Led Zeppelin – Physical Graffiti
Tracklist
| A1 | Custard Pie | 4:15 | |
| A2 | The Rover | 5:39 | |
| A3 | In My Time Of Dying | 11:08 | |
| B1 | Houses Of The Holy | 4:04 | |
| B2 | Trampled Under Foot | 5:36 | |
| B3 | Kashmir | 8:37 | |
| C1 | In The Light | 8:47 | |
| C2 | Bron-Yr-Aur | 2:06 | |
| C3 | Down By The Seaside | 5:15 | |
| C4 | Ten Years Gone | 6:34 | |
| D1 | Night Flight | 3:38 | |
| D2 | The Wanton Song | 4:08 | |
| D3 | Boogie With Stu | 3:52 | |
| D4 | Black Country Woman | 4:24 | |
| D5 | Sick Again | 4:42 |
Companies, etc.
- Manufactured By – Warner Music Group
- Marketed By – Warner Music Group
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Recorded By – Ronnie Lane's Mobile Studio
- Recorded By – Rolling Stones Mobile
- Recorded At – Headley Grange
- Recorded At – Stargroves
- Recorded At – Island Studios
- Engineered At – Electric Lady Studios
- Engineered At – Olympic Studios
- Overdubbed At – Olympic Studios
- Remastered At – Metropolis Mastering
- Lacquer Cut At – Metropolis Mastering
- Pressed By – Optimal Media GmbH – BD33203
Credits
- Artwork [Tinting Extraordinaire] – Maurice Tate
- Design Concept [Package Concept], Design – Peter Corriston
- Engineer – Ron Nevison (tracks: A1 to A3, B2, B3, C1, C4, D2, D5)
- Executive-Producer – Peter Grant
- Illustration [Window Illustrations] – Dave Heffernan*
- Lacquer Cut By – JD*
- Mixed By [Mixdown & Overdubs] – Keith Harwood (tracks: A1 to A3, B2 to D5)
- Mixed By [Mixdown] – Eddie Kramer (tracks: B1)
- Photography By – Ray Harper*
- Producer [Produced By], Remastered By – Jimmy Page
- Technician [Overdubs] – Andrew Johns* (tracks: B1)
Notes
Issued with two printed inner sleeves and a folded large format inlay with track list, credits and recording info. Housed in a die-cut single pocket jacket.
Selected record shops offered this together with a Physical Graffiti slip mat and a brown paper bag with the LP artwork printed on front.
Runouts are etched. In runouts, all Optimal plating symbols may be inverted (e.g., “⊥” vs “T”) and/or mirrored (e.g., “1△” vs “△↾”).
[Sticker:]
40th anniversary edition on 180g vinyl
Includes Kashmir & Trampled Under Foot
Remastered & produced by Jimmy Page
[Rear sleeve:]
℗ & © 1975 Atlantic Recording Corporation, a Warner Music Group Company. All Rights Reserved.
Manufactured & Marketed by Warner Music Group, 3400 W. Olive Ave., Burbank, CA 91505-4614. Printed in the EU.
[Insert:]
Package concept & design: AGI
Mike Doud, London
Peter Corriston, New York
Custard Pie: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
The Rover: Track [...] at Stargroves with The Rolling Stones Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
In My Time Of Dying: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Mixdown [...] Olympic Studios
Houses Of The Holy: Track & Overdubs [...] Olympic Studios/Mixdown [...] at Electric Ladyland
Trampled Under Foot: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Kashmir: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
In The Light: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Bron-Yr-Aur: Track [...] Island Studios/Mixdown [...] Olympic Studios
Down By The Seaside: Track & Overdubs [...] Island Studios/Mixdown [...] Olympic Studios
Ten Years Gone: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Night Flight: Track [...] at Headly Grange with The Rolling Stones Mobile Studio/Overdubs [...] Island Studios/Mixdown [...] Olympic Studios
The Wanton Song: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Boogie With Stu: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Black Country Woman: Track [...] at Stargroves, in the garden with The Rolling Stones Mobile Studio/Mixdown [...] Olympic Studios
Sick Again: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
[Labels:]
℗ & © 1975 Atlantic Recording Corporation. Manufactured in .
Selected record shops offered this together with a Physical Graffiti slip mat and a brown paper bag with the LP artwork printed on front.
Runouts are etched. In runouts, all Optimal plating symbols may be inverted (e.g., “⊥” vs “T”) and/or mirrored (e.g., “1△” vs “△↾”).
[Sticker:]
40th anniversary edition on 180g vinyl
Includes Kashmir & Trampled Under Foot
Remastered & produced by Jimmy Page
[Rear sleeve:]
℗ & © 1975 Atlantic Recording Corporation, a Warner Music Group Company. All Rights Reserved.
Manufactured & Marketed by Warner Music Group, 3400 W. Olive Ave., Burbank, CA 91505-4614. Printed in the EU.
[Insert:]
Package concept & design: AGI
Mike Doud, London
Peter Corriston, New York
Custard Pie: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
The Rover: Track [...] at Stargroves with The Rolling Stones Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
In My Time Of Dying: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Mixdown [...] Olympic Studios
Houses Of The Holy: Track & Overdubs [...] Olympic Studios/Mixdown [...] at Electric Ladyland
Trampled Under Foot: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Kashmir: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
In The Light: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Bron-Yr-Aur: Track [...] Island Studios/Mixdown [...] Olympic Studios
Down By The Seaside: Track & Overdubs [...] Island Studios/Mixdown [...] Olympic Studios
Ten Years Gone: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Night Flight: Track [...] at Headly Grange with The Rolling Stones Mobile Studio/Overdubs [...] Island Studios/Mixdown [...] Olympic Studios
The Wanton Song: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Boogie With Stu: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
Black Country Woman: Track [...] at Stargroves, in the garden with The Rolling Stones Mobile Studio/Mixdown [...] Olympic Studios
Sick Again: Track [...] at Headly Grange with Ronnie Lane's Mobile Studio/Overdubs & Mixdown [...] Olympic Studios
[Labels:]
℗ & © 1975 Atlantic Recording Corporation. Manufactured in .
Barcode and Other Identifiers
- Barcode (Text, sticker): 0 81227 96578 5
- Barcode (Scanned, sticker): 081227965785
- Other (Inner sleeve LP 1): 8122796578/A
- Other (Inner sleeve LP 2): 8122796578/B
- Matrix / Runout (Side A runout, variant 1): BD 33203-01 A4 JD A1
- Matrix / Runout (Side B runout, variant 1): BD 33203-01 B4 B3
- Matrix / Runout (Side C runout, variant 1): BD 33203-02 C1 C1
- Matrix / Runout (Side D runout, variant 1): BD 33203-02 D1 JD D1
- Matrix / Runout (Side A runout, variant 2): BD 33203-01 A4 JD A1 X=∂
- Matrix / Runout (Side B runout, variant 2): BD 33203-01 B4 L+F B3
- Matrix / Runout (Side C runout, variant 2): BD 33203-02 C1 C1 ==Ɛ
- Matrix / Runout (Side D runout, variant 2): BD 33203-02 D1 ϑ=V
- Matrix / Runout (Side A runout, variant 3): BD 33203-01 A4 ⊥=∂ JD A1
- Matrix / Runout (Side B runout, variant 3): BD 33203-01 B4 B3
- Matrix / Runout (Side C runout, variant 3): BD 33203-02 C1 C1 ==Ɛ
- Matrix / Runout (Side D runout, variant 3): BD 33203-02 D1 ϑ=V
- Matrix / Runout (Side A runout, variant 4): BD33203-01 A4 JD A1 - = ∂
- Matrix / Runout (Side B runout, variant 4): BD33203-01 B4 B3 JD =△E
- Matrix / Runout (Side C runout, variant 4): BD33203-02 C1 C1 △=E
- Matrix / Runout (Side D runout, variant 4): BD33202-02 D1 △=G
- Matrix / Runout (Side A runout, variant 5): BD33203-01 A4 JD A1 1+∂
- Matrix / Runout (Side B runout, variant 5): BD33203-01 B4 B3 ᐱᐱҒ
- Matrix / Runout (Side C runout, variant 5): BD33203-02 C1 C1 ᐱ߂
- Matrix / Runout (Side D runout, variant 5): BD33203-02 —=S D1
- Matrix / Runout (Side A runout, variant 6): BD33203-01 A4 5I1 JD A1
- Matrix / Runout (Side B runout, variant 6): BD33203-01 B4 6=1 B3
- Matrix / Runout (Side C runout, variant 6): BD33203-02 C1 2+1 C1
- Matrix / Runout (Side D runout, variant 6): BD33202-02 D1 D1 T+V
- Matrix / Runout (Side A runout, variant 7): BD33203-01 A4 JD A1 ꓕ ꓥ ∂
- Matrix / Runout (Side B runout, variant 7): BD33203-01 B4 = I ꓥ B3
- Matrix / Runout (Side C runout, variant 7): BD33203-02 C1 ત I — CI
- Matrix / Runout (Side D runout, variant 7): BD33203-02 D1 DI ત I =
- Matrix / Runout (Side A runout, variant 8): BD33203-01 A4 JD A1
- Matrix / Runout (Side B runout, variant 8): BD33203-01 B4 6=1 B3
- Matrix / Runout (Side C runout, variant 8): BD33203-02 Cꓥ ∂=1 II C1
- Matrix / Runout (Side D runout, variant 8): BD33203-02 Dꓥ VII D1
- Matrix / Runout (Side A runout, variant 9): BD33203-01 A4 JD A1 △=f
- Matrix / Runout (Side B runout, variant 9): BD33203-01 B4 △+9 B3
- Matrix / Runout (Side C runout, variant 9): BD33203-02 C1 CI 18
- Matrix / Runout (Side D runout, variant 9): BD33203-02 D1 DI તVꓕ
Other Versions (5 of 476)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Physical Graffiti (2×LP, Album, Stereo) | Swan Song | SSK 89400 | UK | 1975 | |||
| Physical Graffiti (2×LP, Album) | Swan Song | HSWS 681-01/02 | Spain | 1975 | |||
| Physical Graffiti (2×LP, Album, Stereo) | Swan Song | SSK 89 400-O, SSK 89 400 (O), SSK 89 400 | 1975 | ||||
|
New Submission
|
Physical Graffiti (Cassette, Album) | Swan Song | SK 489400 | UK | 1975 | ||
|
Recently Edited
|
Physical Graffiti (2×LP, Album, Reissue) | Swan Song | W 89400 | Italy | 1975 |
Recommendations
Reviews
-
I don’t know who said this, maybe it was on Discogs or on a different review website, but they said “If it’s good enough for Jimmy Page, it’s good enough for me” and boy do I agree.
I’ve never had any problems with Optimal, never had to return one like I had to do with GZ or even RTI. You can see the QC difference with these pressings from Optimal. Dead quiet vinyl, great soundstage.
I have the debut, III, IV, and this one. All of them spectacular and clean.
Don’t listen to the pretentious audiophiles.
If you don’t want to spend 12k on the Classic Records, get all of LZ’s discography available at your local record store for the fraction of the price for these reissues. You genuinely will NOT be disappointed.
Rock on LZ 🤘❤️ -
-
Overall very very pleased with this issue. Dead flat, zero surface noise. Gave up on the price of a NM original. This sounds very pleasing to my ears on both of my set ups. Not sure about other reviews with distortion, my copy has zero! Get it you will be pleased. -
Edited one year agoAfter many years of listening to this press (and more than 50 or 60 listenings to the entire album apart from In My Time Of Dying that i listened even more times) i can confirm:
-A little bit of (not annoying) distortion in general, but i think that it comes from the original tapes since i have listened this on Direct Analog Lossless FLACS and vintage pressings that are pristine condition but all sound with that little distortion. I really enjoy it by the way, i think it is part of the magic of this masterpiece.
-Great dynamics and really good sound even if it is digital sourced but it lacks a little bit of treble (even the original album never sounded too brilliant or crystal clear). Perhaps only brighter on 70s copies but nothing really different.
-Bass is the most affected to me and yeah , it is really weak and muddy on this pressing.
John Paul Jones’s bass fan? You gonna be disappointed
Bonham fan? You gonna be really happy
Page fan? You gonna feel good
Plant fans? Yeah, great vocals
At the end i give this pressing 4/5 because of the great quality materials of the record and beautiful sleeves. Better than originals.
Conclusion:
Buy it if can’t afford the original. Solid pressing. -
Edited one year agopretty good mastering it lacks a little bit of treble compared to analogue copies and contains surface noise, but otherwise it’s really good
-
Only want to say Sir Page is probably the most authorized person to remaster a Zeppelin’s recordings. I like it, sorry! -
Well ,, J.Page really cleaned this one up nicely !, sounds good to me ,, althought a tad on the bright/Trebly side, i pulled back my Trbl a touch and cranked it, it came alive ! More presence on the vocals, guitar, drums, not bad at all for a DMR remaster, sounds good on low VOL and LOUD VOL, beats my old poppy overplayed original 100x fold, nice straight german pressing, clean, no-issues with cover or sleeves, an awesome replacement worth it for me !!! Rock on gentelmens !! ;) -
some songs sound distorted, i don't know if it's the pressing or the mastering, but it wasn't worth it... also not a lot of bass. i think this is the last fucking post-digital era vinyl i bought. enough with this crap. -
This remaster sounds a little on the harsh side to my ears, but it is of a higher fidelity compared with older pressings I’ve heard. -
I bought this on sale with 25% off the sticker price. A pretty solid release and a more gentle listen on the ears than its CD counterpoint, which I also own. This 2015 vinyl remaster has more dynamic range than the 1975 pressing that I own (https://www.discogs.sitioby.com/release/1303566-Led-Zeppelin-Physical-Graffiti). Drums and bass punch you in the face when they thunder in. The highs are a bit shrill but I believe that has more to do more with poor recording than poor mastering. This album wasn't well recorded to begin with. Some of these reviews saying that it doesn't sound good are nonsense. For the price I paid, I am happy. I may have been more dissapointed if I paid regular price, as I'd rather buy an audiophile record (any artist or genre) that can be had in the same price range.
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