Solange (2) – A Seat At The Table
Label: |
Saint Records (6) – 88985387471 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Soul |
Tracklist
| A1 | Rise | |
| A2 | Weary | |
| A3 | Interlude: The Glory Is In You | |
| A4 | Cranes In The Sky | |
| A5 | Interlude: Dad Was Mad | |
| B6 | Mad | |
| B7 | Don't You Wait | |
| B8 | Interlude: Tina Taught Me | |
| B9 | Don't Touch My Hair | |
| C10 | Interlude: This Moment | |
| C11 | Where Do We Go | |
| C12 | Interlude: For Us By Us | |
| C13 | F.U.B.U. | |
| C14 | Borderline (An Ode To Self Care) | |
| D15 | Interlude: I Got So Much Magic, You Can Have It | |
| D16 | Junie | |
| D17 | Interlude: No Limits | |
| D18 | Don't Wish Me Well | |
| D19 | Interlude: Pedestals | |
| D20 | Scales | |
| D21 | Closing: The Chosen Ones |
Companies, etc.
- Copyright © – Columbia Records
- Phonographic Copyright ℗ – Columbia Records
- Manufactured By – Columbia Records
- Distributed By – Columbia Records
- Record Company – Sony Music Entertainment
- Produced For – Abstract Productions (2)
- Mixed At – Lounge Studios, NYC
- Mixed At – Esplanade Studios
- Mastered At – The Mastering Palace
Credits
- Arranged By, Co-producer – Solange Knowles
- Engineer [Additional Recording Engineers] – Vic Wainstein*
- Engineer [Recording Engineers] – Troy Johnson (3)
- Executive-Producer – Solange Knowles
- Mastered By – Dave Kutch
- Mastered By [Assisted By] – Kevin Peterson
- Mixed By – Mikaelin "Blue" Bluespruce*
- Mixed By [Additional Mixing] – Stuart White
- Producer [Associate Producer] – Troy "R8dio" Johnson*
- Songwriter – Solange Knowles
Notes
Includes a digital .
Printed inner sleeves.
© & ℗ 2016 Columbia Records, a Division of Sony Music Entertainment / Manufactured and Distributed by Columbia Records, a Division of Sony Music Entertainment
Borderline (An Ode To Self Care)
Produced by Q-Tip For Abstract Productions and Solange Knowles
Contains a portion of the composition "More Than A Woman", written by Stephen Garrett and Tim mosely, published by Reservoir Media Music/Black Fountain music/Herbilicious Music/Reservoir Media Management, inc. (ASCAP) and WB Music Corp. (ASCAP).
Mixed [...] @ Lounge Studios, NY, NY
Additional mixing [...] @ Esplanade Studios, New Orleans, LA
Mastered [...] @ The Mastering Palace, NY, NY
Printed inner sleeves.
© & ℗ 2016 Columbia Records, a Division of Sony Music Entertainment / Manufactured and Distributed by Columbia Records, a Division of Sony Music Entertainment
Borderline (An Ode To Self Care)
Produced by Q-Tip For Abstract Productions and Solange Knowles
Contains a portion of the composition "More Than A Woman", written by Stephen Garrett and Tim mosely, published by Reservoir Media Music/Black Fountain music/Herbilicious Music/Reservoir Media Management, inc. (ASCAP) and WB Music Corp. (ASCAP).
Mixed [...] @ Lounge Studios, NY, NY
Additional mixing [...] @ Esplanade Studios, New Orleans, LA
Mastered [...] @ The Mastering Palace, NY, NY
Barcode and Other Identifiers
- Barcode (Scanned): 889853874712
- Barcode (Printed): 8 89853 87471 2
- Matrix / Runout (A side etched runout): AL 88985387471 MS
- Matrix / Runout (B side etched runout): BL 88985387471 MS
- Matrix / Runout (C side etched runout): CL 88985387471 MS
- Matrix / Runout (D side etched runout): DL 88985387471 MS
Other Versions (5 of 18)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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A Seat At The Table (21×File, FLAC, Album) | Columbia | none | 2016 | |||
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New Submission
|
A Seat At The Table (21×File, AAC, Album, 256 kbps) | Columbia | none | 2016 | |||
|
New Submission
|
A Seat At The Table (CD, Album, Digipak) | Saint Records (6) | 88985 38746 2 | US | 2016 | ||
|
Recently Edited
|
A Seat At The Table (CD, Album, Digipak) | Saint Records (6) | 88985 38746 2, 88985387462 | Europe | 2016 | ||
|
Recently Edited
|
A Seat At The Table (2×LP, Album) | Columbia | 88985387471, C179231 | Europe | 2016 |
Recommendations
Reviews
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Pressing is distorted and lacking in highs. Exposed aggressively by any system that's slightly above average. Disappointing, given the brilliance of the music. -
Sound & packaging are crisp & clear, but I think the intended audio & mood flow of this album suffer from being split into a double LP. I wonder if it could have sounded just as good on a single vinyl so the tracks don’t get interrupted 3 times, it would be just once. Otherwise a fantastic album and vinyl. -
the album is fantastic, but at least my copy was insanely noisy, tons of pops and skips too. By far the worst sounding vinyl i have, which is an absolute shame given the beautiful presentation and amazing album -
Edited 2 years agoBetter than anything big sister (or little sister?) has ever done. The quality I thought was good too though it did come pretty warped but I flattened the discs with the vinyl flat (don’t try it with expensive vinyl). Didn’t like the labels though because it doesn’t show the songs or even the back cover because it’s not clear what’s on each side. Not sure why they don’t just keep these things simple. -
From a music standpoint, this is a fantastic album. I had forgotten how much I enjoyed the skits in between the songs.
In of the album itself, it was ok. I did notice a few pops on multiple sides. I also wish the side labels were a bit larger, for the sake of my eyesight. -
the mastering in this is fantastic! a little heavy in bass but nothing is drowned out. sadly the first vinyl has a bit of a warp, doesn’t really affect the sound but it’s noticeable when it’s on the platter -
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I think it sounds good overall, bass is a little too loud, and some songs can get a little too noisy. Sadly, my copy came a little off-centered on both discs. I believe this does not affect the sound on this case. -
This album has everything - voice, arrangements, production, mastering, brilliant songs with real meaning. By modern day standards, especially in this genre, it stands out for dynamic range, no compression, no autotuning, this production would grace any era, a masterpiece.
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Release
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54 copies from $17.39