Depth Charge – Goal
Label: |
Vinyl Solution – EFA 17163 |
|---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM, 45 RPM
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Breakbeat |
Tracklist
| Yellow Card | |||
| A | Goal (First Half) | ||
| Red Card | |||
| B1 | Goal (Second Half + Extra Time) | ||
| B2 | Goal (Sudden Death Penalty Shoot Out) |
Companies, etc.
- Phonographic Copyright ℗ – Vinyl Solution
- Copyright © – Vinyl Solution
- Published By – Schnozza Music
- Mastered At – The Exchange
- Distributed By – EFA – 12" 17163 02
- Mastered At – P.R. Records Limited
- Pressed By – Damont
Credits
- Co-producer, Engineer, Programmed By, Bass – A. Scott*
- Mastered By – Ray*
- Plated By – P (29)
- Sleeve [Sleeve Illustrations], Illustration [Sleeve Illustrations] – Barrie Lee Thorpe
- Written-By, Producer, Arranged By, Sleeve Notes – J. Saul Kane
Notes
A side is 45 RPM
B side is 33⅓RPM
Recorded In April 1990
© 1990 Vinyl Solution
℗ 1990 Vinyl Solution
Thanks to: Mike Alway and John Peel
Alan Scott appears on the labels as A. Scott and as Alan Scott on the cover.
On Spine: Depth Charge>>>Goal Vinyl Solution>>>Storm 19>>>EFA 17163
B side is 33⅓RPM
Recorded In April 1990
© 1990 Vinyl Solution
℗ 1990 Vinyl Solution
Thanks to: Mike Alway and John Peel
Alan Scott appears on the labels as A. Scott and as Alan Scott on the cover.
On Spine: Depth Charge>>>Goal Vinyl Solution>>>Storm 19>>>EFA 17163
Barcode and Other Identifiers
- Barcode: 5 017687 301967
- Label Code: LC 7871
- Matrix / Runout (Runout side A): STORM 19 A1 PR-P ID STRICTLY NO WOOLYHOOLIES
- Matrix / Runout (Runout side B): STORM 19 B1 PR-P D BOBBY FOR THE BOOT
Other Versions (1)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Goal (12", 45 RPM, White Label) | Vinyl Solution | STORM 19 | UK | Unknown |
Recommendations
Reviews
-
Edited 2 months agoLatin-soaked, proto big beat tribute to the 1970 Brazil football team that featured the great Pelé. Released to coincide with the 1990 FIFA World Cup, it was way ahead of its time with its combination of hip hop break-beats, heavy Latin bassline and madcap samples of football commentators and fans. This single version is arguably better than the 1994 album version, as it fits in a second melody towards the end that gives it more variety. Was widely used by the BBC to soundtrack their coverage of the 1994 World Cup, which was fittingly won by... Brazil! (7)
Release
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Recently Edited
Recently Edited
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