Synergy (3) – Sequencer

Do not be mislead by your ears. This record contains material recorded solely with the electronic synthesizer equipment mentioned. No conventional instrumental or sound effects were used.

Moog: Modular System 15, 952 Keyboard, Minimoog, Micromoog, 1150 Ribbon Controller, 1125 Sample and Hold.
Oberheim: DS-2 Digital Sequencer, Expander Module.
360 Systems: 20/20 Frequency Shifter.
Musitronics: (Customized) Voltage Controlled BiPhase.
Eventide Clockworks: Instant Flanger, Digital Delay Line.
Synergy Systems: “The Trigger”, (Audio Signal to “S” Trigger), 10 by 15 Voltage Control and Trigger Assignment .
House of Music: MCI JH-428 Board, MCI JH-100 24 Track Tape Machine, MCI JH-110 2 Track Tape Machines, Allison Research “Memories Little Helper” Computer Mix.
DBX Noise Production, Recorded on Ampex 406 Mastering Tape, Sony KV 1211 TV.

Recorded October 1975-April 1976, Mixed April 25-May 2 1976 at the House of Music, West Orange N.J. Mastered May 3, 1976 at Sterling Sound.

P.S. lyric sheet not enclosed... and still no guitars

This album was originally released as port PPSD-98014 in 1975, re-issued on clear vinyl as port PB-6001 in 1978, and issued on CD in 1986 as port PBCD-6002. This new CD reissue is taken from the original analog mixes and does not contain the limiting or frequency rolloffs necessary for the original LP mastering. Audio refinements and corrections that current digital technology permits have been used to further reconstruct the sound of the original studio mixes. Though the transfer is the best possible at this time, some evidence of the original analog sources is audible at times.

Digital audio preparation by Larry Fast at the Synergy® Studio, September, 1996 using Apple Macintosh-based Digidesign Sound Designer II™ software. Additional DSP work including noise shaping and redithering back to 16 bit audio from longer digital word length processing performed using C1™, Q10™, and L1™ DSP plug-in modules from k.s. Waves Ltd, and DINR™ from Digidesign.