Pink FloydThe Final Cut

Label:

Pink Floyd Records – 88875184291

Format:

Vinyl , LP, Album, Reissue, Remastered , 180g, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Prog Rock

Tracklist

A1 The Post War Dream
A2 Your Possible Pasts
A3 One Of The Few
A4 When The Tigers Broke Free
A5 The Hero's Return
A6 The Gunner's Dream
A7 Paranoid Eyes
B1 Get Your Filthy Hands Off My Desert
B2 The Fletcher Memorial Home
B3 Southampton Dock
B4 The Final Cut
B5 Not Now John
B6 Two Suns In The Sunset

Companies, etc.

  • Phonographic Copyright ℗Pink Floyd Music Ltd.
  • Copyright ©Pink Floyd Music Ltd.
  • Marketed BySony Music Entertainment
  • Distributed BySony Music Entertainment
  • Recorded AtMayfair Studios
  • Recorded AtOlympic Studios
  • Recorded AtAbbey Road Studios
  • Recorded AtEel Pie Studios
  • Recorded AtAudio International Studios
  • Recorded AtRAK Studios
  • Recorded AtHookend Studios
  • Recorded AtThe Billiard Room
  • Mastered Atdas boot recording
  • Published ByRoger Waters Music Overseas Ltd.
  • Published ByMuziekuitgeverij Artemis B.V.
  • Published ByWarner/Chappell Music Publishing Ltd.
  • Published ByWarner-Tamerlane Publishing Corp.
  • Pressed ByRecord Industry – 17855
  • Pressed ByRecord Industry – 17251

Credits

  • Artwork [Original Artwork]Artful Dodgers*
  • Composed ByRoger Waters
  • Conductor [Orchestra], Arranged By [Orchestra]Michael Kamen
  • Design [Original Sleeve Design]Roger Waters
  • Design [Reissue]StormStudios
  • DrumsAndy Newmark (tracks: B6)
  • Engineer [Assistant]Mike Nocito
  • Lacquer Cut ByBG*
  • Mastered ByJoel Plante
  • OrchestraNational Philharmonic Orchestra
  • Organ [Hammond]Andy Bown
  • Other [Holophonics By]Zuccarelli Labs Ltd.
  • PercussionRay Cooper
  • PerformerPink Floyd
  • Performer [Pink Floyd]Roger Waters
  • Photography By [Original Photography]Willie Christie
  • Piano, HarmoniumMichael Kamen
  • ProducerRoger Waters
  • Tenor SaxophoneRaphael Ravenscroft

Notes

Subtitled as 'A Requiem For The Post War Dream By Roger Waters'.
Original UK release date: March 1983.

Distributed in a gatefold Sleeve

[Back]
Special thanks to Neal Wharton
[...] marketed and distributed by Sony Music Entertainment.

Barcode and Other Identifiers

  • Barcode (Text (Stickered on shrink)): 8 88751 84291 5
  • Barcode (Scanned (Stickered on shrink)): 888751842915
  • Matrix / Runout (Side A, Etched [17855 1A Stamped]): 17855 1A BG 88875184291 - A V
  • Matrix / Runout (Side B, Etched [17855 1B Stamped]): 17251 1B BG 88875184291 - B V

Other Versions (5 of 398)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Final Cut (LP, Album, Test Pressing, Stereo, Carrollton Pressing ) Columbia none US 1982
Recently Edited
The Final Cut (Cassette, Album) Harvest 1C 264-65 042 Europe 1983
Recently Edited
The Final Cut (LP, Album, Stereo, Gatefold) Harvest 2C 070-65 042, 2C 070-65042 1983
The Final Cut (LP, Album, Stereo, Gatefold) Harvest 1C 064-65042 Europe 1983
Recently Edited
The Final Cut (CD, Album) Columbia CK 38243 US 1983

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Reviews

  • JackdawTrading's avatar
    JackdawTrading
    This is the definitive version of this album to get, they are the only pressings to include when the tigers break free. And top notch sound
    • donscards54's avatar
      donscards54
      I love this release!! Dynamically superior to the original. One of my favorite Floyd albums finally done right! And the sealer for me is the addition of When the Tigers Broke Free...Fucking love that song!!!
      • _ZERO_'s avatar
        _ZERO_
        Maybe Floyd’s best record. Let down by lots of pops and crackles.
        • Mjfan777's avatar
          Mjfan777
          quiet when it needs to even in my dust prone enviorment it manages to avoid crackling pretty well
          • Burrrzum's avatar
            Burrrzum
            Edited one year ago
            Alright…going on the final cut #4 first one has many crackles and pops everywhere, second one skips on the first song. Now the third one is even more crackly than the first even after two wet cleans….The quality control on new vinyls is just atrocious and this album above any other NEEDS to be quiet
            • tinyelvis1's avatar
              tinyelvis1
              Pressing is just ok. The dynamics are good, but it still has some slight noise here and there. Ultrasonic cleaning reduced noise a great deal but did not eliminate it. This recording demands and deserves a dead quite pressing. This ain't it.
              • Dockers07's avatar
                Dockers07
                Bought this new and it was gouged and scratched straight out of the packaging...some of the modern/new presses really P me off. High dollars for crap quality control
                • Christian94discos's avatar
                  Edited one year ago
                  This for me, is the best of the new remastered. Sounds powerfull, Rich, and has a great pressing. Is a great deep bass festival all the record and has a good stereo image. Another must, and the ultimate ending on a higth note from Waters to the band.
                  • tinyelvis1's avatar
                    tinyelvis1
                    My copy has an annoying tick. Brand new record. Cleaned well. Still a tick. Modern vinyl can really suck. Of all records, this one needs to be quiet. The lack of quality control on modern vinyl really pisses me off. Do better.

                    • Scrade's avatar
                      Scrade
                      Sounds really fantastic. Got it for pretty cheap and it was well worth the money. Super dynamic, and the remaster sounds incredible

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