Napalm Death – Scum
Tracklist
A1 | Multinational Corporations | |
A2 | Instinct Of Survival | |
A3 | The Kill | |
A4 | Scum | |
A5 | Caught....In A Dream | |
A6 | Polluted Minds | |
A7 | Sacrificed | |
A8 | Siege Of Power | |
A9 | Control | |
A10 | Born On Your Knees | |
A11 | Human Garbage | |
A12 | You Suffer | |
B1 | Life? | |
B2 | Prison Without Walls | |
B3 | Point Of No Return | |
B4 | Negative Approach | |
B5 | Success? | |
B6 | Deceiver | |
B7 | C.S. | |
B8 | Parasites | |
B9 | Pseudo Youth | |
B10 | Divine Death | |
B11 | As The Machine Rolls On | |
B12 | Common Enemy | |
B13 | Moral Crusade | |
B14 | Stigmatized | |
B15 | M.A.D. | |
B16 | Dragnet |
Companies, etc.
- Copyright © – Napalm Death
- Distributed By – Revolver (3)
- Distributed By – The Cartel
- Pressed By – MPO
- Recorded At – Rich Bitch Studios
- Mixed At – Rich Bitch Studios
- Mastered At – The Penthouse
Credits
- Artwork [Front Cover Artwork By] – Jeff*
- Bass [Grinding Bass & Eyes Popping Out] – Jim* (tracks: B1 to B16)
- Bass, Vocals – Nik* (tracks: A1 to A12)
- Drums, Vocals [Whirlwind Caveman Screams & Growls] – Mick*
- Engineer – Mike Ivory
- Guitar – Justin* (tracks: A1 to A12)
- Layout – Dig*
- Lyrics By – Nik* (tracks: A1 to A12)
- Photography By [Back Cover Photos By] – Nick Royles
- Producer – Unseen Terror
- Vocals [Lead Growls] – Lee* (tracks: B1 to B16)
Notes
First press of 2000 copies in a lime green cover and double-sided insert with photos/lyrics. Also issued with a hype sticker.
Tracks A1 to A12 recorded & mixed at Rich Bitch 8-Track, Birmingham August '86.
Tracks B1 to B16 recorded & mixed at Rich Bitch 8-Track, Birmingham May '87..
Made in England.
All lyrics & music © Napalm Death '82-'87
Tracks A1 to A12 recorded & mixed at Rich Bitch 8-Track, Birmingham August '86.
Tracks B1 to B16 recorded & mixed at Rich Bitch 8-Track, Birmingham May '87..
Made in England.
All lyrics & music © Napalm Death '82-'87
Barcode and Other Identifiers
- Matrix / Runout (Side A): MPO MOSH 3 A1 PENTHOUSE WHIRLWIND HULOCAST
- Matrix / Runout (Side B): MPO MOSH 3 B1 BUB IS GOD
Other Versions (5 of 95)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Scum (LP, Album, Repress, Golden Cover) | Earache | MOSH 3 | UK | 1987 | ||
Recently Edited
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Scum (LP, Album, Repress, Orange Cover) | Earache | MOSH 3 | UK | 1987 | ||
Recently Edited
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Scum (LP, Album, Repress, Green / Aquamarine Cover) | Earache | MOSH 3 | UK | 1987 | ||
New Submission
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Scum (LP, Album, Repress, Red Cover) | Earache | MOSH 3 | UK | 1987 | ||
New Submission
|
Scum (LP, Album, Test Pressing) | Earache | MOSH 3 | UK | 1987 |
Recommendations
Reviews
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Edited 8 years agoBack in 1987 it was running the voice through the metal community via fanzines (and other pre-internet methods of communication) that something had happened in the UK, that some band was doing something completely aberrated and unspeakable, something really extreme. Then the news came, it was a band with a rather uncommon name by the time standards, Napalm Death. Everyone wanted to put their ears on this. Cassettes started to came in with the aural news. I receiving one from some guy in the UK which i traded for the first Reencarnación album, also recorded on tape. It was the time when the metal community was real, there was an spirit of true communication, in each corner of the globe some band was blowing heads, everything was new and this new sound and enraged spirit was an atmosphere.
Napalm Death debut was a blast for me, and many from my generation, best of all this was a truly "Internationalle" sort of thing, something completely out of hand, tremendously potent, and different whatsoever. A new whole genre was growing out of it: Agathocles, Carcass, Sorethroat and Extreme Noise Terror among others were following the cult, and we were ready to march on along those lines. At least for a little while.
After the initial shock, the influences started to emerge. Hardcore for sure, some punk and thrash metal and a divergent note of pure experimentalism among a plethora of anti stablishment agenda. The music was pretty concrete Abundant noise coming from nonetheless than Justin Broadrick along with Nik Bullen bass amplification, cymbal buzz and the characteristic manic drumming (Often referred as the fastests drummer back then) from Mick Harris were the trick.
These trinity (unknown at the time) among others like Lee Dorrian would be absolutely influential for everything music wise that would be developing in the near future. They will define and will bring an enormous ammount of new sounds, combinations and ideas into the minds of our age. Industrial music and thus electronica will open the gates for many metalheads via Godflesh, Doom Metal will define an agenda with Lee Dorrian´s Cathedral, while Harris and Bullen will create Scorn and later practically create a new genre called Illbient. A myriad of filaments in these gigantic web of influences.
Napalm Death thus, remains as a memory of a time period in which the metal community was open to create things, a springtime alien to stagnation, hungry for creation and new ways. It also resumes the time being in which three different identities and roads converge to create something unconventional and a wave of events that only later will show its developments. Today it is ed as a potent testimony of youthful lust and the virulence of human creativity when it is truly determined to act. Noise never was so prophetic.
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Aside from previous and current spawning a list of other bands and influencing even more.... I still bow to Justin Broadrick, Mick Harris & Nik Bullen. Pioneers in everything they do. This album starts the path into the labyrinth of experimental genius. Iconic! RAAAWWW!
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According to Earache this is the true first pressing. This one also came with a sticker on
the front of the sleeve.
1 insert. front pictures and back lyrics
Release
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