Tracklist
| A1 | 20 Eyes | 1:46 | |
| A2 | I Turned Into A Martian | 1:43 | |
| A3 | All Hell Breaks Loose | 1:47 | |
| A4 | Vampira | 1:26 | |
| A5 | Nike A Go Go | 2:16 | |
| A6 | Hate Breeders | 3:06 | |
| A7 | Mommy, Can I Go Out + Kill Tonight? (Live) | 1:59 | |
| B1 | Night Of The Living Dead | 1:58 | |
| B2 | Skulls | 2:00 | |
| B3 | Violent World | 1:46 | |
| B4 | Devils Whorehouse | 1:45 | |
| B5 | Astro Zombies | 2:15 | |
| B6 | Braineaters | 0:56 |
Companies, etc.
- Copyright © – Ruby Records
- Record Company – Slash Records
- Phonographic Copyright ℗ – Ruby Records
- Copyright © – Hell-bent Music
- Copyright © – Glenn Danzig
- Engineered At – Mix-O-Lydian
- Remixed At – Quad Teck
- Mastered At – Greg Lee Processing – L-8564
Credits
- Bass – Jerry Only
- Design [Album Design] – Schlock
- Drums – Arthur Googy
- Engineer – Mike Taylor
- Engineer [Remix] – Pat Burnette
- Guitar – Doyle (3)
- Lacquer Cut By – P.B.*
- Photography By [Photos] – Schlock
- Producer – The Misfits*
- Remix – Glenn Danzig
- Vocals, Songwriter [All Songs By], Lyrics By – Glenn Danzig
Notes
First pressing with pink background and pink Misfits logo.
The glossy inner sleeve has song lyrics on one side and a photo collage on the other.
The Plan 9 logo appears on the back sleeve.
Some copies are issued with a "Fiend Club" t-shirt order sheet and/or a glossy photo insert.
Some promo copies include:
• a 22"x22" folded poster of the pink cover art with a Ruby Records logo on the bottom left
• and/or a band biography sheet
• and/or a glossy 8"x10" band photo
• The promo copies also have the top-right corner clipped
Engineered at Mix-O-Lydian Studio, Boonton, NJ. Remixed at Quad Teck, L.A., CA.
Back sleeve:
© Ruby Records 1982
Ruby Records a division of Slash Records/J. Ruby Prods., Inc.
Center labels:
℗ 1982 Ruby Records
© 1982 Hellbent Music BMI
Inner sleeve:
lyrics ©1982 Glenn Danzig Hellbent Music BMI
Runouts are etched.
The glossy inner sleeve has song lyrics on one side and a photo collage on the other.
The Plan 9 logo appears on the back sleeve.
Some copies are issued with a "Fiend Club" t-shirt order sheet and/or a glossy photo insert.
Some promo copies include:
• a 22"x22" folded poster of the pink cover art with a Ruby Records logo on the bottom left
• and/or a band biography sheet
• and/or a glossy 8"x10" band photo
• The promo copies also have the top-right corner clipped
Engineered at Mix-O-Lydian Studio, Boonton, NJ. Remixed at Quad Teck, L.A., CA.
Back sleeve:
© Ruby Records 1982
Ruby Records a division of Slash Records/J. Ruby Prods., Inc.
Center labels:
℗ 1982 Ruby Records
© 1982 Hellbent Music BMI
Inner sleeve:
lyrics ©1982 Glenn Danzig Hellbent Music BMI
Runouts are etched.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Side A runout): JRR-804-A P.B. L-8564
- Matrix / Runout (Side B runout): JRR-804-B P.B. L-8564-X
Other Versions (5 of 108)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
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Walk Among Us (Cassette, Album, Promo) | Plan 9 | PL9/01, none | US | 1981 | ||
|
Recently Edited
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Walk Among Us (LP, Album, Stereo) | Expanded Music | EX 32 | Italy | 1982 | ||
|
Recently Edited
|
Walk Among Us (LP, Album, Repress, Stereo) | Ruby Records | JRR 804 | US | 1982 | ||
|
New Submission
|
Walk Among Us (LP, Album, Black labels) | Expanded Music | EX 32 | Italy | 1982 | ||
|
New Submission
|
Walk Among Us (Acetate, LP, Album) | Ruby Records | JRR 804 | US | 1982 |
Recommendations
Reviews
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Absolutely nothing wrong with the Rhino Records pressings. I have the 2009 vinyl pressing and it sounds fantastic on my set up, and I also own an original pressing from 1982 to compare it with.
I think people just want to complain about everything anymore. -
There are Samhain "unholy ion" 12" boots circulating who are mispressed, and contains the "walk among us" tracks in more or less bad quality. My copy is on orange translucent (but there are more: see "unholy ion" page) and looks very much like this:
https://www.discogs.sitioby.com/release/17807635-Samhain-Unholy-ion
also the matrix/runout is same, the jacket is semi-gloss.
Not sure if i need this - actually played it once: if someone is interested just drop me a line. -
I have the very original 1988 pressing of the CD. It sounds quite bad to my ears. Puny, especially the guitars. Can anyone tell me if the 90s/2000s CDs have a better sound to them?
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Edited 4 years agoI just received a Clear Turquoise or Blue Vinyl version with the yellow Ruby Records labels but can't find it here. Did I miss the entry? -
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Well I placed an order for the Earache 2018 reissue hoping it'll sound nice on my system. I am a little sceptacle about how it will sound after doing some digging. I always found the album to be the best produced Misfits album, however it always lacked full clarity and punch, the volume has always been a little off and I fear this may still be an issue with the coming reissue. After checking various misfits discographies, it seems the album was originally mastered in 1982 for the three or four times it was originally pressed in 1982. By 1988, CD had come along, so it was time for a reissue and with the reissue another mastering (one of the Misfit sites seems to confirm this with acetates cut by Bernie Grundman Mastering in the summer of '88) for CD. This would be the master being used for the Earache pressing. Earache has images of one of the tape boxes on their site, the label reads Bernie Grundman Mastering 7/29/88. It states it is not an original master (a remaster for CD?) but includes Dolby noise reduction (could this be why the volume takes a hit) "equalization, limiting, etc. used in disc production". The generation notes on the box confirm it is not an "original master" nor a "1:1 master". I know there are many things that can effect the final product from tape to vinyl, but I have a feeling this still won't be the true reissue of the original album some (myself) are hoping for. We shall see. I guess I'll be the Guinea Pig.
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