Government Issue – Complete History Volume One
Label: |
Dr. Strange Records – DSR 81 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Punk |
Tracklist
| Make An Effort EP | |||
| 1-1 | Teenager In A Box | 1:29 | |
| 1-2 | No Way Out | 1:48 | |
| 1-3 | Twisted Views | 1:23 | |
| 1-4 | Sheer Terror | 2:17 | |
| 1-5 | G.I. | 0:44 | |
| Boycott Stabb LP | |||
| 1-6 | Hall Of Fame | 1:02 | |
| 1-7 | Hour Of 1 | 1:17 | |
| 1-8 | G.I. | 0:39 | |
| 1-9 | Puppet On A String | 1:11 | |
| 1-10 | Sheer Terror | 3:31 | |
| 1-11 | Happy People | 1:12 | |
| 1-12 | Lost In Limbo | 0:37 | |
| 1-13 | Plain To See | 1:47 | |
| 1-14 | Partyline | 1:14 | |
| 1-15 | Here's The Rope | 2:11 | |
| 1-16 | Insomniac | 1:03 | |
| 1-17 | Religious Ripoff | 1:18 | |
| 1-18 | Sheer Terror | 2:20 | |
| 1-19 | G.I. | 0:47 | |
| 1-20 | Happy People | 0:58 | |
| 1-21 | No Rights | 0:50 | |
| 1-22 | Puppet On A String | 1:22 | |
| Joy Ride LP | |||
| 1-23 | Blending In | 1:27 | |
| 1-24 | Understand | 1:52 | |
| 1-25 | 4-Wall Hermit | 1:16 | |
| 1-26 | Familiar | 2:13 | |
| 1-27 | Time To Escape | 1:47 | |
| 1-28 | Hey Ronnie | 1:20 | |
| 1-29 | Joy Ride | 1:40 | |
| 1-30 | Hall Of Fame | 1:27 | |
| 1-31 | Notch To My Crotch | 1:11 | |
| 1-32 | Reflection | 1:14 | |
| 1-33 | These Boots Are Made For Walkin' | 2:19 | |
| 1-34 | Puppet On A String | 1:17 | |
| 1-35 | Sheer Terror | 1:15 | |
| The Fun Just Never Ends LP | |||
| 1-36 | Fun & Games | 1:03 | |
| 1-37 | Written Word | 2:15 | |
| 1-38 | Mad At Myself | 2:03 | |
| 1-39 | The Next Time | 2:07 | |
| 1-40 | Bored To Death | 1:29 | |
| 1-41 | Vanity Fare | 2:27 | |
| 1-42 | World Caved In | 2:49 | |
| 1-43 | Massacre | 1:40 | |
| 1-44 | Trapped | 1:27 | |
| 1-45 | Vanity Fare | 2:24 | |
| Give Us Stabb Or Give Us Death EP | |||
| 2-1 | Plain To See | 2:22 | |
| 2-2 | Written Word | 2:09 | |
| 2-3 | The Next Time | 2:10 | |
| 2-4 | Blending In | 1:34 | |
| 2-5 | Day Of Reckoning | 1:52 | |
| Live! LP | |||
| 2-6 | Interview | 2:08 | |
| 2-7 | Familiar | 2:18 | |
| 2-8 | Time To Escape | 1:48 | |
| 2-9 | The Next Time | 2:12 | |
| 2-10 | Fun & Games | 1:04 | |
| 2-11 | These Boots Are Made For Walkin' | 3:00 | |
| 2-12 | Hall Of Fame | 1:15 | |
| 2-13 | Reflection | 1:20 | |
| 2-14 | Notch To My Crotch | 1:35 | |
| 2-15 | Interview 2 | 1:36 | |
| 2-16 | Hall Of Fame II | 1:22 | |
| 2-17 | Teenager In A Box | 1:59 | |
| 2-18 | Understand | 1:56 | |
| 2-19 | G.I. | 0:45 | |
| 2-20 | Hour Of 1 | 1:26 | |
| 2-21 | Dead Dog | 3:38 | |
| 2-22 | Any Final Comments? | 0:20 | |
| Government Issue (G.I. 5) LP | |||
| 2-23 | Visions And? | 1:32 | |
| 2-24 | They Know | 1:44 | |
| 2-25 | Locked Inside | 2:40 | |
| 2-26 | Even When You're Here | 3:41 | |
| 2-27 | Everybody's Victim | 2:49 | |
| 2-28 | Memories Past | 1:13 | |
| 2-29 | When I'm Alone | 2:00 | |
| 2-30 | Hear The Scream | 2:25 | |
| 2-31 | Say Something | 2:17 | |
| 2-32 | On The Screen | 1:57 | |
| 2-33 | It Begins Now | 2:39 | |
| 2-34 | Last Forever | 2:57 | |
| 2-35 | Sheer Terror | 2:40 |
Companies, etc.
- Recorded At – Catch-A-Buzz Studios
- Recorded At – Inner Ear Studios
- Recorded At – Black Pond Studios
- Recorded At – Lion & Fox Recording Studios
- Edited At – Cue Recording Studios
Credits
- Bass – Tom Lyle (tracks: 1-1 to 1-5)
- Drums – Sean Saley (tracks: 2-34)
- Engineer – Steve Carr (tracks: 1-36 to 2-5)
- Engineer, Engineer [Remix] – Chris Biando (tracks: 2-23 to 2-35)
- Guitar – Tom Lyle (tracks: 1-6 to 2-35)
- Producer – Tom Lyle (tracks: 1-1 to 1-5, 1-23 to 1-35, 2-23 to 2-35)
- Recorded By – Tom Scott (2) (tracks: 1-1 to 2-5)
- Voice – John Stabb Schroeder (tracks: 1-6 to 1-35)
Notes
Tracks 1-1 to 1-5 recorded February 25, 1982 at Catch-a-Buzz. 1-5 was part of the Make An Effort session but not released on the original vinyl. It was released on a compilation called Underground Hits Volume 2 (Aggressive Rock/Modern Music AG027).
Tracks 1-6 to 1-17 recorded at Inner Ear, November 1982. Additional recording at Catch-a-Buzz, January 1983. 1-17 was not released on the original LP. It was both released on Flipside Vinyl Fanzine Vol. 1 and on Paranoia You Can Dance To (Weird Systems 019). 1-18 to 1-21 were CD bonus tracks, Live At University Of Maryland, October 1, 1982.
1-22 was recorded live at Space II Arcade in Washington DC, September 1983 and included in Flex Magazine, .
1-23 to 1-27, 1-29 to 1-33 and 1-35 recorded at Black Pond, D.C., January and March 1984. 1-28 and 1-34 are live recordings and not included on the US original. They were part of the German pressing (Aggressive Rock/Modern Music AG0037).
1-36 to 2-5 recorded July 1984 - February 1985 at CBGB, NYC, Hit and Run, DC, and Black Pond, DC. 1-45 was part of the CD issue of the record.
2-4 was recorded live at CE Center, Phildadelphia, February 23, 1985.
2-6, 22: WCVT - Baltimore, MD 1981
2-7-8, 16: King Kong's, Adelphi, MD June 21, 1984
2-9-10, 18: CE Center, Philadelphia, PA February 23, 1985
2-11: Newton Theater, Washington, DC June 24, 1984
2-12: Upper Deck, Minneapolis, MN August 3, 1983
2-13-14: Pierce Hall, Washington, DC April 6, 1984
2-15: WMUC, University Of Maryland 1981
2-17: Glenmont Recreation Center, Wheaton, MD February 5, 1984
2-19: Wilson Center, Washington, DC February 25, 1983
2-20: Wilson Center, Washington, DC October 22, 1982
2-21: CBGB, New York City, NY July 30, 1983
2-23 to 2-35 recorded at Lion And Fox Recording, Washington, DC, July 1985, Mystic Studios, Hollywood, CA, August 1985, and Black Pond, Washington, DC, January 1986.
In the notes to this CD it is revealed that Sean Saley played drums on 2-34. He was not credited on the original record.
No barcode.
The audio on two tracks on Disc 2 suffers from glitches:
Tracks 2-29 "When I'm Alone" and 2-35 "Sheer Terror" have scratch-noises on them.
Tracks 1-6 to 1-17 recorded at Inner Ear, November 1982. Additional recording at Catch-a-Buzz, January 1983. 1-17 was not released on the original LP. It was both released on Flipside Vinyl Fanzine Vol. 1 and on Paranoia You Can Dance To (Weird Systems 019). 1-18 to 1-21 were CD bonus tracks, Live At University Of Maryland, October 1, 1982.
1-22 was recorded live at Space II Arcade in Washington DC, September 1983 and included in Flex Magazine, .
1-23 to 1-27, 1-29 to 1-33 and 1-35 recorded at Black Pond, D.C., January and March 1984. 1-28 and 1-34 are live recordings and not included on the US original. They were part of the German pressing (Aggressive Rock/Modern Music AG0037).
1-36 to 2-5 recorded July 1984 - February 1985 at CBGB, NYC, Hit and Run, DC, and Black Pond, DC. 1-45 was part of the CD issue of the record.
2-4 was recorded live at CE Center, Phildadelphia, February 23, 1985.
2-6, 22: WCVT - Baltimore, MD 1981
2-7-8, 16: King Kong's, Adelphi, MD June 21, 1984
2-9-10, 18: CE Center, Philadelphia, PA February 23, 1985
2-11: Newton Theater, Washington, DC June 24, 1984
2-12: Upper Deck, Minneapolis, MN August 3, 1983
2-13-14: Pierce Hall, Washington, DC April 6, 1984
2-15: WMUC, University Of Maryland 1981
2-17: Glenmont Recreation Center, Wheaton, MD February 5, 1984
2-19: Wilson Center, Washington, DC February 25, 1983
2-20: Wilson Center, Washington, DC October 22, 1982
2-21: CBGB, New York City, NY July 30, 1983
2-23 to 2-35 recorded at Lion And Fox Recording, Washington, DC, July 1985, Mystic Studios, Hollywood, CA, August 1985, and Black Pond, Washington, DC, January 1986.
In the notes to this CD it is revealed that Sean Saley played drums on 2-34. He was not credited on the original record.
No barcode.
The audio on two tracks on Disc 2 suffers from glitches:
Tracks 2-29 "When I'm Alone" and 2-35 "Sheer Terror" have scratch-noises on them.
Barcode and Other Identifiers
- Matrix / Runout (Disc 1): 35047AD-03AR DSR-81-D1 002502-04 22E1-0608
- Matrix / Runout (Disc 2): 35048AD-02AR DSR-81-DR 002402-01 22E1-0913
Other Versions (1)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Complete History Volume One (2×CD, Compilation) | Dr. Strange Records | DSR 81 | US | 2000 |
Recommendations
Reviews
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Beware! Some of these releases are made on cheap CDR media. That’s probably why some are self destructive. I bought several discs brand new in shrink wrap that upon opening I discovered that were just burned printed discs. They were this release, the Vol. 2 set and Mad Parade the re issues. I then repurchased all these discs used and found that they were real silver cds. I’m guessing that the newer runs on these products were done on the cheap! -
Anyone elses copy of this self destructing?
disc one towards the end lots of distortion wasn't like it when I first got it..
Also It's not complete history legless bull ep and the flex your head tracks are missing..I know it's stated in the booklet due to them still being in print...but still seemed a bit ridiculous leaving them off.. -
Edited 9 years agoCompletist sets like this are good in theory but must be extremely difficult to do well. This is a nice comp but some tracks sound like they were mastered from vinyl and volume levels are little uneven. Also there are some dropouts on at least one track (disk 2, track 32). Nevertheless it's a must-have for fans.
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