Duke Pearson – Profile
Label: |
Blue Note – 4022 |
|---|---|
Series: |
Blue Note プレミアム復刻シリーズ |
Format: |
Vinyl
, LP, Album, Limited Edition, Reissue, Mono
|
Country: |
Japan |
Released: |
|
Genre: |
Jazz |
Style: |
Tracklist
| A1 | Like Someone In Love | |
| A2 | Black Coffee | |
| A3 | Taboo | |
| A4 | I'm Glad There Is You | |
| B1 | Gate City Blues | |
| B2 | Two Mile Run | |
| B3 | Witchcraft |
Companies, etc.
- Record Company – EMI Music Japan
- Phonographic Copyright ℗ – EMI Music Japan Inc
- Manufactured By – EMI Music Japan Inc
- Distributed By – Disk Union
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Lacquer Cut At – Cohearent Audio
- Pressed By – Quality Record Pressings
- Printed By – Kinyosha Printing Co., Ltd.
Credits
- Bass – Gene Taylor
- Design [Cover] – Reid Miles
- Design [Reissue Design] – m.b.llc.
- Drums – Lex Humphries
- Lacquer Cut By – KPG*
- Liner Notes – Ira Gitler
- Photography By [Cover Photo] – Francis Wolff
- Piano – Duke Pearson
- Producer – Alfred Lion
- Recorded By [Recording By] – Rudy Van Gelder
- Supervised By [Reissue Supervision] – 塙耕記*
- Translated By [Liner Notes] – 行方均*
Notes
Recorded October 25, 1959.
Sourced from the original master tapes and pressed on 200g vinyl with deep groove.
In faithful repro jacket with cap obi. Includes 12 x 12" insert with Japanese translation of original liner notes, and off-white repro die-cut inner sleeve. Vinyl in rice paper sleeve within its own white die-cut card jacket. All housed in a resealable outer poly bag.
Sourced from the original master tapes and pressed on 200g vinyl with deep groove.
In faithful repro jacket with cap obi. Includes 12 x 12" insert with Japanese translation of original liner notes, and off-white repro die-cut inner sleeve. Vinyl in rice paper sleeve within its own white die-cut card jacket. All housed in a resealable outer poly bag.
Barcode and Other Identifiers
- Barcode: 4988044951358
- Rights Society: JASRAC
Other Versions (5 of 18)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Profile (LP, Album, Mono) | Blue Note | BLP 4022 | US | 1960 | ||
| Profile (LP, Album, Reissue, Remastered, Mono) | Blue Note | 4022, BLP 4022 | US | 1966 | |||
|
New Submission
|
Profile (LP, Album, Remastered, Mono) | Blue Note | BLP 4022 | US | 1972 | ||
|
New Submission
|
Profile (LP, Album, Reissue, Stereo) | Blue Note | GXK-8212, BST 84022 | Japan | 1981 | ||
|
New Submission
|
Profile (LP, Album, Stereo) | Blue Note | ST-84022, BNJ 71005 | Japan | 1984 |
Recommendations
Reviews
-
he entire Blue Note releases of "From The Original Masters" series was done off 24/96 digital files, which were created from 2nd generation tapes. It is not a secret anymore.
https://londonjazzcollector.wordpress.com/2023/01/06/wayne-shorter-adams-apple-1966-blue-note-bn-classic-vinyl-2022/
"jazzsaraswati on January 6, 2023 at 15:33 said:
...You mention the mono version from Japan. These are not, in fact sourced from the original masters. The sources for this series was 24/96 files supplied from BN in Japan, presumably taken from the copy tapes that have resided in Japan for many years."
jazzsaraswati is KPG. You can find him on instagram if you want to confirm this too.
The covers are very pretty but I would not pay $100 for a re-issue cover ever, no matter how nice they are done. -
Edited 7 months agoThis is one of best sounding Blue Notes in much collection. KG certainly knocked this one out the park.
Release
See all versions
Recently Edited
Recently Edited
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4 copies from €132.65