Linkin Park – Hybrid Theory
Label: |
Machine Shop Recordings – 1-536985 |
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Format: |
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Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Nu Metal |
Tracklist
A1 | Papercut | 3:05 | |
A2 | One Step Closer | 2:37 | |
A3 | With You | 3:23 | |
A4 | Points Of Authority | 3:20 | |
A5 | Crawling | 3:29 | |
A6 | Runaway | 3:04 | |
B1 | By Myself | 3:10 | |
B2 | In The End | 3:36 | |
B3 | A Place For My Head | 3:05 | |
B4 | Forgotten | 3:14 | |
B5 | Cure For The Itch | 2:37 | |
B6 | Pushing Me Away | 3:11 |
Companies, etc.
- Record Company – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
Credits
- A&R [Coordination] – Natalie Preston
- Art Direction, Design – Flem (2)
- Bass – Ian Hornbeck (tracks: A1, B3, B4)
- Bass [Touring] – Scott Koziol
- Booking [Booking Agent] – Michael Arfin
- Booking [Europe Booking Agent] – Scott Thomas (5)
- DAW [Pro Tools Assistant], MC [Emcee], Vocals, Beats, Sampler, Artwork [Soldier Drawing, Line Art Sketches & Drawings] – Mike Shinoda
- Drums, Backing Vocals – Rob Bourdon
- Engineer – Steve Sisco
- Engineer [Additional], DAW [Pro Tools] – John Ewing Jr.
- Engineer [Assistant] – Matt Griffin
- Executive-Producer, A&R – Jeff Blue
- Guitar, Bass, Backing Vocals – Brad Delson
- Management – Ryan DeMarti
- Management [Business Manager] – Michael Oppenheim
- Management [Worldwide Representation] – The Collective (8)
- Mastered By – Brian "Big Bass" Gardner*
- Mixed By – Andy Wallace
- Photography By – James Minchin III
- Producer, Engineer – Don Gilmore
- Product Manager [Marketing Director] – Peter Standish
- Scratches [Records], Sampler, Backing Vocals, Artwork [Line Art Sketches & Drawings] – Joseph Hahn
- Vocals – Chester Bennington
- Written-By – Mark Wakefield (tracks: A6, B3, B4)
Notes
Comes with lyrics insert.
First label code on spine & insert, second on the back, third on LP label & matrix, fourth on sticker.
First label code on spine & insert, second on the back, third on LP label & matrix, fourth on sticker.
Barcode and Other Identifiers
- Barcode (Jacket): 0 93624 94775 2
- Barcode (Sticker): 0 93624 94142 2
- Matrix / Runout (Side A): 1-532432 A
- Matrix / Runout (Side B): 1-532432 B
Other Versions (5 of 173)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Hybrid Theory (CD, Album, WEA Olyphant Pressing) | Warner Bros. Records | 9 47755-2 | US | 2000 | |||
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Hybrid Theory (Cassette, Album) | Warner Bros. Records | 9362-47755-4 | Europe | 2000 | ||
Hybrid Theory (CD, Album) | Warner Bros. Records | 9362-47755-2, 9 4775-2 | Europe | 2000 | |||
Recently Edited
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Hybrid Theory (CD, Advance, Album, Promo, Cardboard Sleeve) | Warner Bros. Records | 2A-47755-B | US | 2000 | ||
Hybrid Theory (CD, Album) | Warner Bros. Records | 9362477552 | Australia | 2000 |
Recommendations
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2014 UK, Europe & USLP, Album, Reissue, Remastered
Reviews
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Its not the best, but for the price of like 22 euros. id say its not bad if you dont plan on listening to it too often or have a crappy sound system.
the problem is just they did a digital master of it like some comments here say, just sounds a little wrong in some areas. Other than that, no issues. -
People forget that the original release doesn’t sound amazing. This was going into the age of over compression and things got muddy. The vinyl cleans it up a little but it’s basically the same thing. Still a fun listen.
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It's definitely not the best sounding record I have in my collection, but I'm still glad I picked it up. I'm not hearing any static when playing, it's just a little flat and undynamic. It's worth getting if you don't already have a copy
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This is honestly a better pressing compared to the Walmart Red version, which I got two of because the first was already warped upon purchase. Both first and second Walmart copies have this static hiss noise that the STP Core and Purple Italy presses give off, although Walmart's Linkin Park vinyl was made in . So this 2013 pressing takes the cake. There is some pops here and there, yet I'd take the occasional pop over the constant static hiss any day.
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It doesn't sound bad, but it's overcompressed, and it distorts at some points, don't expect a clear sound from this...
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This sounds better than my OG CD but you can still tell it’s from a digital master. That being said it’s good and for the $6 I paid for it I can’t complain at all. I’m hearing things I’ve not heard before so it’s at least that good. Great album really takes me back to middle school.
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My experience with this is pretty good overall. Seems like it could have been mastered a bit better for vinyl, but the sound quality is still acceptable IMO. The vinyl itself on my copy was pressed well/flat and quiet overall with no issues. The gatefold sleeve is of good quality, and is a nice perk to have at this price point.
You could certainly do a lot worse for $20. Just don't expect an "audiophile" experience from it. -
This is a bad pressing. Mastered poorly. I thought it was my Equipment but when I tried it on my other mates system, we immediately stopped playing after the 1st song. That's how bad it sounds.
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It's a great sounding record, but as it was described below by others, the quality gets worse as it's getting closer to the wax. In my case, it's noticeable but it doesn't take away from the listening experience.
I love the packaging and the inclusion of a sheet, but I feel like a card should be common practice when it comes to reissues like this. -
The sound quality on this is average, but my main problem is that you can't force a full album into a single LP on this genre. Nu Metal has heavy distortion by design, so as close as you get closer to the dead wax, sound quality goes to the drain.
Release
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