EaglesHotel California

Label:

Mobile Fidelity Sound Lab – UD1S 2-028

Series:

UltraDisc One-Step

Format:

2 x Vinyl , LP, 45 RPM, Album, Reissue, Remastered, Stereo , 180g, SuperVinyl
Box Set , Limited Edition, Numbered, Special Edition

Country:

US

Released:

Genre:

Rock

Style:

Country Rock

Tracklist

A1 Hotel California
Guitar, Soloist [Guitar Solos]Joe Walsh
Lead Vocals [Lead Vocal], PercussionDon Henley
Written-ByGlenn Frey
6:30
A2 New Kid In Town
Electric Guitar [Electric Guitars]Don Felder
Electric Piano, OrganJoe Walsh
Guitarrón [Guitarone]Randy Meisner
Lead Vocals [Lead Vocal]Glenn Frey
Written-ByJohn David Souther
5:04
B1 Life In The Fast Lane
ClavinetGlenn Frey
Lead GuitarJoe Walsh
Lead Vocals [Lead Vocal]Don Henley
Written-ByJoe Walsh
4:46
B2 Wasted Time
GuitarDon Felder
Lead Vocals [Lead Vocal]Don Henley
OrganJoe Walsh
PianoGlenn Frey
Written-ByGlenn Frey
4:55
C1 Wasted Time (Reprise)
Arranged By [Strings], Conductor [Strings Conducted By]Jim Ed Norman
Written-ByJim Ed Norman
1:22
C2 Victim Of Love
Lead GuitarDon Felder
Lead Vocals [Lead Vocal]Don Henley
Slide GuitarJoe Walsh
Written-ByJohn David Souther
4:11
C3 Pretty Maids All In A Row
Lead Vocals [Lead Vocal], PianoJoe Walsh
SynthesizerJoe Walsh
Written-ByJoe Walsh
4:05
D1 Try And Love Again
Guitar [Gretsch]Joe Walsh
Lead GuitarGlenn Frey
Lead Vocals [Lead Vocal]Randy Meisner
Written-ByRandy Meisner
5:10
D2 The Last Resort
Lead Vocals [Lead Vocal]Don Henley
Pedal Steel GuitarDon Felder
SynthesizerJoe Walsh
Written-ByGlenn Frey
7:25

Companies, etc.

  • Record CompanyWarner Music Group
  • Produced ForPandora Productions Ltd.
  • Marketed ByMobile Fidelity Sound Lab, Inc.
  • Manufactured ForWarner Music Group
  • Manufactured ByMobile Fidelity Sound Lab
  • Phonographic Copyright ℗Elektra/Asylum Records
  • Copyright ©Elektra/Asylum Records
  • Pressed ByRecord Technology Incorporated
  • Recorded AtCriteria Recording Studios
  • Recorded AtRecord Plant, Los Angeles
  • Mixed AtCriteria Recording Studios
  • Mastered AtMobile Fidelity Sound Lab
  • Lacquer Cut AtMobile Fidelity Sound Lab

Credits

  • Arranged By [Strings], Conductor [Strings Conducted By]Jim Ed Norman
  • Art DirectionKosh*
  • Artwork [Poster By]Norman Seeff
  • Concertmaster [Concert Master]Sid Sharp*
  • Engineer [Engineered By]Ed Mashal
  • GraphicsKosh*
  • Lacquer Cut ByKW*
  • Mastered ByKrieg Wunderlich
  • Mixed ByBill Szymczyk
  • Photography By [Cover]David Alexander (5)
  • Producer [Produced By]Bill Szymczyk
  • Vocals, Bass, Guitarrón [Guitarone]Randy Meisner
  • Vocals, Drums, PercussionDon Henley
  • Vocals, Guitar, KeyboardsJoe Walsh
  • Vocals, Guitar, Slide GuitarDon Felder

Notes

Special Audiophile Edition limited to 17,500 numbered copies.
Specially Plated and Pressed on 180g of High-Definition Vinyl. Pressed on SUPERVINYL™.
SuperVinyl™ formula developed and manufactured by NEOTECH
1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe.
Vinyl is Translucent. (When held up to a light you can see through it)

℗ © 1976 Elektra/Asylum Records

Recorded at Record Plant, Los Angeles, March - October 1976

Runout strings are etched.

Barcode and Other Identifiers

  • Barcode (Text): 8 21797 20282 4
  • Barcode (Scanned, UPC-A): 821797202824
  • Matrix / Runout (Runout side A variant 1): UD1S 2-028 A5 KW @ MoFi
  • Matrix / Runout (Runout side B variant 1): UD1S 2-028 B5 KW @ MoFi
  • Matrix / Runout (Runout side C variant 1): UD1S 2-028 C2 KW @ MoFi
  • Matrix / Runout (Runout side D variant 1): UD1S 2-028 D2 KW @ MoFi
  • Matrix / Runout (Runout side A variant 2): UD1S 2-028 A12 KW @ MoFi
  • Matrix / Runout (Runout side B variant 2): UD1S 2-028 B12 KW @ MoFi
  • Matrix / Runout (Runout side C variant 2): UD1S 2-028 C6 KW @ MoFi
  • Matrix / Runout (Runout side D variant 2): UD1S 2-028 D4 KW @ MoFi
  • Matrix / Runout (Runout side A, variant 3): UD1S 2-028 A12 KW @ MoFi
  • Matrix / Runout (Runout side B, variant 3): UD1S 2-028 B12 KW @ MoFi
  • Matrix / Runout (Runout side C, variant 3): UD1S 2-028 C4 KW @ MoFi
  • Matrix / Runout (Runout side D, variant 3): UD1S 2-028 D4 KW @ MoFi

Other Versions (5 of 565)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Hotel California (LP, Album, Stereo, Gatefold) Asylum Records AS 53051, 7E-1084 Netherlands 1976
Recently Edited
Hotel California (LP, Album, Gatefold) Asylum Records K 53051, K53051, 7E 1084, 7E-1084 UK 1976
Hotel California (LP, Album, Stereo, Pfanz Cut, Gatefold Cover) Asylum Records AS 53 051, 7E-1084 1976
Recently Edited
Hotel California (LP, Album, Stereo, Gatefold) Asylum Records 53 051 1976
Recently Edited
Hotel California (LP, Album, Stereo, CSM - Santa Maria Pressing) Asylum Records 7E-1084 US 1976

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Reviews

  • TheLastRecord's avatar
    TheLastRecord
    Don't believe the hate, this record sounds killer. I was raised on this record and for vinyl I have the Kevin Gray remaster (which used to be my favorite version), a clean original early press which is decent, and of course I had the cassette and CD and I grew up on the 8 track in my old man's T-bird. I've listened to this record 5K times and at first play of this MoFi, I heard stuff I had never heard before in the mix (percussion, acoustic guitar parts, etc). This is final boss.
    • licataproductions's avatar
      So many freakin’ armchair quarterbacks pretending to be audiophiles. This version kills. Super clean, pristine mastering. Nice thump on the bottom end and the highs are definitely not too much. It’s a full, glorious sound. I’ve heard all of them and nothing compares to this. If you’re a fan of this album, the buck stops here.
      • the3rdmac's avatar
        the3rdmac
        Edited 4 months ago
        I've had this from release (about a full year and a half), and I've played it maybe three or four times. Every time I put it on, I just feel the immediate need to take it right off. I love this album, and it's a real shame MoFi missed the mark so hard. While I wouldn't describe it as "bright", as a drummer the hi-hat is just too freaking loud and completely takes all life out of the music, and every time it hits it takes me out of the music. No, it's not my system as there isn't one other record I've had that sounds anything like this, including other MoFi's. This is the only record I've ever seriously considered selling. Also, it took two replacement copies to get it flat. Original was like a tsunami; first replacement was not that much better. Get the 2013 Bernie or Kevin cut. Don't even think about this.
        • maggiefan8's avatar
          maggiefan8
          Edited 6 months ago
          Vinyl is dead quiet and packaging sublime (should be for $125+), but it’s bright compared to my 2009 Kevin Gray pressing which sounds full and beautiful. Glad I bought that back in the day, turns out it’s the best pressing of this album I’ve heard.
          • STYLOUS's avatar
            STYLOUS
            Edited 6 months ago
            Wow. Lots of varying opinions on this one. I’ll throw in my $.02 as well.

            Played this 4xs today. I then compared it to my 2017 B. Grandman master (r17536279) for comparison.

            IMO I dont think it’s too bright or missing the mids. I have speakers that are known for being too high (Bowers & Wilkins) and the sound is clear, but not harsh in any way. I hear the mids coming in/out just fine and the bass (strings and kick) are very noticeable and balanced as well. What I didn’t see anyone compliment was the wonderful harmonics that come through on the chorus and vocals - amazing.

            I compared this to r17536279 and there is no comparison. While that release was solid, this release is far better.

            There are so many variables on playback that impact what’s good, what’s bad. This isn’t the best I’ve heard but it’s a solid, enjoyable listening experience. I’m glad I picked this up to add to my collection.

            One thing to note that “could” be creating a different listening experience for me aside from my equipment, I am listening to a different variant (#3).
            • jasonevans90's avatar
              jasonevans90
              After listening to this multiple times. I don't find it that bright as some have said. Seeing them live more than once they play bright live as well even in an arena the hi hat is definitely up front. Better than average pressing. Not the best sounding album I own . That's still Bruce Cockburn dancing in the dragons jaw CBS half speed. This is superior to most but maybe not the best. I'd love to see vmp and Ryan Sterling do it of an analog production of it. Sometimes people expect way too much. Price is demand not necessarily quality. My speakers are even bright and this is not fatigue by any stretch.
              • Nick8712's avatar
                Nick8712
                Edited 12 months ago
                This release is horrible compared to pressings that go for much cheaper. Get a CB or Grundman cut instead. The EQ on this release favors the "audiophile treble detail" that MoFi has been going for. Very overblown high end and barely any life in the midrange.
                • travazaborava's avatar
                  travazaborava
                  Then why is so expensive, used one, Who is buying if is not good. Look at those $$$. My German copy is miles away from this pressing. Only this is shiny one.
                  • the3rdmac's avatar
                    the3rdmac
                    Edited one year ago
                    I change my mind. This is really not that good. I'm not sure what happened during the mastering, but it just sounds so weird. Lots of highs and lots of bass, but everything else is gone. The Bernie Grundman 2013 remaster sounds miles better.
                    • zerozero's avatar
                      zerozero
                      This pressing is good though to my ears too bright. I've listened to several. The original US pressings sound dull. Call it relaxed or warm if you prefer but muffled is a different way of putting it. My favourite pressing, which finds a good balance between 'warmth' with 'presence' (and about half-way towards this pressing in of brightness) is the West German 1980s/90s (Discogs doesn't give an exact date).

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                      • Have:2695
                      • Want:582
                      • Avg Rating:4.76 / 5
                      • Ratings:276
                      • Last Sold:
                      • Low:$89.00
                      • Median:$122.50
                      • High:$206.74

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