Dream Theater – Images And Words
Tracklist
| A1 | Pull Me Under | 8:11 | |
| A2 | Another Day | 4:22 | |
| A3 | Take The Time | 8:21 | |
| A4 | Surrounded | 5:28 | |
| B1 | Metropolis - Part I (The Miracle And The Sleeper) | 9:30 | |
| B2 | Under A Glass Moon | 7:02 | |
| B3 | Wait For Sleep | 2:31 | |
| B4 | Learning To Live | 11:30 |
Companies, etc.
- Copyright © – Atlantic Recording Corporation – 756792148-1
- Published By – Ytse Jams, Inc.
- Recorded At – BearTracks Recording Studio
- Mixed At – BearTracks Recording Studio
- Mastered At – Sterling Sound
- Manufactured By – BMG Ariola Discos Ltda. Divisão Sonopress
- Distributed By – BMG Ariola Discos Ltda. Divisão Sonopress
- Licensed From – WARNER MUSIC BRASIL LTDA.
Credits
- A&R – Derek Oliver
- Art Direction – Larry Freemantle
- Band [Dream Theater Is:], Bass – John Myung
- Band [Dream Theater Is:], Drums, Percussion – Mike Portnoy
- Band [Dream Theater Is:], Guitar – John Petrucci
- Band [Dream Theater Is:], Keyboards – Kevin Moore
- Band [Dream Theater Is:], Lead Vocals, Backing Vocals [Background Vocals] – James LaBrie
- Design Concept [Cover Concept] – Dream Theater
- Engineer – Doug Oberkircher
- Engineer [Assistant] – Steve Regina
- Mastered By – Ted Jensen
- Mixed By – Doug Oberkircher
- Photography By – Dan Muro
- Producer – David Prater (2)
Notes
The artist name on the record label is misspelled and says DREAM THEATHER.
On the label it has the numbers 670-8302-A and 670-8302-B but on the album cover it uses 756792148-1
On the label it has the numbers 670-8302-A and 670-8302-B but on the album cover it uses 756792148-1
Barcode and Other Identifiers
- Matrix / Runout (Side A, Runout, Stamped): 6708302-A ··· 1STA1 BMG
- Matrix / Runout (Side B, Runout, Stamped): 6708302-B ··· 1STA1 BMG
Other Versions (5 of 86)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Images And Words (CD, Album) | ATCO Records | 7567-92148-2, 7567-92148-2 YS | Europe | 1992 | |||
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Recently Edited
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Images And Words (CD, Album) | ATCO Records | 7 92148-2, 92148-2 | US | 1992 | ||
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Recently Edited
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Images And Words (LP, Album) | ATCO Records | 7567-92148-1 | Europe | 1992 | ||
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New Submission
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Images And Words (LP, Album) | Warner Music Korea | 7567-92148, L8060 | South Korea | 1992 | ||
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New Submission
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Images And Words (Cassette, Album) | ATCO Records | 7567-92148-4 | Europe | 1992 |
Recommendations
Reviews
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Edited 3 months agoI own both this original Brazilian pressing and the 2013 MOV black pressing, and both are good for their own reasons. The Brazilian pressing has a great bottom end with bass much more present, while the MOV has the clarity that sounds more akin to the CD release (being that it was confirmed to be digitally sourced).
However, both are plagued with the same issue: it’s a long album clocking in just under an hour on one disc. The Brazilian pressing suffers from this more, you have to crank up the volume to get a loud enough presence on your setup.
Fortunately, I did hook up a dynamic expander into my setup (Pioneer RG-2) and after getting the correct levels set, the Brazilian pressing actually sounds much better than the MOV, being that it’s from the original master and not a digital master like the MOV has.
If you like the album and just want to have it on vinyl, you can’t go wrong with the MOV. (The Rhino SYEOR clear reissue from this year is sourced from this press as well). But if you want to have the original pressing and master (and you happen to have an expander in your rig) the Brazilian press is a great value cut and cheaper still than the Europe/South Korean pressings. But beware you would want to get the cleanest copy you can find. -
Pretty good pressing, bass is pretty good but doesn’t have a ton of punch to it. There’s better out there for sure but this will do. -
Release
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Recently Edited
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