MC5High Time

Label:

Atlantic – SD 8285

Format:

Vinyl , LP, Album

Country:

Australia

Released:

Genre:

Rock

Style:

Psychedelic Rock

Tracklist

A1 Sister Anne
Bass DrumButch O'Brien
Bass, VocalsMike Davis*
Drums, Tambourine, VocalsDennis Thompson (2)
Flugelhorn, VocalsCharles Moore
Guitar, VocalsWayne Kramer
Guitar, Vocals, Harmonica, OrganFred Smith
PianoPete Kelly (3)
TromboneLarry Horton
TubaDavid Oversteak
VocalsMerlene Driscoll
Vocals, Harmonica, MaracasRob Tyner
Written-ByFred Smith
7:25
A2 Baby Won't Ya
Bass, VocalsMike Davis*
Drums, Tambourine [Reen]Dennis Thompson (2)
Guitar, Vocals, PianoWayne Kramer
Vocals, Maracas [Rockas]Rob Tyner
Written-By, Guitar, VocalsFred Smith
5:33
A3 Miss X
Bass, VocalsMike Davis*
Drums, TambourineDennis Thompson (2)
Guitar, Percussion [Sandpaper]Fred Smith
VocalsRob Tyner
Written-By, Guitar, Piano, VocalsWayne Kramer
5:11
A4 Gotta Keep Movin'
BassMike Davis*
Featuring [Mirachees]Kinki Le Pew
GuitarWayne Kramer
Vocals, HarmonicaRob Tyner
Written-By, Drums, Tamborim [Tambors]Dennis Thompson (2)
3:26
B1 Future/Now
BassMike Davis*
Drums, Tambourine [Reen], Percussion [Acme Scraper]Dennis Thompson (2)
Featuring [Wizzer]Lil' Bobby Wayne Derminer
GuitarWayne Kramer
Written-By, VocalsRob Tyner
6:23
B2 Poison
Bass, VocalsMike Davis*
GuitarFred Smith
Vocals, CastanetsRob Tyner
Written-By, GuitarWayne Kramer
3:25
B3 Over And Over
Bass, Other [Ka], VocalsMike Davis*
Drums, TambourineDennis Thompson (2)
Guitar, VocalsWayne Kramer
VocalsRob Tyner
Written-By, Guitar, VocalsFred Smith
5:15
B4 Skunk (Sonicly Speaking)
BassMike Davis*
Drums, PercussionWm. FRD.
GuitarWayne Kramer
Tenor SaxophoneLeon Henderson
TromboneDan Bullock
TrumpetRick Ferretti
Trumpet, Arranged By [Horns]Charles Moore
Vocals, CongasRob Tyner
Written-By, GuitarFred Smith
5:31

Companies, etc.

  • Lacquer Cut AtARC, Artarmon – MX164876
  • Recorded AtArtie Fields Studios
  • Recorded AtLansdowne Studios
  • Recorded AtPye Studios

Credits

  • Art Direction [Art Coordination]Mark Schulman (2)
  • Concept By [Album Concept]Frederico Smithelini*
  • Engineer [N. G. Neered By]Geoffrey Haslam
  • Photography [Cover]Francis Ing
  • ProducerMC5

Notes

Non gatefold, laminated front cover.

Barcode and Other Identifiers

  • Matrix / Runout (Side one stamped inscription ): A MX164876 SD 8285-1
  • Matrix / Runout (Side two stamped inscription ): A MX164876 SD 8285-2

Other Versions (5 of 57)

View All
Title (Format) Label Cat# Country Year
High Time (LP, Album, Stereo, Presswell Pressing) Atlantic SD 8285 US 1971
Recently Edited
High Time (LP, Album, Gatefold) Atlantic 40.223, 40 223, SD 8285 1971
Recently Edited
High Time (LP, Album, Promo, Stereo, PR - Presswell Pressing) Atlantic SD 8285, SD-8285 US 1971
Recently Edited
High Time (LP, Album, Gatefold) Atlantic 40 223, 40223 Greece 1971
Recently Edited
High Time (LP, Album, Stereo) Atlantic 40223, 40 223, N° 40 223 1971

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Reviews

  • ants75's avatar
    ants75
    Many things have been written about the greatness of the MC5, and while their defining moment may well have been their live debut "Kick Out The Jams" and the legend that surrounds the album, many had perhaps stopped listening to the band by the time they released "High Time".
    Listening to "High Time " in the 21st century we can be asking the question of what MC5 would have done afterwards had they not broken up.
    The album opens up with "Sister Anne" a lively rocker that is very catchy, its four bar blues structure may have roots in the music of Little Richard and Chuck Berry as opposed to the mythology of the revolution that was promised during the 1960s and perhaps back in 1971 people who held the MC5 a beacon of revolution would have been scratching their collective heads.
    Revolutionaries are not musicians and musicians are not revolutionaries, we have to that the band were only young men with their hearts on their sleeves, at the heart of the band was snippets of soul music as well as the twin guitar attack of Fred "sonic" Smith and Brother Wayne Kramer, but such songs as "Future/ Now" and "over and over" revisit their world view, and I think people who pointed their fingers at the inactivity and apathy that hung around the world at the time are no different from now.
    When I heard this album, I was rapturous. I wanted to write a letter to Wayne Kramer to thank him for his music and the message of peace that over 40 years, it still resounds. This record needs to be heard, it needs to be played, there is no shtick, no pretence, even though the band was imploding at the time, "High Time" is a record that contains the band that could not be contained....isn't it time to play it again?

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