Miles Davis – E.S.P.
Label: |
Sony Music Commercial Music Group – 88883731541 |
|---|---|
Series: |
Gain 2™ Ultra Analog 45RPM 180g Series |
Format: |
2 x
Vinyl
, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Special Edition, Stereo
, 180 Gram, Gatefold
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Modal |
Tracklist
| A1 | E.S.P. | |
| A2 | Eighty-One | |
| B1 | Little One | |
| B2 | R.J. | |
| C1 | Agitation | |
| C2 | Iris | |
| D | Mood |
Companies, etc.
- Record Company – Sony Music Entertainment
- Copyright © – Columbia Records
- Recorded At – Columbia Studios, Hollywood
- Mastered At – Mobile Fidelity Sound Lab
- Lacquer Cut At – Mobile Fidelity Sound Lab
- Pressed By – Record Technology Incorporated – 26353
- Produced At – Mobile Fidelity Sound Lab
- Manufactured For – Mobile Fidelity Sound Lab, Inc.
- Manufactured By – Sony Music Entertainment
- Distributed By – Mobile Fidelity Sound Lab, Inc.
Credits
- Bass – Ronald Carter*
- Drums – Tony Williams*
- Lacquer Cut By – KW*
- Liner Notes [Notes By] – Ralph J. Gleason
- Mastered By – Krieg Wunderlich
- Photography [Cover Photo], Cover [Cover Photo] – Bob Cato
- Piano – Herb Hancock*
- Producer [Produced By] – Irving Townsend
- Tenor Saxophone – Wayne Shorter
- Trumpet – Miles Davis
Notes
© 1965, 2016 Columbia Records, a division of Sony Music Entertainment.
Printed in U.S.A.
Inside Gatefold: Recorded (...) on January 20 (A1, B2), January 21 (A2, B1) and January 22(C1, C2, D), 1965.
1/4" / 15 IPS analog copy to DSD 256
Runouts are etched.
Printed in U.S.A.
Inside Gatefold: Recorded (...) on January 20 (A1, B2), January 21 (A2, B1) and January 22(C1, C2, D), 1965.
1/4" / 15 IPS analog copy to DSD 256
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 8 21797 24511 1
- Barcode (Scanned, UPC-A): 821797245111
- Matrix / Runout (A-side label): 88883731541A
- Matrix / Runout (B-side label): 88883731541B
- Matrix / Runout (C-side label): 88883731541C
- Matrix / Runout (D-side label): 88883731541D
- Matrix / Runout (A-side runout): MFSL 2-451 A3 KW@MoFi 26353.1(3)...
- Matrix / Runout (B-side runout): MFSL 2-451 B3 KW@MoFi 26353.2(3)
- Matrix / Runout (C-side runout): MFSL 2-451 C3 KW@MoFi 26353.3(3)
- Matrix / Runout (D-side runout): MFSL 2-451 D3 KW@MoFi 26353.4(3)
Other Versions (5 of 95)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| E.S.P. (LP, Album, Stereo) | Columbia | CS 9150 | US | 1965 | |||
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Recently Edited
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E.S.P. (LP, Album, Mono, Pitman Press) | Columbia | CL 2350 | US | 1965 | ||
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Recently Edited
|
E.S.P. (LP, Album) | CBS | S 62577 | 1965 | |||
|
New Submission
|
E.S.P. (LP, Album) | CBS | S 62577 | Netherlands | 1965 | ||
|
Recently Edited
|
E.S.P. (LP, Album, Stereo) | CBS | 62577, Sbpg 62577, CS 9150 | UK | 1965 |
Recommendations
-
2013 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2015 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2014 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2014 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2014 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2013 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Mono -
2015 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2015 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Special Edition, Stereo -
2016 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2013 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo
Reviews
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Usually when an album goes through the digital realm to my ears it suffers with a subtle harshness and sterility even if cut to vinyl from the digital realm. These MOFI's DSD's to vinyl are an exception, they are pure pleasure to listen to. amazing detail and deep soundstage. I still think some of the warmth and softness and depth of AAA all analog is a bit compromised but it's ok, it's made up for with crystal clear sound.
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Do you prefer this on stereo to the original mono pressing? I have that and wonder if anything could be better.
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Edited one year agoI have reviewed a handful of these Miles MoFi editions and this one is up to the level of most of the other releases such as Sorcerer and Nefertiti - the pressing quality and sonics of these Miles second quintet releases by MoFi cannot be beat - wait until they release more and grab one (you will not be disappointed)
Listening through a Dual 1219 with Stanton 680 cart and fine line stylus through a tube phono stage, Yamaha AS701 amp and refurbed Klipsch KG5.2 speakers -
I have an original US copy (2-eye labels), the Impex, and this one. The Impex sounds amazing, but I prefer the Mofi, and it's probably because the album sides are long, with lots of quiet parts, side 2 in particular. This one really benefits from the 45RPM treatment. -
Edited 2 years agoFirst copy had gouges and scratches on A2, but the replacement is perfect. I too think this beats the Impex, but not by very much. The highs are better on this one, and I think the pressing is quieter. So $60+ for a somewhat incremental improvement, plus double the flipping . . . hmm 🤔 the inner gatefold is nice though. I'll probably keep both -- MFSL for headphone listening and the Impex for general listening when I don't want to flip.
Oh, music's great too 😄 Herbie's solo on Mood is one of the more sublime moments for this quintet. -
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Grabbed a copy of the repress and it sounds fantastic. Silent vinyl, low noise floor, "hot" cut with plenty of dynamics. Glad I was able to add it to my MOFI Miles Davis collection. -
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Mobile Fidelity Sound Lab + Ultra Analog + 1/4" / 15 IPS analog copy to DSD 256 = DIGITAL
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If at all, such a long playtime requires a 45 cut. Outstanding issue by MFSL although not from 1st tape. Forget most of previous issues.
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