Pearl Jam – Dark Matter
Label: |
Republic Records – 602458971163 |
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Format: |
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Country: |
Worldwide |
Released: |
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Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
A1 | Scared Of Fear | |
A2 | React, Respond | |
A3 | Wreckage | |
A4 | Dark Matter | |
A5 | Won’t Tell | |
B1 | Upper Hand | |
B2 | Waiting For Stevie | |
B3 | Running | |
B4 | Something Special | |
B5 | Got To Give | |
B6 | Setting Sun |
Companies, etc.
- Licensed To – Republic Records
- Phonographic Copyright ℗ – Monkeywrench, Inc.
- Copyright © – Monkeywrench, Inc.
- Copyright © – Innocent Bystander
- Copyright © – Scribing C-ment Songs
- Copyright © – Theory of Color
- Copyright © – Write Treatage Music
- Copyright © – Jumpin' Cat Music
- Copyright © – Andrew Watt Music
- Copyright © – Marble Argument
- Record Company – UMG Recordings, Inc.
- Pressed By – GZ Media – 279300E
- Recorded At – Shangri-La, Malibu, CA
- Recorded At – GT Studios (2)
- Recorded At – Henson Recording Studios
- Recorded At – Jump Site Studios
- Published By – Innocent Bystander
- Published By – Scribing C-ment Songs
- Published By – Theory of Color
- Published By – Write Treatage Music
- Published By – Jumpin' Cat Music
- Published By – Andrew Watt Music
- Published By – Marble Argument
Credits
- Backing Vocals – Mark Smith* (tracks: B3)
- Bass, Guitar, Baritone Guitar – Jeff Ament
- Concept By – Jerome Turner
- Cover [Cover Image And All Light Photography] – Alexandr Gnezdilov
- Drums, Percussion – Matt Cameron
- Engineer – Paul Lamalfa
- Engineer [Additional Engineering] – John Burton
- Engineer [Assistant Engineer] – Tommy Turner (7)
- Guitar – Stone Gossard
- Guitar, Piano – Mike McCready
- Guitar, Piano, Keyboards – Andrew Watt (3)
- Layout, Design – Joe Spix
- Lyrics By – Vedder*
- Mixed By – Serban Ghenea
- Photography By [Studio Photography] – Jeff Ament
- Piano, Keyboards, Guitar – Josh Klinghoffer
- Producer – Andrew Watt (3)
- Sounds [Pool Cue] – Sean Penn (tracks: A1)
- Vocals, Guitar, Piano, Backing Vocals – Eddie Vedder
- Written-By – Gossard*
Notes
-RSD 2024 variant release. Comes in heavy-card gatefold sleeve with label stickers (five, on a 12" x 12" sheet) and an 11"x11" 24-page lyrics booklet. Record in a black, die-cut anti-static sleeve.
-Only 15,000 pressed
-Rock & Roll Hall Of Fame inductees Pearl Jam return with an exclusive yellow and black ghostly Dark Matter LP colorway for Record Store Day 2024. The band’s 12th studio album was produced by Grammy® Award Winning producer Andrew Watt.
Sides as:
Side A "This Side"
Side B "That Side"
℗ © 2024 Monkeywrench Inc.
Made in EU.
All runouts are stamped.
Barcode sticker is on shrink wrap. Some copies with "Made in Czech Republic" sticker on shrink wrap
-Only 15,000 pressed
-Rock & Roll Hall Of Fame inductees Pearl Jam return with an exclusive yellow and black ghostly Dark Matter LP colorway for Record Store Day 2024. The band’s 12th studio album was produced by Grammy® Award Winning producer Andrew Watt.
Sides as:
Side A "This Side"
Side B "That Side"
℗ © 2024 Monkeywrench Inc.
Made in EU.
All runouts are stamped.
Barcode sticker is on shrink wrap. Some copies with "Made in Czech Republic" sticker on shrink wrap
Barcode and Other Identifiers
- Barcode (Print): 6 02465 02613 9
- Barcode (Scanned): 602465026139
- Rights Society: ASCAP
- Rights Society: BMI
- Rights Society: GMR
- Rights Society: BIEM/SDRM
- Label Code: LC 07552
- Other (On sticker sheet): 602458971163-3
- Matrix / Runout (00602458971163): Label Side A
- Matrix / Runout (Runout Side A, variant 1): 0062458971163 THANK U RICK 4SHANGRI-LA... R.I.P. ROBBIE 279300E1/C
- Matrix / Runout (Runout Side B, variant 1): 0062458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/E
- Matrix / Runout (Runout Side A, variant 2): 0062458971163 THANK U RICK 4SHANGRI-LA... R.I.P. ROBBIE 279300E1/
- Matrix / Runout (Runout Side B, variant 2): 0062458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/L
- Matrix / Runout (Runout Side A, variant 3): 0062458971163 THANK U RICK 4SHANGRI-LA... R.I.P. ROBBIE 279300E1/K
- Matrix / Runout (Runout Side B, variant 3): 0062458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/L
- Matrix / Runout (Runout Side A, variant 4): 0062458971163 THANK U RICK 4SHANGRI-LA... R.I.P. ROBBIE 279300E1/D
- Matrix / Runout (Runout Side B, variant 4): 0062458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/K
- Matrix / Runout (Runout Side A, variant 5): 0062458971163 THANK U RICK 4 SHANGRI-LA. . . R.I.P. ROBBIE 279300E1/L
- Matrix / Runout (Runout Side B, variant 5): 0062458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/L
- Matrix / Runout (Runout Side A, variant 6): 00602458971163 THANK U RICK 4 SHANGRI-LA... R.I.P. ROBBIE 279300E1/D
- Matrix / Runout (Runout Side B, variant 6): 00602458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/E
- Matrix / Runout (Runout Side A, variant 7): 00602458971163 THANK U RICK 4 SHANGRI-LA... R.I.P. ROBBIE 279300E1/H
- Matrix / Runout (Runout Side B, variant 7): 00602458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/D
- Matrix / Runout (Runout Side A, variant 8): 00602458971163 THANK U RICK 4 SHANGRI-LA... R.I.P. ROBBIE 279300E1/H
- Matrix / Runout (Runout Side B, variant 8): 0062458971163 THANK U STEVIE FOR RUNNING LATE 279300E2/L
Other Versions (5 of 27)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Dark Matter (LP, Album, Limited Edition, Red, White & Blue Tricolor) | Republic Records | 0602465026221 | Europe | 2024 | ||
Recently Edited
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Dark Matter (CD, Album, Stereo, Blu-ray, Blu-ray Audio, Album, Stereo, Multichannel, All Media, Deluxe Edition, Limited Edition) | Monkeywrench Records | 602465084962 | Europe | 2024 | ||
New Submission
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Dark Matter (CD, Album, Stereo, Digibook) | Monkeywrench Records | 602458971187, 60258971187 | Worldwide | 2024 | ||
New Submission
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Dark Matter (11×File, AAC, Album, 256 kbps) | Monkeywrench Records | none | 2024 | |||
New Submission
|
Dark Matter (LP, Album, Limited Edition, Red, Black & Yellow Tricolor) | Republic Records | 0602465026214 | Europe | 2024 |
Recommendations
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2019 USA & EuropeVinyl —12", EP, Record Store Day, Limited Edition, Reissue
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Reviews
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Bought this used at my local record store. First thought: why did someone sell this back? Second thought (as I've been burned before): Is this going to be another trip to "Skip City?" where the needle skips all over the place due to microscopic defects I can't see but the needle sure finds them. Third thought: F*** it, it's $25 and the packaging is cool. I have the CD, which I thought sounded great, but I've grown up in the digital age, despite collecting vinyl as a kid. I also went with a high school buddy to see the "listening party" film at a local AMC theater (he's a super fan of PJ...I can take em or leave em tbh). so I bought it. Sounds sludgy and compressed, but not sure if that was the band's intention? CD just happened to sound a but better. Typical modern day PJ. Some catchy songs, some plodding songs, Eddie dropping the occasional F-bomb to still seem cool.
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The problem with this record isn’t the engineering, mixing, mastering, or pressing. The artwork and vinyl variants look awesome. The problem is that it’s not a very good album, imo.
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Cannot fathom why they put 'Upper Hand' as B1, creating a 28 1/2 minute side. Should really have been double vinyl, but at least 'Upper Hand' as A6 would've kept the long side under 26.
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Edited 11 months agoYep ok some compression but hardly the train wreak that some are signalling here. Love the ghost coloured vinyl. Housed in a proper poly inner sleeve so clean flat quiet and static free. Quality gatefold and booklet. I’m not a PJ fan by any stretch and probably like this album as it is distinctly un-PJ in its sound. We could do worse folks. I’m enjoying this!!
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Edited one year agoListening to my copy for the first time, I stopped the record and streamed the album to check that there wasn’t something wrong with my stereo. Both stereo and pressing were fine. The production of this album very compressed with zero low mids. Not a fault of the pressing but a creative choice of the band. Which is why it sounds as hi-fi as a K-Tel compilation from the 1970s. Regardless of the higher limited sound, it’s still punchy. Hey, at least it won’t skip on a Crosley Cruiser.
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Don't find any problems from this. Looks and sounds great. Nothing bad to say. Perhaps the euro price could have been -10€. Recommended release
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Reading other reviews, I thought it would sound like dropping the needle on a personal pan pizza, but it’s…fine? It’s not super dynamic or anything but the songs whip and there’s no surface noise on my copy. Some of y’all are wild.
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I've had this since it came out and listened to it many times now on several different stereo systems and record players. I also bought the album on CD. It sounds better on CD. (I have not listened to the "Immersive Mix" on BluRay yet.) This pressing has some nice moments of sound separation but overall sounds stringy, sibilant, and crunched/compressed. At times, it gets quite bad, like the climax of "Setting Sun." Trebly and granular and canned, abrasive and not in an intentional cool in-your-face way (on the contrary, this has been the most commercial eager-to-please pearl jam album since backspacer, which I much prefer). What Watt did with Matt Cameron's drums is over-the-top and atrocious, and totally mars the album on whatever format you choose. Exhausts my ears. The packaging is nice; a large lyric book is a rarity, even in these days where every release is a gatefold. I think the splatter wax is ugly and not in alignment with pj's aesthetic. A friend notes it looked like a Def Leppard or Poison special edition, and I sadly have to agree. I would expect a band who wrote "Spin the Black Circle" during the nadir of vinyl's popularity not to release trendy gimmick vinyl like this. Don't think discogs is the place to review the album itself, just the pressing, so I'll keep those thoughts mostly to myself. I do think it is relevant that Watt's production and the mix make it so there really is no great way to hear this album.
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Everything about this is absolutely horrible. The audio is garbage and the songs don't even seem like they put in any effort anymore. PJ used to craft such great songs. Ten was a banger of an album, VS was pretty damn good too, even Vitalogy was a good listen. Everything after that has been a snoozefest.
Release
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Recently Edited
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