Tracklist
| A1 | The 1975 | |
| A2 | Happiness | |
| A3 | Looking For Somebody (To Love) | |
| A4 | Part Of The Band | |
| A5 | Oh Caroline | |
| B1 | I'm In Love With You | |
| B2 | All I Need To Hear | |
| B3 | Wintering | |
| B4 | Human Too | |
| B5 | About You | |
| B6 | When We Are Together |
Companies, etc.
- Phonographic Copyright ℗ – Dirty Hit
- Copyright © – Dirty Hit
- Record Company – Dirty Hit Ltd.
- Published By – Concord Music Publishing
- Recorded At – Real World Studios
- Recorded At – Electric Lady Studios
- Recorded At – Noble Street Studios
- Recorded At – RAK Studios
- Engineered At – Real World Studios
- Engineered At – Electric Lady Studios
- Engineered At – RAK Studios
- Engineered At – Pleasure Hill Recording
- Engineered At – Sound House Studios (6)
- Mixed At – Larrabee Sound Studios
- Mastered At – 24-96 Mastering
- Lacquer Cut At – Press On Vinyl
- Pressed By – Press On Vinyl
- Made By – Bad World Limited – BW0002
- Exclusive Retailer – Bad World Limited
Credits
- A&R [Assistant] – Chris Fraser (5)
- Arranged By [String Arrangements] – Warren Ellis
- Artwork – Samuel Burgess-Johnson
- Backing Vocals – Michelle Zauner
- Backing Vocals, Piano, Electric Piano [Wurlitzer], Clavinet, Synth [Synths], Organ, Acoustic Guitar – Jamie Squire
- Bass, Double Bass, Keyboards [Keys], Backing Vocals – Ross McDonald (2)
- Brass – Evan Smith (2)
- Creative Director [Creative Direction] – Samuel Burgess-Johnson
- Drums, Programmed By [Programming], Keyboards [Keys], Synth [Synths], Backing Vocals, Piano, Percussion – George Daniel
- Electric Piano [Wurlitzer] – Oli Jacobs
- Engineer – Oli Jacobs
- Engineer [Additional Engineering] – Jon Gautier
- Engineer [Assistant Engineer at RAK] – Liam Hebb
- Engineer [Assistant Engineers at Electric Lady] – John Rooney (10)
- Engineer [Assistant Engineers at Real World] – Katie May (2)
- Guitar, Programmed By [Programming], Backing Vocals – Adam Hann
- Keyboards, Synth [Synths] – Tommy King (5)
- Lacquer Cut By – Gylda*
- Management, A&R – Jamie Oborne
- Mastered By – Robin Schmidt
- Mixed By – Manny Marroquin
- Mixed By [Mix Engineer Assisted By] – Scott Desmarais
- Mixed By [Mix Engineer] – Chris Galland
- Photography By – Samuel Bradley
- Producer – Matthew Healy
- Producer [Additional Production] – BJ Burton (tracks: A1, A5)
- Programmed By [Additional Programming] – Ben Hudson (tracks: B5)
- Programmed By [Programming] – Sabrina The Teenage DJ*
- Programmed By [Programming], Guitar, Piano, Drums, Backing Vocals, Violin – Jack Antonoff
- Programmed By [Programming], Synth [Synths] – BJ Burton
- Saxophone – Zem Audu
- Strings – Warren Ellis
- Vocals [Additional] – Carly Holt
- Vocals, Guitar, Drums, Piano, Clavinet, Percussion – Matthew Healy
- Written-By – Matthew Healy
- Written-By [Additional Writing] – Stephen Ellen* (tracks: A2)
Notes
Bad World Records exclusive.
Pressed on blue liquid filled vinyl, limited to an unknown quantity.
Housed inside a full-colour, gloss-printed, single-sleeve jacket.
Full-colour, double-sided lyric sheet and full-colour, double-sided credit sleeve included.
* Released unsealed.
* Technically this is just 2 clear copies, glued together, so it's about 500g-ish.
* Vinyl housed inside a clear PVC sleeve.
* 32-hour pre-order window pressed as many ordered.
* Some copies arrived without the jacket, just the inserts and vinyl.
This album was recorded between January & May 2022 at Real World Studios, Bath, U.K, Electric Lady, New York, U.S.A, Noble Street Studios, Toronto, CA & RAK, London, U.K.
Evan Smith at Pleasure Hill Recording (Portland, ME), John Gautier at Sound House Studios (Lakeland, FL).
The sound recording is owned by Dirty Hit Ltd.
℗ & © Dirty Hit 2022
Pressed on blue liquid filled vinyl, limited to an unknown quantity.
Housed inside a full-colour, gloss-printed, single-sleeve jacket.
Full-colour, double-sided lyric sheet and full-colour, double-sided credit sleeve included.
* Released unsealed.
* Technically this is just 2 clear copies, glued together, so it's about 500g-ish.
* Vinyl housed inside a clear PVC sleeve.
* 32-hour pre-order window pressed as many ordered.
* Some copies arrived without the jacket, just the inserts and vinyl.
This album was recorded between January & May 2022 at Real World Studios, Bath, U.K, Electric Lady, New York, U.S.A, Noble Street Studios, Toronto, CA & RAK, London, U.K.
Evan Smith at Pleasure Hill Recording (Portland, ME), John Gautier at Sound House Studios (Lakeland, FL).
The sound recording is owned by Dirty Hit Ltd.
℗ & © Dirty Hit 2022
Barcode and Other Identifiers
- Matrix / Runout (Runout; side A): BW0002 A1 POV -33- GYLDA
- Matrix / Runout (Runout; side B): BW0002 B1 POV -33- GYLDA
Other Versions (5 of 29)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Being Funny In A Foreign Language (LP, Album, Limited Edition, Numbered, Picture Disc) | Dirty Hit | DH01292 | UK | 2022 | ||
|
New Submission
|
Being Funny In A Foreign Language (LP, Album, Limited Edition, Stereo, White Indie Exclusive) | Dirty Hit | DH01499 | Europe | 2022 | ||
|
New Submission
|
Being Funny In A Foreign Language (LP, Album, Limited Edition, Transparent Blue) | Dirty Hit | DH01501 | UK & Ireland | 2022 | ||
|
New Submission
|
Being Funny In A Foreign Language (LP, Album, Limited Edition, Blue Galaxy) | Dirty Hit | DH01500 | UK & Ireland | 2022 | ||
|
New Submission
|
Being Funny In A Foreign Language (LP, Album, Clear) | Dirty Hit | DH01242 | UK | 2022 |
Recommendations
-
-
2023 WorldwideVinyl —LP, Album, Record Store Day, Reissue -
-
-
-
2023 WorldwideVinyl —LP, Album, Limited Edition -
-
-
-
Reviews
-
My copy sounds amazing and it’s always fun to add another liquid filled vinyl to my collection
-
Mine came quite a bit warped. Sounds ok tho. Have to store it outside the sleeve because it doesn't fit in the sleeve which is a
Minor detail but still wish the sleeve was made a but larger haha -
-
The record looks incredible, sounds incredible, overall pretty much flawless! That being said, I really wish the sleeves had been a little thicker. I'm sure it won't be long before both the inner and outer sleeves have marks from the edges of the *very* thick record straining them... ittedly, not sure how to do this with the inner, but the outer could have at least been one of the sleeves used for double non-gatefold LPs at minimum extra cost.
-
-
Edited 6 months agoSuper sick vinyl, don’t really like how all the other items that are normally included (lyric sheet & inner sleeve) were all packaged loosely outside of the jacket and the jacket while being a thick material (which is nice) has a glossy coating which makes it feel like more of a bootleg rather than a reissue. Regardless of that I’m super happy with this release after waiting months. Definitely coolest record in my small collection. -
-
I am shocked at how good this sounds. It is as quiet, if not quieter than your normal LP. -
I wish the vinyl slipcase was big enough to go over the jacket sleeve. The slipcase itself is worthless as storing the record in it will damage the record.
The record itself is exactly as I hoped it would be, but I don’t have another copy to compare the audio quality to. The audio on this sounds just okay to me (Fluance RT-85 and Kanto YU-4 with Bass6 sub) -
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
22 copies from $93.33