Taylor Swift – 1989 (Taylor's Version)
Label: |
Republic Records – 0245554214 |
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Format: |
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Country: |
Worldwide |
Released: |
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Genre: |
Pop |
Style: |
Pop Rock |
Tracklist
A1 | Welcome To New York (Taylor's Version) | ||
A2 | Blank Space (Taylor's Version) | ||
A3 | Style (Taylor's Version) | ||
A4 | Out Of The Woods (Taylor's Version) | ||
A5 | All You Had To Do Was Stay (Taylor's Version) | ||
B1 | Shake It Off (Taylor's Version) | ||
B2 | I Wish You Would (Taylor's Version) | ||
B3 | Bad Blood (Taylor's Version) | ||
B4 | Wildest Dreams (Taylor's Version) | ||
B5 | How You Get The Girl (Taylor's Version) | ||
C1 | This Love (Taylor's Version) | ||
C2 | I Know Places (Taylor's Version) | ||
C3 | Clean (Taylor's Version) | ||
C4 | Wonderland (Taylor's Version) | ||
C5 | You Are In Love (Taylor's Version) | ||
D1 | New Romantics (Taylor's Version) | ||
From The Vault | |||
D2 | "Slut!" (Taylor's Version) (From The Vault) | ||
D3 | Say Don't Go (Taylor's Version) (From The Vault) | ||
D4 | Now That We Don't Talk (Taylor's Version) (From The Vault) | ||
D5 | Suburban Legends (Taylor's Version) (From The Vault) | ||
D6 | Is It Over Now? (Taylor's Version) (From The Vault) |
Companies, etc.
- Phonographic Copyright ℗ – Taylor Swift
- Copyright © – Taylor Swift
- Distributed By – UMG Commercial Services
- Lacquer Cut At – Sterling Sound
- Pressed By – MPO
Credits
- Art Direction [Packaging] – Joshua Sage Newman
- Coordinator [Project ], Coordinator [Coordination] – Republic Records Team
- Creative Director [Packaging Creative Direction] – Taylor Swift
- Design [Packaging] – Parker Foote
- Executive-Producer – Taylor Swift
- Hair – Jemma Muradian
- Lacquer Cut By – RKS*
- Make-Up – Lorrie Turk
- Photography By – Beth Garrabrant
- Stylist [Wardrobe] – Joseph Cassell (2)
Notes
Issued in a gatefold sleeve with printed inner sleeves.
Sealed copies come with a hype sticker attached to the front shrink wrap.
Barcode sticker and "Made in " sticker attached to rear shrink wrap.
Tracks are listed sequentially on the release.
℗© 2023 Taylor Swift.
Runouts: "STERLING" is stamped, "[MPO logo]®" and MPO stamper numbers are laser etched, everything else is hand-etched.
In the runout for Side D, variant 4, the "X" in "245554214-XD" is a scratched out "A".
Sealed copies come with a hype sticker attached to the front shrink wrap.
Barcode sticker and "Made in " sticker attached to rear shrink wrap.
Tracks are listed sequentially on the release.
℗© 2023 Taylor Swift.
Runouts: "STERLING" is stamped, "[MPO logo]®" and MPO stamper numbers are laser etched, everything else is hand-etched.
In the runout for Side D, variant 4, the "X" in "245554214-XD" is a scratched out "A".
Barcode and Other Identifiers
- Barcode (Sticker, text): 6 02455 54214 4
- Barcode (Sticker, scanned): 602455542144
- Matrix / Runout (Side A runout, variant 1): [MPO logo]® 23 323677 245554214-A (2) 060245554217 A RKS STERLING P1 M2
- Matrix / Runout (Side B runout, variant 1): 245554214-B (2) 060245554217 B RKS STERLING P1 M1
- Matrix / Runout (Side C runout, variant 1): [MPO logo]® 23 323497 245554214-C (2) 060245554217 C RKS STERLING P1 M1
- Matrix / Runout (Side D runout, variant 1): 245554214-D RE1 (1) RKS STERLING M5
- Matrix / Runout (Side A runout, variant 2): [MPO logo]® 23 320534 245554214-A (1) 060245554217 A RKS STERLING P1 M1
- Matrix / Runout (Side B runout, variant 2): [MPO logo]® 23 321455 245554214-B (2) 060245554217 B RKS STERLING
- Matrix / Runout (Side C runout, variant 2): [MPO logo]® 23 321023 245554214-C (1) P1 M1 060245554217 C RKS STERLING
- Matrix / Runout (Side D runout, variant 2): [MPO logo]® 23 321184 245554214-D2 RE1 (2) RKS STERLING
- Matrix / Runout (Side A runout, variant 3): [MPO logo]® 23 320706 245554214-A (2) 060245554217 A RKS STERLING
- Matrix / Runout (Side B runout, variant 3): [MPO logo]® 23 323575 245554214-B (1) P1 M2 060245554217 B RKS STERLING
- Matrix / Runout (Side C runout, variant 3): [MPO logo]® 23 323925 P1 M1 245554214-C (2) 060245554217 C RKS STERLING
- Matrix / Runout (Side D runout, variant 3): [MPO logo]® 23 323926 RKS STERLING P1 M1 245554214-D2 RE1 (2)
- Matrix / Runout (Side A runout, variant 4): RKS STERLING 060245554217 A 245554214-A (1) P1 M2
- Matrix / Runout (Side B runout, variant 4): P1 M1 245554214-B (2) 060245554217 B RKS STERLING
- Matrix / Runout (Side C runout, variant 4): RKS STERLING [MPO Logo]®23 324169 P1 M1 245554214-C (3)
- Matrix / Runout (Side D runout, variant 4): RKS STERLING M5 245554214-XD RE1 (1)
Other Versions (5 of 49)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
1989 (Taylor's Version) (2×LP, Album, Special Edition, Blue [Crystal Skies Blue]) | Republic Records | 0245554214 | Worldwide | 2023 | ||
Recently Edited
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1989 (Taylor's Version) (2×LP, Album, Special Edition, Tangerine, MPO Pressing) | Republic Records | 0245554218 | Worldwide | 2023 | ||
Recently Edited
|
1989 (Taylor's Version) (CD, Album, Special Edition, Crystal Skies Blue Edition) | Republic Records | 0245597656 | Europe | 2023 | ||
New Submission
|
1989 (Taylor's Version) (21×File, AAC, Album, 256 kbps) | Republic Records | none | Worldwide | 2023 | ||
Recently Edited
|
1989 (Taylor's Version) (2×LP, Album, Special Edition, Pink [Rose Garden Pink]) | Republic Records | 0245554215 | Worldwide | 2023 |
Recommendations
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2023 WorldwideVinyl —LP, Album, Record Store Day, Reissue
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Reviews
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Mastering on this is actually stellar. I had no idea Ryan K. Smith cut this until just now (reading the credits here on Discogs). Press quality is great and super clean.
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I'm pretty sure this is the right pressing because I had a "Made in " sticker. Still listening to mine, but does anyone else feel like the art is a little yellow-y? It certainly is compared to digital. Even the labels seem to have a yellow hue
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Edited one year agoMine was perfect, clear sound, minimal surface noise at the beginning of certain tracks, no pops and ticks (something I fear bc TS vinyl is known for its poor QC, i.e. the beige Folklore). The mastering is stellar too because I can clearly hear the different layers of vocal, background vocals, and instruments. The sound is not flat and compressed like the OG which was strongly affected by the Loudness War.
Release
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