Tracklist
| A | Head Over Heels | 3:45 | |
| B | The Visitors | 5:49 |
Companies, etc.
- Phonographic Copyright ℗ – Polar Music International AB
- Copyright © – Polar Music International AB
Credits
- Engineer – Michael B. Tretow
- Photography By – A. Hanser*
- Producer, Arranged By – Benny Andersson Björn Ulvaeus*
Notes
© ℗ 1981 Polar Music International AB
Barcode and Other Identifiers
- Rights Society: n©b
- Matrix / Runout (Side A, runout, stamped): POS-1296-A
- Matrix / Runout (Side B, runout, stamped): POS-1296-B
Other Versions (5 of 23)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Head Over Heels (7", Single) | Polydor | PRO-3650 | Philippines | 1981 | ||
|
New Submission
|
Head Over Heels (7", 45 RPM, Single) | Polydor | 2002 122 | Austria | 1981 | ||
|
New Submission
|
Head Over Heels (7", Single, 45 RPM) | RCA Victor | 103947 | Australia & New Zealand | 1981 | ||
|
Recently Edited
|
Head Over Heels (7", 45 RPM, Single, Stereo, Injection Labels) | Epic | EPC A2037, EPC A 2037 | UK | 1982 | ||
| Head Over Heels / The Visitors (7", 45 RPM, Single) | Vogue | 101608 | 1982 |
Recommendations
Reviews
-
Recently acquired a copy of this at a record fair and digitised it. After a few plays, something dawned on me: on both sides, the stereo tracks are reversed (L->R & R->L) relative to the digital versions from the album that you can stream from Apple Music or YouTube. It’s quite subtle on Head Over Heels, but much easier to detect on The Visitors. To rule out the obvious possibility that I’d wrongly wired up the cartridge or record player, I compared other tracks I’ve digitised (by ABBA and other bands) with their streamed versions, and the stereo mixes are the same. Can anyone else confirm or invalidate my findings? My pressing is the UK version with injected labels; runouts say EPC-A-2037-A1/EPC-A-2037-B4 and “TOWNHOUSE”.
Release
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Recently Edited
Recently Edited
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