Tracklist
| A1 | You Can All In | |
| A2 | Pearly Queen | |
| A3 | Don't Be Sad | |
| A4 | Who Knows What Tomorrow May Bring | |
| A5 | Feelin' Alright? | |
| B1 | Vagabond Virgin | |
| B2 | Forty Thousand Heen | |
| B3 | Cryin' To Be Heard | |
| B4 | No Time To Live | |
| B5 | Means To An End |
Companies, etc.
- Licensed From – Island Records Ltd.
- Made By – Festival Records Pty. Ltd.
- Manufactured By – Festival Records Pty. Ltd.
Credits
- Design [Album Design] – Jim Capaldi
- Engineer – Terry Brown
- Photography By – Richard Polak
- Producer, Liner Notes – Jimmy Miller
- Written-By – Winwood* (tracks: B4, B5)
Notes
Non gatefold sleeve original Australian Press (Stereo Edition), Flipback Sleeve. Sleeve titled 'Traffic 2' but has the same tracklist as Traffic LP released in the UK as Island ILPS 9081T.
Originally recorded for and licensed by Island Records Ltd.
Made in Australia by Festival Records Pty Ltd
Released estimated at circa 1968/69.
Originally recorded for and licensed by Island Records Ltd.
Made in Australia by Festival Records Pty Ltd
Released estimated at circa 1968/69.
Barcode and Other Identifiers
- Matrix / Runout (Label side A): MX28603
- Matrix / Runout (Label side B): MX28604
- Matrix / Runout (Etched runout side A): SMX28603 2A
- Matrix / Runout (Etched runout side B): SMX28604 2A
Other Versions (5 of 132)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Traffic (LP, Album, Stereo, Gatefold) | United Artists Records | UAS 6676 | US | 1968 | ||
| Traffic (LP, Album, Stereo) | Stone Records (7) | WIS 4703, WIS-4703 | Canada | 1968 | |||
|
Recently Edited
|
Traffic (LP, Album, E.J. Day Cover) | Island Records | ILPS 9081T | UK | 1968 | ||
| Traffic (LP, Album, Stereo, Garrod & Lofthouse Cover) | Island Records | ILPS 9081T | UK | 1968 | |||
|
Recently Edited
|
Traffic (LP, Album, Club Edition) | United Artists Records | SKAO-91607, UAS 6676 | US | 1968 |
Recommendations
Reviews
-
A sublime coherent fusion of UK eccentricities, bluesy-soul folky psych-pop-rock wherein all four gelled perfectly to produce a fine piece of melodic late 60s music. Contains some of the finest studio singing of Winwood's career & special mention for Chris Wood's reeds winds & flute work.
An earthy freakout psychedelic romp.
Release
See all versions
Recently Edited
Recently Edited
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