BorbetomagusBorbetomagus

Label:

Agaric Records – Agaric 1980

Format:

CD , Album, Reissue

Country:

US

Released:

Genre:

Jazz

Style:

Experimental

Tracklist

1 Concordat 1 12:13
2 Concordat 2 5:48
3 Concordat 3 5:19
4 Concordat 4 9:28
5 Concordat 5 7:34
6 The Lost Concordat 7:55

Companies, etc.

  • Copyright ©Agaric Records
  • Recorded AtSkunk Hollow Recording Studio, Pomona, NY
  • Manufactured ByU.S. Optical Disc

Credits

  • Design [Cover]Sauter*
  • Electronics [Live]Brian Doherty
  • EngineerJoseph Quesada*
  • Engineer [Technical Assistance]Kevin Junkins
  • GuitarDonald Miller
  • Liner NotesHenk Berkman
  • Photography ByMike Smirnoff
  • Saxophone [Reeds]Jim Sauter

Notes

[tray-insert]
This re-issue of Borbetomagus' 1980 debut album contains the previously un-released Lost Concordat, recovered from badly deteriorated master tapes of the session.

[booklet]
Recorded April 12, 1980
Skunk Hollow Recording Studio
Pomona, New York.
Made in U.S.A.

Barcode and Other Identifiers

  • Barcode (Text): 7 86497 09872 9
  • Matrix / Runout: U.S. OPTICAL DISC AG 1980 <01>
  • Mastering SID Code: none
  • Mould SID Code: none

Other Versions (2)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Borbetomagus (LP) Agaric Records Ag 1980 US 1980
New Submission
Borbetomagus (LP, Repress) Agaric Records 1980, Ag 1980 US 1980

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Reviews

  • rwortiz's avatar
    rwortiz
    Edited 5 years ago
    As you can probably guess, this is the debut album by noise jazz masters Borbetomagus. For convenience sake, it is often given the nickname “White Album.” Here, they are ed by one Brian Doherty on electronics. The group has become infamous for their full-on sonic assault. That being said, their debut sees them in a more restrained and more ambient mood than what they would later become. No dense wall of sax and guitar here. Just abstract soundscapes.

    But make no mistakes. This album is far from easy listening. Certain moments here can go just as hard as the group’s later works. Examples include the electronics freakout near the end of the opener, the sax blowout at the end of said opener, the age in the middle of the fourth track that sounds like a gathering of aliens, and especially beginning of the CD-exclusive sixth track.

    Doherty’s electronics add quite some depth to the album as well. They can either compliment the noise, or help paint the scene the other musicians are trying to craft.

    Overall, “White Album” is a solid enough album for fans. For beginners, however, I would prefer you listen to “Snuff Jazz” or “Barbed Wire Maggots” instead. It would be interesting if they had continued to make more music in this style.

    Bonus points for the CD having “Includes the smash hit ‘Concordat 5’“. More albums need to do something like that.

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