IIO – Rapture
Label: |
Tanga Records – VLMX 724-3 |
---|---|
Format: |
|
Country: |
Spain |
Released: |
|
Genre: |
Electronic |
Style: |
House |
Tracklist
A1 | Rapture (John Creamer & Stephane K. Remix) | 9:52 | |
B1 | Rapture (Riva Remix) | 7:39 | |
B2 | Rapture (Original Extended Mix) | 6:45 | |
C1 | Rapture (Deep Dish Space Remix) | 12:29 | |
D1 | Rapture (Deep Dish Miami Dub) | 10:48 | |
D2 | Rapture (Aloud Remix) | 5:51 |
Credits
- Producer – Markus Moser
- Written-By – N. Ali*
Other Versions (5 of 82)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Rapture (12", 33 ⅓ RPM, 45 RPM) | Made Records | UTD 024, UTD024 | Netherlands | 2001 | |||
Rapture (12") | Sumo Records | 099900003072 | UK | 2001 | |||
Recently Edited
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Rapture (Armin Van Buuren Remix) (12", Single Sided, White Label, 33 ⅓ RPM) | United Recordings | UTD 025 | Netherlands | 2001 | ||
Recently Edited
|
Rapture (CD, Maxi-Single) | Sumo Records | 108 401-2, SUMOCD001 | 2001 | |||
Rapture (12", 33 ⅓ RPM, 45 RPM, Single) | Ministry Of Sound | DATA27T | UK | 2001 |
Recommendations
Reviews
-
The Creamer & K is more a progressive style than the others and in my opinion the best mix of it EVER!
I used to drop this in clubs myself on the Greek islands around 2002 and again it's due to its progressive nature and style that was IN back then it always went down a storm :o)
Comment below "dull as dishwater" ???? No no no...... If its progressive house from early 2000 ur after? Look no further than - Rapture (John C & Stephane K mix) :0) -
I never understood what was so good about the Creamer & Stephane K remix, I always thought it was dull as dishwater in every way. In my 4 years since the track's release working at the same club at least 3 nights a week, I never played it once - it was all about the Riva Remix which always packed the floor regardless of how late or early it was. Maybe cause it was the first one I heard - I'll never forget when my buddy came in after a trip to Europe in late 2001 & brought that record into the booth, he was like "here's a gift, play it often". It was also a reasonable 134 BPM which made it suitable to mix into most anything. Late at night I would pull out the Paul Van Dyk or AVB mixes which worked just as well.
Release
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