DMX – The Great Depression
Label: |
Def Jam Recordings – UICD-6027 |
|---|---|
Format: |
CD
, Album, Stereo
|
Country: |
Japan |
Released: |
|
Genre: |
Hip Hop |
Style: |
Hardcore Hip-Hop |
Tracklist
| 1 | Sometimes | 1:06 | |
| 2 | School Street | 3:02 | |
| 3 | Who We Be | 4:48 | |
| 4 | Trina Moe | 4:02 | |
| 5 | We Right Here | 4:28 | |
| 6 | Bloodline Anthem | 4:26 | |
| 7 | Shorty Was Da Bomb | 5:12 | |
| 8 | Damien III | 3:22 | |
| 9 | When I'm Nothing | 4:46 | |
| 10 | I Miss You | 4:33 | |
| 11 | Number 11 | 4:41 | |
| 12 | Pull Up (Skit) | 0:21 | |
| 13 | I'ma Bang | 5:04 | |
| 14 | Pull Out (Skit) | 0:34 | |
| 15 | You Could Be Blind | 4:35 | |
| 16 | The Prayer IV | 1:43 | |
| 17 | A Minute For Your Son | 4:50 | |
| 18 | Untitled | 3:49 | |
| 19 | Untitled | 4:16 | |
| 20 | Untitled | 4:00 |
Companies, etc.
- Record Company – Universal International
- Marketed By – Victor Entertainment, Inc.
- Produced For – Bloodline Productions, Inc.
- Produced For – Vacant Lot Productions, Inc.
- Produced For – Black Key Productions, Inc.
- Produced For – P. Killer Trackz
- Produced For – F.O.B. Entertainment
- Produced For – N.Q.C. Management
- Produced For – Swizz Beatz Part II
- Phonographic Copyright ℗ – Island Def Jam Music Group
- Copyright © – Island Def Jam Music Group
- Published By – Scarab Publishing Corp.
- Published By – Ensign Music Corp.
- Published By – Warner-Tamerlane Publishing Corp.
- Recorded At – The Hit Factory Criteria
- Recorded At – Chaton Studios
- Mixed At – The Hit Factory Criteria
- Mixed At – Quad Recording Studios
- Mixed At – Sound On Sound, New York
- Mixed At – Right Track Recording
- Mixed At – Soundtrack Studios
- Edited At – Soundtrack Studios
- Edited At – Masterdisk
- Mastered At – Masterdisk
Credits
- A&R [istration] – Hector "Rick Boogie" Aviles*
- A&R [Assistance] – Uncle Ralph (2)
- A&R [Direction] – Folayan Knight
- Art Direction, Design – Akisia Grigsby
- Edited By [Editing] – Dominic Barbara
- Executive-Producer – Joaquin Dean*
- Executive-Producer [Co-], A&R [Direction], A&R [istration] – Latarche "Nas" Collins
- Executive-Producer [Executive In Charge Of Production] – Ray D. Copeland
- Executive-Producer, A&R [Direction] – Darrin Dean
- Executive-Producer, A&R [Direction], Executive-Producer [Executive In Charge Of Production], Management [Marketing], Art Direction – Earl "DMX" Simmons*
- Legal [Legal Counsel] – Susan Sneider, Esq.*
- Liner Notes – 二木 崇*
- Management – Ray D. Copeland (Uncle Ray)*
- Management [Recording istration] – Tony Vanias
- Marketing – Jazz Young
- Mastered By – Tony Dawsey
- Mixed By – Rich Keller (tracks: 5, 8)
- Photography By – Vincent Soyez
- Producer – Swizz Beatz (tracks: 15, 17)
- Recorded By – Otto D'Angolo* (tracks: 2 to 5, 7 to 9, 13)
- Stylist – Vincent "VJ” Lake
- Stylist [Stylist Assistant] – Sherrell "Shaya" Williams
- Written-By – T. Bell* (tracks: 12, 14)
Notes
Track 1:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 2:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at Quad Studios, NYC and The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 3:
Produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 4:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 5:
Produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Track 6:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Addiional vocals for Bloodline
Track 7:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 8:
Produced for P. Killer Trackz/Bloodline Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ and The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Track 9:
Produced for Bloodline Productions, Inc. and Vacant Lot Productions, Inc.
Co-produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at Sound On Sound Studios, NYC
Mixed for Logusound Ltd.
Contains a sample of "Whatcha Gonna Do (With My Lovin)" Scarab Publishing Corp./Ensign Music Corporation (BMI)
Performed by Stephanie Mills courtesy of Universal Music Enterprises
Track 10:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for No Question Entertainment/Loreal, Inc.
Track 11:
Produced for P. Killer Trackz/Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at Right Track Studio, NYC
Mixed for No Question Entertainment/Loreal, Inc.
Track 12:
Contains samples from The Spinners recording of "I'll Be Around (Whenever You Want Me)" Warner-Tamerlane Publishing Corp. (BMI)
Track 13:
Produced for F.O.B. Entertainment/N.Q.C. Management
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 14:
Contains samples from The Spinners recording of "I'll Be Around (Whenever You Want Me)" Warner-Tamerlane Publishing Corp. (BMI)
Track 15:
Produced for Swizz Beatz Part II
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for No Question Entertainment/Loreal, Inc.
Track 16:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Mixed at Sound Track Studios, NYC
Mixed for Team B Inc./Loreal, Inc.
Track 17:
Produced for Swizz Beatz Part II
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Editing @ Soundtracks Studios & Masterdisk Corp.
Editing for Soundtracks Studios
Mastered @ Masterdisk Corp., NYC
A&R direction for Ruff Ryders, Bloodline Records and Def Jam Records
A&R istration for Bloodline Records and Def Jam
Marketing for Def Jam
Stylist for Mode Squad
Legal counsel for Woods & Middleton, LLP, B.A.R. Entertainment Management, Inc., Def Jam
Management for B.A.R. Entertainment Management, Inc.
Stephanie Mills appears courtesy of First Flight Inc.
Faith Evans appears courtesy of Bad Boy Records
Mashonda Tifrere appears courtesy of Full Surface Records
Mysonne appears courtesy of Wanna Blow Inc.
Mic Geronimo appears courtesy of Rebellious Music
Drag-On appears courtesy of Ruff Ryders/Interscope Records
Big Stan appears courtesy of Bloodline Records
Jinx appears courtesy of Bloodline Records
Loose appears courtesy of Bloodline Records
Kashmir appears courtesy of Bloodline Records
℗ © 2001 The Island Def Jam Music Group
Universal International, a Universal Music Company
Marketed by Victor Entertainment, Inc.
Made in Japan
Tracks 18 to 20 are secret track. Durations are not listed on the release.
Executive producers (Darrin Dean & Joaquin Dean) are credited as Darrin & Joaquin Dean on the inlay.
Co-executive producer (Latarche "Nas" Collins) is credited as Latarche Nas Collins on the back inlay.
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 2:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at Quad Studios, NYC and The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 3:
Produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 4:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 5:
Produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Track 6:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Addiional vocals for Bloodline
Track 7:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 8:
Produced for P. Killer Trackz/Bloodline Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ and The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Track 9:
Produced for Bloodline Productions, Inc. and Vacant Lot Productions, Inc.
Co-produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at Sound On Sound Studios, NYC
Mixed for Logusound Ltd.
Contains a sample of "Whatcha Gonna Do (With My Lovin)" Scarab Publishing Corp./Ensign Music Corporation (BMI)
Performed by Stephanie Mills courtesy of Universal Music Enterprises
Track 10:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for No Question Entertainment/Loreal, Inc.
Track 11:
Produced for P. Killer Trackz/Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at Right Track Studio, NYC
Mixed for No Question Entertainment/Loreal, Inc.
Track 12:
Contains samples from The Spinners recording of "I'll Be Around (Whenever You Want Me)" Warner-Tamerlane Publishing Corp. (BMI)
Track 13:
Produced for F.O.B. Entertainment/N.Q.C. Management
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Track 14:
Contains samples from The Spinners recording of "I'll Be Around (Whenever You Want Me)" Warner-Tamerlane Publishing Corp. (BMI)
Track 15:
Produced for Swizz Beatz Part II
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for No Question Entertainment/Loreal, Inc.
Track 16:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Mixed at Sound Track Studios, NYC
Mixed for Team B Inc./Loreal, Inc.
Track 17:
Produced for Swizz Beatz Part II
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Editing @ Soundtracks Studios & Masterdisk Corp.
Editing for Soundtracks Studios
Mastered @ Masterdisk Corp., NYC
A&R direction for Ruff Ryders, Bloodline Records and Def Jam Records
A&R istration for Bloodline Records and Def Jam
Marketing for Def Jam
Stylist for Mode Squad
Legal counsel for Woods & Middleton, LLP, B.A.R. Entertainment Management, Inc., Def Jam
Management for B.A.R. Entertainment Management, Inc.
Stephanie Mills appears courtesy of First Flight Inc.
Faith Evans appears courtesy of Bad Boy Records
Mashonda Tifrere appears courtesy of Full Surface Records
Mysonne appears courtesy of Wanna Blow Inc.
Mic Geronimo appears courtesy of Rebellious Music
Drag-On appears courtesy of Ruff Ryders/Interscope Records
Big Stan appears courtesy of Bloodline Records
Jinx appears courtesy of Bloodline Records
Loose appears courtesy of Bloodline Records
Kashmir appears courtesy of Bloodline Records
℗ © 2001 The Island Def Jam Music Group
Universal International, a Universal Music Company
Marketed by Victor Entertainment, Inc.
Made in Japan
Tracks 18 to 20 are secret track. Durations are not listed on the release.
Executive producers (Darrin Dean & Joaquin Dean) are credited as Darrin & Joaquin Dean on the inlay.
Co-executive producer (Latarche "Nas" Collins) is credited as Latarche Nas Collins on the back inlay.
Barcode and Other Identifiers
- Barcode (Text): 4 988005 280893
- Barcode (Scanned): 4988005280893
- Mastering SID Code: IFPI L235
- Mould SID Code: IFPI 4011
- Matrix / Runout: UICD-6027 5R V
- Rights Society: JASRAC
Other Versions (5 of 43)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Great Depression (CD, Album) | Ruff Ryders | 586 450-2 | Europe | 2001 | |||
|
Recently Edited
|
The Great Depression (2×LP, Album, Stereo, Gatefold) | Ruff Ryders | 314 586 450-1 | US | 2001 | ||
|
New Submission
|
The Great Depression (2×LP, Album) | Def Jam Recordings | 586 450-1 | Europe | 2001 | ||
|
New Submission
|
The Great Depression (2×LP, Advance, Album, Promo, Stereo) | Ruff Ryders | DEFF 15416-1 | US | 2001 | ||
| The Great Depression (CD, Album) | B.A.R. Management | 314 586 450-2 | US | 2001 |
Reviews
-
Tracks 17-20 actually are separated on here and also have actual titles.
18 is called "Bloodline Preview"
19 is called "Problem Child"
20 is called "Shit Still Real"
Release
See all versions
New Submission
New Submission
For sale on Discogs
Sell a copy
24 copies from €3.04