The Beatles – Anthology 2
Label: |
Apple Records – 8 34448 1 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Beat |
Tracklist
| A1 | Real Love | 3:54 | |
| A2 | Yes It Is (Takes 2 & 14) | 1:50 | |
| A3 | I'm Down (Take 1) | 2:53 | |
| A4 | You've Got To Hide Your Love Away (Take 5) | 2:44 | |
| A5 | If You've Got Trouble | 2:48 | |
| A6 | That Means A Lot | 2:26 | |
| A7 | Yesterday (Take 1) | 2:33 | |
| A8 | It's Only Love (Takes 3 & 2) | 1:58 | |
| B1 | I Feel Fine (Live From The ABC Theatre, Blackpool, UK/1965) | 2:15 | |
| B2 | Ticket To Ride (Live From The ABC Theatre, Blackpool, UK/1965) | 2:44 | |
| B3 | Yesterday (Live From The ABC Theatre, Blackpool, UK/1965) | 2:42 | |
| B4 | Help! (Live From The ABC Theatre, Blackpool, UK/1965) | 2:54 | |
| B5 | Everybody's Trying To Be My Baby (Live From Shea Stadium, New York, USA/1965) | 2:45 | |
| B6 | Norwegian Wood (This Bird Has Flown) (Take 1) | 1:59 | |
| B7 | I'm Looking Through You | 2:53 | |
| B8 | 12-Bar Original | 2:55 | |
| C1 | Tomorrow Never Knows (Take 1) | 3:14 | |
| C2 | Got To Get You Into My Life (Take 5) | 2:54 | |
| C3 | And Your Bird Can Sing (Take 2) | 2:13 | |
| C4 | Taxman (Take 11) | 2:32 | |
| C5 | Eleanor Rigby (Strings Only) | 2:06 | |
| C6 | I'm Only Sleeping (Rehearsal) | 0:40 | |
| C7 | I'm Only Sleeping (Take 1) | 2:59 | |
| C8 | Rock And Roll Music (Live From Nippon Budokan Hall, Tokyo, Japan/1966) | 1:39 | |
| C9 | She's A Woman (Live From Nippon Budokan Hall, Tokyo, Japan/1966) | 2:54 | |
| D1 | Strawberry Fields Forever (Demo Sequence) | 1:42 | |
| D2 | Strawberry Fields Forever (Take 1) | 2:34 | |
| D3 | Strawberry Fields Forever (Take 7 And Edit Piece) | 4:13 | |
| D4 | Penny Lane (Alternate Mix) | 3:12 | |
| D5 | A Day In The Life (Alternate Mix) | 5:04 | |
| D6 | Good Morning Good Morning (Take 8) | 2:40 | |
| D7 | Only A Northern Song (Alternate Mix) | 2:43 | |
| E1 | Being For The Benefit Of Mr. Kite! (Takes 1 And 2) | 1:05 | |
| E2 | Being For The Benefit Of Mr. Kite! (Take 7) | 2:33 | |
| E3 | Lucy In The Sky With Diamonds (Alternate Mix) | 3:05 | |
| E4 | Within You Without You (Instrumental) | 5:27 | |
| E5 | Sgt. Pepper's Lonely Hearts Club Band (Reprise) (Take 5) | 1:27 | |
| E6 | You Know My Name (Look Up The Number) | 5:43 | |
| F1 | I Am The Walrus (Take 16) | 4:01 | |
| F2 | The Fool On The Hill (Demo) | 2:48 | |
| F3 | Your Mother Should Know (Take 27) | 3:02 | |
| F4 | The Fool On The Hill (Take 4) | 3:44 | |
| F5 | Hello, Goodbye (Take 16) | 3:17 | |
| F6 | Lady Madonna (Alternate Mix) | 2:22 | |
| F7 | Across The Universe (Take 2) | 3:28 |
Companies, etc.
- Licensed To – EMI Records Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Phonographic Copyright ℗ – Apple Corps Ltd.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – Apple Corps Ltd.
- Recorded At – The Dakota
- Recorded At – Abbey Road Studios
- Recorded At – ABC Theatre
- Recorded At – Shea Stadium
- Recorded At – Budokan
- Recorded At – Kenwood Surrey
Credits
- Coordinator [For Abbey Road Studios], Coordinator [Assistant To George Martin] – Allan Rouse
- Design Concept [Cover Concept] – Klaus Voormann
- Design, Art Direction – The Team (7)
- Engineer [Remix Engineer] – Geoff Emerick
- Liner Notes [Introduction] – Derek Taylor (2)
- Liner Notes [Sleevenote] – Mark Lewisohn
- Painting – Klaus Voormann
- Producer, Directed By – George Martin
- Research [Additional Research] – Mark Lewisohn
Notes
Fold out sleeve (2 spines). Plain white paper poly-lined inner sleeves. Hype sticker on sleeve.
A1: Recorded in New York, 1979 and Sussex, February 1995
A2: Recorded at EMI Studios, London, 16 February 1965
A3: Recorded at EMI Studios, London, 14 June 1965
A4, A5: Recorded at EMI Studios, London, 18 February 1965
A6: Recorded at EMI Studios, London, 20 February 1965
A7: Recorded at EMI Studios, London, 14 February 1965
A8: Recorded at EMI Studios, London, 15 June 1965
B1, B2, B3, B4: Recorded at ABC Theatre, Blackpool, 1 August 1965
B5: Recorded at Shea Stadium, New York, 15 August 1965
B6: Recorded at EMI Studios, London, 12 October 1965
B7: Recorded at EMI Studios, London, 24 October 1965
B8: Recorded at EMI Studios, London, 4 November 1965
C1: Recorded at EMI Studios, London, 6 April 1966
C2: Recorded at EMI Studios, London, 7 April 1966
C3: Recorded at EMI Studios, London, 20 April 1966
C4: Recorded at EMI Studios, London, 21 April 1966
C5: Recorded at EMI Studios, London, 28 April 1966
C6, C7: Recorded at EMI Studios, London, 29 April 1966
C8, C9: Recorded at Nippon Budokan Hall, Tokyo, 30 June 1966
D1: Recorded at "Kenwood", Weybridge, Surrey, November 1966
D2: Recorded at EMI Studios, London, 24 November 1966
D3: Recorded at EMI Studios, London, 29 November and 9 December 1966
D4: Recorded at EMI Studios, London, 29 and 30 December 1966; 4, 5, 6, 9, 10, 12 and 17 January 1967
D5: Recorded at EMI Studios, London, 19 and 20 January and 10 February 1967
D6: Recorded at EMI Studios, London, 8 and 16 February 1967
D7: Recorded at EMI Studios, London, 13, 14 February and 20 April 1967
E1, E2: Recorded at EMI Studios, London, 17 and 20 February 1967
E3: Recorded at EMI Studios, London, 1 and 2 March 1967
E4: Recorded at EMI Studios, London, 15, 16 and 22 March And 3 April 1967
E5: Recorded at EMI Studios, London, 1 April 1967
E6: Recorded at EMI Studios, London, 17 May and 7, 8 June 1967, 20 April 1969
F1: Recorded at EMI Studios, London, 5 September 1967
F2: Recorded at EMI Studios, London, 6 September 1967
F3: Recorded at EMI Studios, London, 16 September 1967
F4: Recorded at EMI Studios, London, 25 September 1967
F5: Recorded at EMI Studios, London, 2 and 29 October 1967
F6: Recorded at EMI Studios, London, 3 and 6 February 1968
F7: Recorded at EMI Studios, London, 3 February 1968
Made and printed in UK.
A1: Recorded in New York, 1979 and Sussex, February 1995
A2: Recorded at EMI Studios, London, 16 February 1965
A3: Recorded at EMI Studios, London, 14 June 1965
A4, A5: Recorded at EMI Studios, London, 18 February 1965
A6: Recorded at EMI Studios, London, 20 February 1965
A7: Recorded at EMI Studios, London, 14 February 1965
A8: Recorded at EMI Studios, London, 15 June 1965
B1, B2, B3, B4: Recorded at ABC Theatre, Blackpool, 1 August 1965
B5: Recorded at Shea Stadium, New York, 15 August 1965
B6: Recorded at EMI Studios, London, 12 October 1965
B7: Recorded at EMI Studios, London, 24 October 1965
B8: Recorded at EMI Studios, London, 4 November 1965
C1: Recorded at EMI Studios, London, 6 April 1966
C2: Recorded at EMI Studios, London, 7 April 1966
C3: Recorded at EMI Studios, London, 20 April 1966
C4: Recorded at EMI Studios, London, 21 April 1966
C5: Recorded at EMI Studios, London, 28 April 1966
C6, C7: Recorded at EMI Studios, London, 29 April 1966
C8, C9: Recorded at Nippon Budokan Hall, Tokyo, 30 June 1966
D1: Recorded at "Kenwood", Weybridge, Surrey, November 1966
D2: Recorded at EMI Studios, London, 24 November 1966
D3: Recorded at EMI Studios, London, 29 November and 9 December 1966
D4: Recorded at EMI Studios, London, 29 and 30 December 1966; 4, 5, 6, 9, 10, 12 and 17 January 1967
D5: Recorded at EMI Studios, London, 19 and 20 January and 10 February 1967
D6: Recorded at EMI Studios, London, 8 and 16 February 1967
D7: Recorded at EMI Studios, London, 13, 14 February and 20 April 1967
E1, E2: Recorded at EMI Studios, London, 17 and 20 February 1967
E3: Recorded at EMI Studios, London, 1 and 2 March 1967
E4: Recorded at EMI Studios, London, 15, 16 and 22 March And 3 April 1967
E5: Recorded at EMI Studios, London, 1 April 1967
E6: Recorded at EMI Studios, London, 17 May and 7, 8 June 1967, 20 April 1969
F1: Recorded at EMI Studios, London, 5 September 1967
F2: Recorded at EMI Studios, London, 6 September 1967
F3: Recorded at EMI Studios, London, 16 September 1967
F4: Recorded at EMI Studios, London, 25 September 1967
F5: Recorded at EMI Studios, London, 2 and 29 October 1967
F6: Recorded at EMI Studios, London, 3 and 6 February 1968
F7: Recorded at EMI Studios, London, 3 February 1968
Made and printed in UK.
Barcode and Other Identifiers
- Barcode (Scanned): 724383444816
- Barcode (Text): 7 24383 44481 6
- Label Code: LC 0299
- Price Code (F:): PM 541
- Price Code (I:): none
- Other (Catalog number LP 1): 7243 8 34449 15
- Other (Catalog number LP 2): 7243 834450 1 1
- Other (Catalog number LP 3): 7243 8 37047 1 2
- Matrix / Runout (Runout side A): 8344481 1A1
- Matrix / Runout (Runout side B): 8344481 1B1
- Matrix / Runout (Runout side C): 8344481 1C1
- Matrix / Runout (Runout side D): 8344481 1D1
- Matrix / Runout (Runout side E): 8344481 1E1
- Matrix / Runout (Runout side F): 8344481 1F1
Other Versions (5 of 70)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Anthology 2 (2×CD, Album, Stereo, Mono, EMI Uden) | Apple Records | 7243 8 34448 2 3, CDPCSP 728 | Europe | 1996 | ||
|
Recently Edited
|
Anthology 2 (2×CD, Album, Stereo, Mono) | Apple Records | CDP 7243 8 34448 2 3 | US | 1996 | ||
|
Recently Edited
|
Anthology 2 (2×CD, Album, Stereo, Mono) | EMI Music Canada | 7243 8 34448 2 3 | Canada | 1996 | ||
| Anthology 2 (2×CD, Album, Stereo, Mono, EMI UDEN) | Apple Records | 7243 8 34448 2 3, CDPCSP 728 | Europe | 1996 | |||
|
New Submission
|
Anthology 2 (3×LP, Album) | Capitol Records | C1 7243 8 34448 1 6 | US | 1996 |
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2018 WorldwideVinyl —LP, Album, Reissue, Remastered, Stereo -
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2017 WorldwideVinyl —LP, Album, Reissue, Special Edition, Stereo -
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Reviews
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A solid volume from the Anthology series, if only because it nicely charts their growth from mop tops to music frontiersmen. Pretty much all of it is valuable, even the rough demos. Mostly insightful and put together well to make for an enjoyable listening experience. Some of these "vault" recordings can be largely alternate takes that sound largely like what we got anyway in the official release. That's not the case here. With Anthology 2 you feel like you're experiencing the creative habits of 4 amazing musicians. -
My vinyl copy has the labels for record three on record two. Has anyone else got a copy where the wrong labels are on record 2?
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