Black RiotA Day In The Life

Label:

Fourth Floor Records – FF 1089

Format:

Vinyl , 12", 45 RPM

Country:

US

Released:

Genre:

Electronic

Style:

House

Tracklist

A1 A Day In The Life (Club Mix)
A2 A Day In The Life (Bonus Dub)
B1 Warlock (Club Mix)
B2 Warlock (Rubber Dub)

Companies, etc.

  • Manufactured ByMidnight Sun Records
  • Distributed ByMidnight Sun Records
  • Published ByNorthcott Music
  • Recorded AtLoud House Studios
  • Mixed AtLoud House Studios
  • Produced ForKaze Productions

Credits

  • Executive-ProducerSilvio Tancredi
  • Producer, Written-ByTodd Terry

Notes

℗ 1988
Track A1 samples:
Synth from Sequal - Not Too Late (To Dub)
Vocal from Yello - Bostich
Vocal from Manu Dibango - Soul Makossa

Track A2 samples:
Synth from Sequal - Not Too Late (To Dub)
Synth from Kraftwerk - Home Computer

Track B2 samples:
Devotion (Halla-Pella)

This version plays both sides at 45 RPM.

Barcode and Other Identifiers

  • Matrix / Runout (Side A runout): FF 1089 A
  • Matrix / Runout (Side B runout): FF 1089 B RE2
  • Rights Society: BMI

Other Versions (5 of 17)

View All
Title (Format) Label Cat# Country Year
Recently Edited
A Day In The Life (The Europe-Mix) (12", 45 RPM) Madcat Records MAD 10 1988
Warlock / A Day In The Life (12", 45 RPM, Single) Champion CHAMP 12-75 UK 1988
A Day In The Life (12", White Label, Promo) Fourth Floor Records FF 1089 US 1988
A Day In The Life / Warlock (7", Single, 45 RPM) Champion CHAMPX 75, CHAMP 75 UK 1988
New Submission
Warlock (12", 45 RPM, Promo) Champion CHAMP 12-75 UK 1988

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Reviews

  • jim01_78's avatar
    jim01_78
    Edited 12 years ago
    The main synth sample comes from a slowed-down string segment in Sequal - Not Too Late To Dub (1985).
    • DOA's avatar
      DOA
      The synth from A Day in The Life is sampled from what record played backwards??? I forget the name.
      • eiskristall's avatar
        eiskristall
        This published one classic of Todd Terry made him to the "master of sampling" in house music. His most important release so far.

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