Fat Freddy's DropBased On A True Story

Label:

Kartel – KCDL002

Format:

CD , Album , Digipak

Country:

UK

Released:

Genre:

Electronic

Style:

Downtempo

Tracklist

1 Ernie 7:17
2 Cay's Crays 7:07
3 This Room 5:00
4 Ray Ray 7:38
5 Dark Days 6:40
6 Flashback 6:30
7 Roady 7:10
8 Wandering Eye 9:49
9 Del Fuego 5:24
10 Hope 7:19

Companies, etc.

  • Distributed ByGut Records
  • Glass Mastered AtDeluxe, Blackburn
  • Pressed ByDeluxe, Blackburn

Credits

  • PerformerFat Freddy's Drop
  • ProducerFat Freddy's Drop
  • Written-ByFat Freddy's Drop

Notes

Recorded and mixed at The Drop, Wellington, New Zealand.
Under exclusive license to Kartel LTD in UK.

Barcode and Other Identifiers

  • Barcode (Text): 5 060091 550018
  • Matrix / Runout: deluxe KCDL002 01
  • Matrix / Runout (Inner Ring Etched): MADE IN THE UK
  • Mastering SID Code: IFPI L136
  • Mould SID Code: IFPI 0470

Other Versions (5 of 23)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Based On A True Story (CD, Album) The Drop DRP006 New Zealand 2005
Recently Edited
Based On A True Story (2×LP, Album) Sonar Kollektiv SK072LP 2005
Recently Edited
Based On A True Story (CD, Album, Digipak) Sonar Kollektiv SK072CD 2005
Recently Edited
Based On A True Story (2×LP, Album) The Drop DRP 007 New Zealand 2005
Recently Edited
Based On A True Story (CD, Album, Promo, Card Sleeve) Kartel KCDL002 Europe 2005

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Reviews

  • scoundrel's avatar
    scoundrel
    I was first introduced to Fat Freddy's Drop by a track of theirs on a Jazzanova remix album -- no better introduction, I assure you. They themselves as a "dub funk jam band," and their debut album, _Based on a True Story_, certainly soaks in the dub magic: the reverb, the syncopated beats, the laconic vocals. "This Room" starts off with some tichy percussion, while "Ray Ray" indulges the ultra-chill side of things, dipping a toe into R&B before segueing into an arch, stripped-down dub. This musical bait-and-switch happens again with "Dark Days," which start off almost folksy before it begins to bop along. I wonder how much of this morphing is a result of their jam band philosophy? In any case, it keeps the tracks interesting. The female vocals on "Roady" add an exciting dash of texture, while "Del Fuego" doesn't exhibit much fire, but instead opts for more introspection. And "Hope" rounds out the album on that same mellow note, touching on gospel elements with its lingering Rhodes chords.

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