Tracklist
| 1 | Brando (Dwellers On The Bluff) | 8:45 | |
| 2 | Herod 2014 | 12:02 | |
| 3 | Bull | 9:23 | |
| 4 | Fetish (Flip'N'Zip) | 9:09 | |
| 5 | Lullaby | 9:24 |
Companies, etc.
- Phonographic Copyright ℗ – 4AD Ltd.
- Copyright © – 4AD Ltd.
- Recorded At – Westpoint Recording Studios
- Recorded At – Metropolis Studios
- Mixed At – Westpoint Recording Studios
- Mixed At – KHS Studios
- Edited At – KHS Studios
- Mastered At – Abbey Road Studios
- Manufactured By – Arvato – 55904190
Credits
- Co-producer, Recorded By – Peter Walsh
- Cover, Photography By [Interior Spread Photos] – Gast Bouschet
- Directed By [Musical Director] – Mark Warman
- Engineer [Assistant - Metropolis Studios] – Liam Nolan
- Management [Scott Walker] – Negus-Fancey Company
- Mastered By – Peter Walsh
- Mixed By – Scott Walker
- Performer [Sunn O)))] – Tos Nieuwenhuizen
- Photography By – Philip Laslett
- Sounds [Electronic Sounds Treatment & Manipulation] – Peter Walsh
- Technician [Analog Technical - Metropolis Studios] – Simon Saywood
- Typography, Sleeve [Design] – Stephen O'Malley
- Written-By [All Songs], Producer – Scott Walker
Notes
Recording & Mixing : Westpoint Studios, London (westpointstudio.com)
Thanks to Shane Shanahan
Drums & Bull Whips : Metropolis Studios, London (metropolis-group.co.uk)
Thanks to Nina Jackson
Session Preparition, Pre-Mixing, Protools Edition : KHS Studios Dusseldorf (peterwalsh.de)
Mastering : Abbey Road Studios, London (abbeyroad.com)
Thanks to Ed Horrox, Simon Halliday, Sam Strang, Rich Walker, Philip Laslett and everyone at 4AD
Siobhan Paine at Miloco, Greg Walsh for the Neumann microphone, Gisèle Vienne, Peter Rehberg,
Jennifer Anderson, Oren Ambarchi, Shaun Kendrick, Nadine Hilbert & Gast Bouschet
MAXIMUM VOLUME YIELDS MAXIMUM RESULTS
℗&© 4AD Ltd. 17-19 Alma Road, London SW18 1AA.
Issued in a 6- digisleeve with a 16-page booklet including lyrics and photos.
Thanks to Shane Shanahan
Drums & Bull Whips : Metropolis Studios, London (metropolis-group.co.uk)
Thanks to Nina Jackson
Session Preparition, Pre-Mixing, Protools Edition : KHS Studios Dusseldorf (peterwalsh.de)
Mastering : Abbey Road Studios, London (abbeyroad.com)
Thanks to Ed Horrox, Simon Halliday, Sam Strang, Rich Walker, Philip Laslett and everyone at 4AD
Siobhan Paine at Miloco, Greg Walsh for the Neumann microphone, Gisèle Vienne, Peter Rehberg,
Jennifer Anderson, Oren Ambarchi, Shaun Kendrick, Nadine Hilbert & Gast Bouschet
MAXIMUM VOLUME YIELDS MAXIMUM RESULTS
℗&© 4AD Ltd. 17-19 Alma Road, London SW18 1AA.
Issued in a 6- digisleeve with a 16-page booklet including lyrics and photos.
Barcode and Other Identifiers
- Barcode (String): 652637342826
- Label Code: LC05807
- Matrix / Runout (Variant 1): [Arvato logo] 55904190/CAD3428CD 21
- Mastering SID Code (Variant 1): IFPI LP 73
- Mould SID Code (Variant 1): IFPI 0760
- Matrix / Runout (Variant 2): [Arvato logo] 55904190/CAD3428CD 21
- Mastering SID Code (Variant 2): IFPI LP 73
- Mould SID Code (Variant 2): IFPI 0765
- Matrix / Runout (Variant 3): [Arvato logo] 55904190/CAD3428CD 21
- Mastering SID Code (Variant 3): IFPI LP 73
- Mould SID Code (Variant 3): IFPI 0773
- Matrix / Runout (Variant 4): [Arvato logo] 55904190/CAD3428CD 21
- Mastering SID Code (Variant 4): IFPI LP 73
- Mould SID Code (Variant 4): IFPI 0776
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Soused (LP, LP, Single Sided, All Media, Album) | 4AD | CAD 3428, CAD3428 | UK & Europe | 2014 | ||
| Soused (CD, Album) | High Note Records | HN1207CD | Taiwan | 2014 | |||
|
Recently Edited
|
Soused (CD, Album) | 4AD | CAD3428CD | US | 2014 | ||
| Soused (CD, Album) | 4AD | CAD3428CDJ | Japan | 2014 | |||
|
New Submission
|
Soused (5×File, MP3, Album, 320 kbps) | 4AD | CAD 3428 | UK & Europe | 2014 |
Recommendations
Reviews
-
maybe the worst lp i've heard in 2014 ( with terrestrials )
the ugly voice of Scott Walker definitely doesn't work with Sunn's sound
looks like a cheap junk operetta for petit bourgeois
boring to death and really disappointing
long life to Black one
-
Having said all that, who am I to be telling the incomparable Scott Walker just who he should and shouldn't be working with ?! T'would be laughable were it not so pathetic.
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"Soused" is right! This record is soaked in Sunn's drone. To my mind this would be a far better record without them. It's not that I dislike Soused, far from it, only that the drone becomes tiresome after a while. Because of this, I feel this is the least interesting record Scott Walker has made in a very long time indeed. I just can't see what he felt Sunn could bring to the party that he couldn't do better himself, with his trusty group of regular musicians and Peter Walsh. This makes me wonder if there wasn't some pressure put on him by 4AD to do this collaboration to help recoup some of the money they've undoubtedly spent on him over the last 8 or 9 years. Someone posted a comment on the trailer for Soused on YouTube, saying that for them, this album was most interesting on the first listen, due to the element of surprise and that they got less out of it with each subsequent listen. I think there may well be some truth in this, which is completely the opposite of the listening experience with Climate of Hunter, Tilt, The Drift and Bish Bosch. Strangely enough, I also find the distorted guitar drones of Sunn to be much more malevolent sounding than even the very unsettling and disturbing real strings used on The Drift and Bish Bosch. There is something about this electric "soup" that feels especially toxic. I think it a real shame as this could have been another great Walker album. I can the first time I heard that Guns 'n' roses like four note sequence near the beginning of Brando and thinking that I wasn't too sure about this! I'm still not.
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Edited 10 years agoThe most fucked up album Sunn has ever done, and I love every minute of it. It's worth every penny.
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Just realized that Scott never did anything bad. Not that i know of at least.
Well my should arrive soon, so an upate is incoming!
Cheers
Z
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