U2 – Zooropa
Label: |
Island Records – 74321 15371 1 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Experimental |
Tracklist
A1 | Zooropa | 6:30 | |
A2 | Babyface | 4:00 | |
A3 | Numb | 4:18 | |
A4 | Lemon | 6:56 | |
A5 | Stay (Faraway, So Close!) | 4:58 | |
B1 | Daddy's Gonna Pay For Your Crashed Car | 5:19 | |
B2 | Some Days Are Better Than Others | 4:15 | |
B3 | The First Time | 3:45 | |
B4 | Dirty Day | 5:24 | |
B5a | The Wanderer | 4:44 | |
B5b | (Silence) | 0:27 | |
B5c | Untitled | 0:11 |
Companies, etc.
- Phonographic Copyright ℗ – PolyGram International Music B.V.
- Copyright © – PolyGram International Music B.V.
- Licensed To – Island Records Ltd.
- Distributed By – BMG
- Record Company – Bertelsmann Music Group
- Recorded At – The Factory
- Recorded At – Windmill Lane Studios
- Recorded At – Westland Studios
- Recorded At – Audio Engineering
- Mastered At – A&M Mastering Studios
- Edited At – A&M Mastering Studios
- Published By – Blue Mountain Music
- Published By – Mother Music
- Published By – Taiyo Music Inc.
- Published By – PolyGram International Music Publishing B.V.
- Pressed By – Sony/CBS, Haarlem – 08-032140-20
Credits
- Art Direction – Steve Averill
- Bass Guitar – Adam Clayton
- Coordinator [Post Production Co-Ordinator] – Partial Productions Inc.*
- Crew [Studio Crew], Technician [Bass Guitar Technician] – Stuart Morgan
- Crew [Studio Crew], Technician [Drum Technician] – Sam O'Sullivan
- Crew [Studio Crew], Technician [Guitar Technician (Bono)] – Fraser McAlister
- Crew [Studio Crew], Technician [Guitar Technician (Edge)] – Dallas Schoo
- Crew [Studio Crew], Technician [Monitoring] – Joe O'Herlihy
- Crew [Studio Crew], Technician [Programming, Keyboard & Guitar Technician] – Des Broadbery
- Crew [Studio Crew], Technician [Studio Technician] – Colm "Rab" McAllister*
- Design [Album Cover Design] – Works Associates (Dublin)*
- Design, CGI Artist [Computer Treatments] – Brian Williams (11)
- Drums, Percussion, Backing Vocals – Larry Mullen Jnr*
- Edited By [Digital Editing By] – Stewart Whitmore
- Engineer [Engineered By] – Robbie Adams
- Film Director [ Zooropa '93 Video Footage] – Maurice Linnane
- Film Producer [ Zooropa '93 Video Footage] – Ned O'Hanlon
- Guitar, Piano, Synthesizer, Vocals – The Edge
- Illustration [Baby Illustration By] – Shaughn McGrath
- Illustration [Original Baby Illustration By] – Charlie Whisker
- Lacquer Cut By – AA*
- Management – Principle Management
- Management [Manager] – Paul McGuinness (2)
- Management [Principle Management Dublin (Director)] – Anne-Louise Kelly
- Management [Principle Management Dublin] – Sandra Long
- Management [Principle Management New York (Director)] – Keryn Kaplan
- Management [Principle Management New York] – Sheila Roche
- Mastered By [Mastering By] – Arnie Acosta
- Mixed By – Robbie Adams
- Other [Special Thanks To] – Ellen Darst, Gavin Friday
- Other [Thanks To] – A.J. Rankin, Aislinn, Ali, All At O.J. Kilkenny & Co., All At Omega Air, All The Dermots, Arran, Barbara Skydel, Barry Slattery, Bill Flanagan, Blue, Bob Koch, Brian Masterson, Brian Murphy, Catherine Rutter, Chris Blackwell, David Landsman, Dennis Sheehan, Dermot Lawless, Des, Elaine, Eric Humphreys, Eve And The Temple Hillbillies, Fintan Fitzgerald, Frank Barsalona, George Regis, Gerry MacArthur, Hollie, Ian Flooks, Ina Meibach, Joe Casely-Hayford, Johnny Cash, Jordan, Katherine, Katherine Maynerd, Keith Wootton, Killian McGowan, Lindsey Sheehan, Marc Coleman, Mark Holmes, Mark Neale, Missy & JJ., Nigel Sweeney, Osmond J. Kilkenny III, Patricia, Paul Wasserman, Regine Moylett, Richard Kendrick, Rock-It Cargo, Sebastian, Ulick, Wim Wenders, Yvonne McMahon
- Producer – The Edge
- Production Manager [Album Production Manager] – Anne-Louise Kelly
- Production Manager [Studio Production Manager] – Suzanne Doyle
- Recorded By [Additional Recording Facilities] – Terry Cromer
- Vocals, Guitar – Bono
Notes
"Stay (Faraway, So Close!)" title courtesy of Road Music Wim Wenders Musikverlag/EMI Electrola GmbH
"Daddy's Gonna Pay For Your Crashed Car": Fanfare taken from the album "Lenin's Favourite Songs" (Mediola). Sample taken from the song "The City Sleeps" by MC 900 ft. Jesus appears courtesy of Nettwerk Productions.
Recorded in Dublin, March - May 1993 at The Factory, Windmill Lane Studios and Westland Studios.
Brian Eno appears courtesy of Opal Ltd.
Johnny Cash appears courtesy of Def American Recordings.
Original images taken from Zooropa '93 video footage.
All tracks written by U2 and published by Blue Mountain Music (UK), Mother Music (IRL), Taiyo Music Inc. (Japan) and PolyGram International Music Publishing B.V. (ROW).
Track B5c is a "hidden track" not listed on the release.
Time listed for track B5a is what is listed on the sleeve (4:44). The track finishes at 4:44, followed by about 27 seconds of silence and then an alarm sound, which plays for approximately 11 seconds and then loops continuously in a locked groove.
In addition to the printed inner sleeve, there is also an info sheet with lyrics.
Matte cover.
"Printed in Holland" pressed in lower right corner of back cover and "Made In Holland" on label side B.
"Daddy's Gonna Pay For Your Crashed Car": Fanfare taken from the album "Lenin's Favourite Songs" (Mediola). Sample taken from the song "The City Sleeps" by MC 900 ft. Jesus appears courtesy of Nettwerk Productions.
Recorded in Dublin, March - May 1993 at The Factory, Windmill Lane Studios and Westland Studios.
Brian Eno appears courtesy of Opal Ltd.
Johnny Cash appears courtesy of Def American Recordings.
Original images taken from Zooropa '93 video footage.
All tracks written by U2 and published by Blue Mountain Music (UK), Mother Music (IRL), Taiyo Music Inc. (Japan) and PolyGram International Music Publishing B.V. (ROW).
Track B5c is a "hidden track" not listed on the release.
Time listed for track B5a is what is listed on the sleeve (4:44). The track finishes at 4:44, followed by about 27 seconds of silence and then an alarm sound, which plays for approximately 11 seconds and then loops continuously in a locked groove.
In addition to the printed inner sleeve, there is also an info sheet with lyrics.
Matte cover.
"Printed in Holland" pressed in lower right corner of back cover and "Made In Holland" on label side B.
Barcode and Other Identifiers
- Barcode (Scanned): 743211537117
- Barcode (Text): 7 43211 53711 7
- Label Code: LC 0407
- Rights Society: BIEM/GEMA
- Other (Computer number): 08-032140-20
- Matrix / Runout (Runout side A - Variant 1): 08-032140-20 A1 NINA S-A-1 B AA
- Matrix / Runout (Runout side B - Variant 1): 08-032140-20 B1 NINA S-B-1 A AA
- Matrix / Runout (Runout side A - Variant 2): 08-032140-20 AI NINA S-A-I AA A
- Matrix / Runout (Runout side B - Variant 2): 08-032140-20 BI NINA S-B-I B AA
- Matrix / Runout (Runout side A - Variant 3): 08-032140-20 AI NINA S-A-I AA A
- Matrix / Runout (Runout side B - Variant 3): 08-032140-20 B-2 NINA S-B-4 AA A
Other Versions (5 of 226)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Zooropa (CD, Album) | Island Records | CIDU29, 518047-2, CIDU 29 | UK | 1993 | ||
Zooropa (LP, Album) | Island Records | U29, 518047-1, 518047-2, 518 047-1 | Europe | 1993 | |||
Zooropa (CD, Album, Stereo) | Island Records | PHCR-1750 | Japan | 1993 | |||
Recently Edited
|
Zooropa (Cassette, Album) | Island Records | UC 29, 518 047-4, 518047-4 | UK & Europe | 1993 | ||
Recently Edited
|
Zooropa (CD, Album) | Island Records | 74321 15371 2 | Europe | 1993 |
Recommendations
Reviews
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I bouught it on NM condition. compare to UK pressing wich I also have this one is much warm, deep clean bass. Amazing pressing fully recomended.
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I own a mint copy, and I must say it sounds great! Clear and warm, deep bass and completely silent! Great pressing!
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I don't know about other versions of this LP, but this European one is pretty bad. I just got one and it seems to be suffering from too many tracks with too fine grooves, especially on side one. Plays with a lack of clarity and skips occasionally only to self recover and play through. This came out when vinyl was dying and if the pressing quality here is any indication of the quality of the time period, then it needed to die and be reborn. Time for a proper 180g+ rerelease. This album especially has a lot of long quiet sections and requires a good clean pressing.
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