Beggars Opera – Get Your Dog Off Me
Tracklist
| A1 | Get Your Dog Off Me | 3:40 | |
| A2 | Freestyle Ladies | 4:20 | |
| A3 | Open Letter | 4:32 | |
| A4 | Morning Day | 4:32 | |
| A5 | Requiem | 2:18 | |
| B1 | Classical Gas | 4:28 | |
| B2 | Sweet Blossom Woman | 4:08 | |
| B3 | Turn Your Money Green | 4:08 | |
| B4 | La Di-Da | 2:53 | |
| B5 | Working Man | 4:33 |
Companies, etc.
- Pressed By – Phonodisc GmbH
- Printed By – Druckhaus Maack KG
Credits
- Artwork By [Cover Concept] – Brian Adams, Pete Brown
- Bass, Vocals – Gordon Sellar
- Drums – Raymond Wilson (tracks: A1, A2, A4, B2, B3, B5)
- Drums, Percussion, Vocals – Colin Fairlie*
- Electric Guitar, Acoustic Guitar, Vocals – Ricky Gardiner
- Lead Vocals – Linnie Paterson
- Organ, Piano, Harpsichord, Mellotron, Synthesizer [Moog] – Alan Park
- Producer [Company Producer] – Beggars Opera
- Producer, Engineer, Executive-Producer – Roger Wake
Notes
Released on a Vertigo ''swirl label.
Housed in a fully laminated single sleeve and a neutral white polylined innersleeve. Unlaminated version Here.
Housed in a fully laminated single sleeve and a neutral white polylined innersleeve. Unlaminated version Here.
Barcode and Other Identifiers
- Rights Society: GEMA
- Price Code (Back cover, boxed): D
- Matrix / Runout (Runout side A, stamped, variant 1): 1 0 AA6360090 1Y 320
- Matrix / Runout (Runout side B, stamped, variant 1): 1 0 AA6360090 2Y 320
Other Versions (5 of 16)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Get Your Dog Off Me (LP, Album, Stereo) | Vertigo | 6360 090 | UK | 1973 | |||
|
New Submission
|
Get Your Dog Off Me (LP, Album) | Vertigo | 6360 090 | Canada | 1973 | ||
|
New Submission
|
Get Your Dog Off Me (LP, Album) | Vertigo | 6360 090 L | Italy | 1973 | ||
|
New Submission
|
Get Your Dog Off Me (LP, Album, Stereo) | Vertigo | 6360 090 | Canada | 1973 | ||
|
New Submission
|
Get Your Dog Off Me (LP, Album, Stereo) | Vertigo | 6360 090 | UK | 1973 |
Recommendations
Reviews
-
Edited 17 years agoKeeping the inspiration up while everything goes awry is hard and this album is there to prove it. BO falls into the same trap as many did before and afterwards: an attempt to commercialize the sound, thereby sacrificing the characteristics that made the band unique. Ugly compromises are the inevitable result. The frighteningly commercial title track sounds wonderful, great guitars galore, but is empty from all emotion. A cross-breed between Nazareth and McCartney's Wings is not our idea of exciting music. The rest is questionable half-hard rock, beefed up with false energy. Only the closing ''Working man shows'' something that remotely sounds like inspired musicianship. Obviously too little.
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
42 copies from €3.95