Front Line Assembly – Millennium
Label: |
Attic – RR 9019-2 |
---|---|
Format: |
CD
, Album
|
Country: |
Canada |
Released: |
|
Genre: |
Electronic |
Style: |
Industrial |
Tracklist
1 | Vigilante | 6:28 | |
2 | Millennium | 6:10 | |
3 | Liquid Separation | 5:05 | |
4 | Search And Destroy | 6:30 | |
5 | Surface Patterns | 5:36 | |
6 | Victim Of A Criminal | 6:32 | |
7 | Division Of Mind | 5:47 | |
8 | This Faith | 6:12 | |
9 | Plasma Springs | 6:20 | |
10 | Sex Offender | 8:13 |
Companies, etc.
- Distributed By – Attic Records Limited
- Licensed From – Attic Productions Limited
- Copyright © – The All Blacks B.V.
- Phonographic Copyright ℗ – The All Blacks B.V.
- Recorded At – Armoury Studios
- Mixed At – Armoury Studios
- Mastered At – Bernie Grundman Mastering
- Licensed To – Roadrunner Records
- Licensed From – The All Blacks B.V.
- Manufactured By – Cinram
Credits
- Engineer [Assistant] – Delwyn Brooks
- Guitar – Devin Townsend (tracks: 1, 7, 10)
- Illustration, Design, Photography By – Dave McKean
- Mastered By – Brian Gardner
- Mixed By, Engineer – Greg Reely
- Technician [Technical ] – Reely Unique
- Written-By, Producer, Electronics [Electronic Executioner] – Rhys Fulber
Notes
Mastered at Bernie Grundmans, Hollywood, CA.
Recorded and mixed at The Armoury Studio, Vancouver, B.C., Jan-Feb 1994.
Programmed at Cryogenics Studio, Vancouver B.C., Feb-Nov 1993.
All tracks published by Roadcrew Music Inc. (BMI) except "Victim Of A Criminal" published by Roadcrew Music Inc. (BMI)/Roadblock Music, Inc. (ASCAP).
© 1994 The All Blacks B.V.
℗ 1994 The All Blacks B.V.
Issued under license to Roadrunner Records from The All Blacks B.V.
Distribué par/Distributed by Attic Records Limited under license from Attic Productions Limited. Made in Canada/Fabriqué au Canada.
Glass master date: 18.09.1994
Recorded and mixed at The Armoury Studio, Vancouver, B.C., Jan-Feb 1994.
Programmed at Cryogenics Studio, Vancouver B.C., Feb-Nov 1993.
All tracks published by Roadcrew Music Inc. (BMI) except "Victim Of A Criminal" published by Roadcrew Music Inc. (BMI)/Roadblock Music, Inc. (ASCAP).
© 1994 The All Blacks B.V.
℗ 1994 The All Blacks B.V.
Issued under license to Roadrunner Records from The All Blacks B.V.
Distribué par/Distributed by Attic Records Limited under license from Attic Productions Limited. Made in Canada/Fabriqué au Canada.
Glass master date: 18.09.1994
Barcode and Other Identifiers
- Barcode (Text): 16861-9019-2 9
- Matrix / Runout (Variant 1): #940918NN RR9019-2 L382 MFG BY CINRAM
- Matrix / Runout (Variant 2): #9704281 RR9019-2 L381 MFG BY CINRAM
- Mastering SID Code (Variant 1): L382
- Mould SID Code (Variant 2): IFPI 6000
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 31)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Millennium (LP, Album) | Roadrunner Records | RR 9019-1, RR 9019 1 | Europe | 1994 | ||
Millennium (CD, Album) | Roadrunner Records | RR 9019 2 | Europe | 1994 | |||
Millennium (CD, Album) | Roadrunner Records | RR 9019 2 | US | 1994 | |||
Millennium (Cassette, Album) | Attic | RR 9019-4 | Canada | 1994 | |||
Recently Edited
|
Millennium (CD, Album) | Apollon International | APCY-8191 | Japan | 1994 |
Recommendations
Reviews
-
this album was quite a change for the established industrial duo of FLA. the jump in labels to Roadrunner proved to be good for some fans and bad for others. the main difference between this and other FLA albums is the presence of distorted guitars. on some track the guitar helps the song, on some it can be annoying and ruin it. one track which is absolutely terrible is "Victim of a Criminal". it features some rapper and i skip over it every time i listen to the cd. without the guitar the album still has the same FLA sound we know and love, and i guess the band didn't think too much about this album since they dropped the guitars right away. overall this is a great FLA album to buy, but it's still not their best work.
-
This (in my oppinion) is one of the best albums i have heard from Frontline Assembly.
It is filled with high pitched sounds in the background which really sounds very "cyber" or "computerised". I like these sounds as it really gives a futuristic type of sound and it also adds to the "lifetime" of the music as such because you will notice new sounds even months after the initial purchase.
According to the CD inlay he also used samples from Sepultura , Ministry and quite a few others ... the strange part is that you never hear any of it ?
if you have not listened to this CD do yourself a fav and get your ears on it ! :)
Release
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