The Cure – Trilogy
Label: |
Eagle Vision – EV 30036-9 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Concert Film |
Tracklist
| Pornography Set | |||
| 1-1 | Introduction | 1:29 | |
| 1-2 | One Hundred Years | 7:42 | |
| 1-3 | A Short Term Effect | 4:49 | |
| 1-4 | The Hanging Garden | 4:50 | |
| 1-5 | Siamese Twins | 5:19 | |
| 1-6 | The Figurehead | 6:29 | |
| 1-7 | A Strange Day | 4:22 | |
| 1-8 | Cold | 4:05 | |
| 1-9 | Pornography | 6:58 | |
| Disintegration Set | |||
| 1-10 | Introduction | 1:36 | |
| 1-11 | Plainsong | 4:53 | |
| 1-12 | Pictures Of You | 7:41 | |
| 1-13 | Closedown | 4:15 | |
| 1-14 | Lovesong | 3:48 | |
| 1-15 | Last Dance | 4:56 | |
| 1-16 | Lullaby | 4:51 | |
| 1-17 | Fascination Street | 5:54 | |
| 1-18 | Prayers For Rain | 5:58 | |
| 1-19 | The Same Deep Water As You | 8:58 | |
| 1-20 | Disintegration | 9:19 | |
| 1-21 | Homesick | 7:00 | |
| 1-22 | Untitled | 5:42 | |
| Bloodflowers Set | |||
| 2-1 | Introduction | 0:28 | |
| 2-2 | Out Of This World | 6:55 | |
| 2-3 | Watching Me Fall | 11:04 | |
| 2-4 | Where The Birds Always Sing | 6:12 | |
| 2-5 | Maybe Someday | 5:32 | |
| 2-6 | The Last Day Of Summer | 5:31 | |
| 2-7 | There Is No If… | 3:47 | |
| 2-8 | The Loudest Sound | 4:53 | |
| 2-9 | 39 | 7:54 | |
| 2-10 | Bloodflowers | 8:00 | |
| Encore Set | |||
| 2-11 | If Only Tonight We Could Sleep | 5:08 | |
| 2-12 | The Kiss | 10:12 | |
| - | |||
| Interview | (36:53) | ||
| 2-13.1 | The Trilogy Idea | 1:57 | |
| 2-13.2 | Why Berlin? | 3:59 | |
| 2-13.3 | Playing The Songs... | 5:30 | |
| 2-13.4 | Nervous? | 6:45 | |
| 2-13.5 | The Fans | 4:58 | |
| 2-13.6 | Overall Impressions? | 4:03 | |
| 2-13.7 | The Film | 4:53 | |
| 2-13.8 | End Of An Era? | 4:48 | |
| 2-14 | Credits | 2:52 | |
| 2-15 | Hidden Interview | 1:30 |
Companies, etc.
- Phonographic Copyright ℗ – Eagle Rock Entertainment Ltd.
- Copyright © – Smith Music Company Ltd.
- Licensed To – Eagle Rock Entertainment Ltd.
- Published By – Fiction Songs Ltd.
- Published By – BMG
- Record Company – Splinter Films Production
- Filmed At – Tempodrom
- Recorded At – Tempodrom
Credits
- Bass, 6-String Bass – Simon Gallup
- Design [Packaging Design] – Nikkie Amouyal
- Drums, Percussion – Jason Cooper
- Executive-Producer [For Eagle Rock Entertainment Ltd.] – Terry Shand (3)
- Executive-Producer [For Smith Music Co. Ltd.] – Robert Smith
- Film Director – Nick Wickham
- Film Producer – Emer Patten
- Guitar, 6-String Bass, Keyboards – Perry Bamonte
- Keyboards, Percussion – Roger O'Donnell
- Music By – Simon Gallup
- Voice, Guitar, 6-String Bass – Robert Smith
Notes
Recorded live in the Tempodrom Berlin November 2002.
Includes a glossy 4 page booklet.
Tracks 1-11 and 1-19 have "hidden" video / audio versions.
Disc 2 includes an interview and a "hidden" interview.
How to access to the hidden videos:
Disc 1:
On the Disintegration set menu, highlight Plainsong, and click to the left. Click on that and see a split screen version of Plainsong
from both nights, shot by Robert's handheld camera.
Still on the Disintegration set menu, highlight Same Deep Water As You and click to the left. Click on that and watch Same Deep Water As You
from the "Robertcam" (much like the Sinkingcam on the Dream Tour).
Disc 2:
Go to the Interview menu, highlight End Of An Era? and click to the left. Click on that and you get some outtakes from the interviews.
Each DVD contains 2 separate lines of Matrix data herein labeled Upper and Lower for their location within the Matrix ring.
Each Disc also contains 2 different Mastering SID Codes imbedded in the Matrix/Runout herein labeled as #1 & #2 respectively.
The Mould SID Codes are of a normal affair so no special enumeration was applied.
Bonus Features:
● Interview
● Hidden selections
Running time: Disc 1 122 mins approx. - Disc 2 101 mins approx.
DVD-9 Dual layer
16:9 Screen format
Dolby Digital 5.1 [Surround]
PCM Stereo [2.0]
English
PS2 Compatible
Includes a glossy 4 page booklet.
Tracks 1-11 and 1-19 have "hidden" video / audio versions.
Disc 2 includes an interview and a "hidden" interview.
How to access to the hidden videos:
Disc 1:
On the Disintegration set menu, highlight Plainsong, and click to the left. Click on that and see a split screen version of Plainsong
from both nights, shot by Robert's handheld camera.
Still on the Disintegration set menu, highlight Same Deep Water As You and click to the left. Click on that and watch Same Deep Water As You
from the "Robertcam" (much like the Sinkingcam on the Dream Tour).
Disc 2:
Go to the Interview menu, highlight End Of An Era? and click to the left. Click on that and you get some outtakes from the interviews.
Each DVD contains 2 separate lines of Matrix data herein labeled Upper and Lower for their location within the Matrix ring.
Each Disc also contains 2 different Mastering SID Codes imbedded in the Matrix/Runout herein labeled as #1 & #2 respectively.
The Mould SID Codes are of a normal affair so no special enumeration was applied.
Bonus Features:
● Interview
● Hidden selections
Running time: Disc 1 122 mins approx. - Disc 2 101 mins approx.
DVD-9 Dual layer
16:9 Screen format
Dolby Digital 5.1 [Surround]
PCM Stereo [2.0]
English
PS2 Compatible
Barcode and Other Identifiers
- Barcode (Text): 8 01213 00369 3
- Matrix / Runout (Variant 1, DVD-1 Upper): IFPI LP87 03041000301 L1 F1M1S2 EV30036-9-1.2.B.EAGRO.1.V.E
- Matrix / Runout (Variant 1, DVD-1 Lower): EV30036-9-1.2.A.EAGRO.1.V.E F1M1S2 IFPI LP85 03041000103 L0
- Mastering SID Code (Variant 1, DVD-1 #1): IFPI LP85
- Mastering SID Code (Variant 1, DVD-1 #2): IFPI LP87
- Mould SID Code (Variant 1, DVD-1): IFPI 0B5Q
- Matrix / Runout (Variant 1, DVD-2 Upper): IFPI LP87 03041000202 L1 F1M1S8 EV30036-9-2.2.B.EAGRO.1.V.E
- Matrix / Runout (Variant 1, DVD-2 Lower): EV30036-9-2.2.A.EAGRO.1.V.E F1M1S8 IFPI LP85 03040902701 L0
- Mastering SID Code (Variant 1, DVD-2 #1): IFPI LP85
- Mastering SID Code (Variant 1, DVD-2 #2): IFPI LP87
- Mould SID Code (Variant 1, DVD-2): IFPI QB60
- Matrix / Runout (Variant 2, DVD-1 Upper): IFPI LP87 03041000301 L1 F1M1S3 EV30036-9-1.2.B.EAGRO.1.U.E
- Matrix / Runout (Variant 2, DVD-1 Lower): F1 EV30036-9-1.2.A.EAGRO.1.U.E IFPI LP85 03041000103 L0
- Mastering SID Code (Variant 2, DVD-1 Upper): IFPI LP87
- Mastering SID Code (Variant 2, DVD-1 Lower): IFPI LP85
- Mould SID Code (Variant 2, DVD-1): IFPI QB60
- Mould SID Code (Variant 2, DVD-1, mirrored): IFPI QB84
- Matrix / Runout (Variant 2, DVD-2 Upper): IFPI LP87 03041000202 L1 F1M1S5 EV30036-9-2.2.B.EAGRO.1.U.E
- Matrix / Runout (Variant 2, DVD-2 Lower): EV30036-9-2.2.A.EAGRO.1.U.E F1M1S6 IFPI LP85 03040902701 L0
- Mastering SID Code (Variant 2, DVD-2 Upper): IFPI LP87
- Mastering SID Code (Variant 2, DVD-2 Lower): IFPI LP85
- Mould SID Code (Variant 2, DVD-2): IFPI QB01
- Mould SID Code (Variant 2, DVD-2, mirrored): IFPI QB30
Other Versions (5 of 34)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Trilogy (2×DVD, DVD-Video, PAL) | Eagle Vision | 302 133-2, EREDV312 | 2003 | |||
|
Recently Edited
|
Trilogy (2×DVD, DVD-Video, Multichannel, PAL, Stereo) | Eagle Vision | EREDV312 | Europe | 2003 | ||
|
New Submission
|
Trilogy (2×DVD, NTSC) | Eagle Vision | EV 30036-9 | Canada | 2003 | ||
|
Recently Edited
|
Trilogy (2×DVD, DVD-Video, Multichannel, NTSC) | Eagle Vision | ST2D 20088 | Brazil | 2003 | ||
|
New Submission
|
Trilogy (3×CD, VCD, Misprint) | Panorama Music Video | PMVCD312318 | Hong Kong | 2003 |
Recommendations
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2004 USCD —Compilation, Remastered -
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Reviews
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I have both the DVD and BD Brazilian editions. Odd that the DVD is actually more complete, with hidden bonus videos (alternative takes) and with subtitles for the songs, including their lyrics in English + translations to Portuguese and Spanish. The BD has none of that. I got the BD for its superior quality, but I enjoy reading the lyrics while watching the concert, which makes me prefer the DVD version, despite the clearly superior quality of the BD video. -
This is a very good, highly digital sounding concert. The image quality is the early DV look of the movie 28 days Later and other 2000's early digital cinematography . Performance-wise I prefer Robert a bit more emotional, here we see him at his most Professional, rather than torn apart by pain, as in the '89-'92 recordings, namely Entreat and Paris. This is not the same guy, in of delivery. However, it's a well rehearsed, well delivered, very long concert. What it lacks in analog reverb and inner torment it makes up for in solid production and musicianship
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