossy tip ons have no equal. I do quite like the extensive notes of the Wilson Remix reissues though.
Your mileage my vary as ever, i dont pretend my observations mean anything to anyone else but myself. -
Just bought this. Was about to listen to and........ just why in the hell is 'Sweet Dream' not on here? That one has been rising in the ranks of Tull favorites since I first heard it. -
Bravo Steve, another stunning Remix "Bourrée" sounds very realistic - High foot tapping.
Patrick -
WTF! This record sounds amazing! I'll need to look for the other Steve Wilson mixes. Bourée is stunning. I've never heard it this lovely. -
Adoro STAND UP, naturalmente la version d JT, no me apeteceria que S.Wilson estropee ' Back to the family', todo el disco entero..como hizo con 'WAR CHILD', para mi lo mutilo, le quito guitarras, amplitud, todo...tambien Wilson estropeo el increible ' Minstrel in the Gallery', lo dejo sin fuerza...
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Not a patch on the original. Compared to the original mix the bass-lines are muddied and the mix is life-less. It is the first SW remix that I have been disappointed in.
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This is my first SW Tull reissue and I must say that I'm immediately impressed. It's my all time favorite JT album and it sounds better than ever. What other Tull reissues are transforming? Any suggestions?
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SW works his magic again, excellent quality pressing with no nasty surface noise surprises
Release
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