Testament (2) – Low
Tracklist
| 1 | Low | 3:33 | |
| 2 | Legions (In Hiding) | 4:17 | |
| 3 | Hail Mary | 3:32 | |
| 4 | Trail Of Tears | 6:06 | |
| 5 | Shades Of War | 4:40 | |
| 6 | P.C. | 2:50 | |
| 7 | Dog Faced Gods | 4:02 | |
| 8 | All I Could Bleed | 3:37 | |
| 9 | Urotsukidôji | 3:39 | |
| 10 | Chasing Fear | 4:56 | |
| 11 | Ride | 3:06 | |
| 12 | Last Call | 2:40 |
Companies, etc.
- Record Company – Atlantic Recording Corporation
- Record Company – Time Warner
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – WEA International Inc.
- Mixed At – Scream Studios
- Recorded At – A&M Studios
- Recorded At – Studio D, Sausalito, CA
- Recorded At – Garage Studios (2)
- Mastered At – Precision Mastering
- Made By – WEA Manufacturing Inc.
- Pressed By – Specialty Records Corporation
- Copyright © – COTLOD Music
- Copyright © – Mamaroneck Music
- Copyright © – Destructive Music
- Published By – Zomba Enterprises, Inc.
- Published By – Virgin Songs, Inc.
- Produced For – Double Trouble Productions, Inc.
Credits
- A&R – Mike Gitter
- Arranged By [All Music] – Testament (2)
- Backing Vocals [Additional] – Damien Gallegos
- Bass – Greg Christian
- Booking – John Jackson (18)
- Design [Cover], Illustration, Photography By – Hourglass (3)
- Drums – John Tempesta
- Edited By [Digital Editing] – Paul Decarli
- Engineer – Kill Bennedy*
- Engineer [Additional] – Randy Wine
- Lead Guitar – James Murphy (2)
- Legal – Bill Berrol*
- Management – Spivak Entertainment
- Management [Business] – Siegal, Feldstein, Duffin And Vuylsteke*
- Mastered By – Stephen Marcussen
- Merchandising [Merchandise] – Brockum
- Mixed By – Michael Wagener
- Photography By [Band] – Michael Miller (13)
- Producer – Testament (2)
- Rhythm Guitar, Lead Guitar, Backing Vocals – Eric Peterson
- Technician [Guitar Tech] – Terrance V. McCullough
- Vocals – Chuck Billy
- Words By [Additional Words Of Wisdom] – Del James
Notes
℗ © 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Track 9 is an instrumental.
Track 12 is an instrumental outro.
Mixed at Scream, L.A.
Recorded at A&M Studios, Hollywood, CA and Studio D, Sausalito, CA
Track 9 voices recorded at Garage Studios
Mastered at Precision Mastering, L.A.
Carries a 5- 10-page booklet.
Track 9 is an instrumental.
Track 12 is an instrumental outro.
Mixed at Scream, L.A.
Recorded at A&M Studios, Hollywood, CA and Studio D, Sausalito, CA
Track 9 voices recorded at Garage Studios
Mastered at Precision Mastering, L.A.
Carries a 5- 10-page booklet.
Barcode and Other Identifiers
- Barcode (Text): 0 7567-82645-2 8
- Barcode (String): 075678264528
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout: [Specialty Records Corporation logo] 3 82645-2 SRC**01 M2S1
Other Versions (5 of 47)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Low (CD, Album) | Atlantic | 7567-82645-2 | Europe | 1994 | ||
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Recently Edited
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Low (CD, Album) | Atlantic | CD 82645 | Canada | 1994 | ||
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Recently Edited
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Low (LP, Album) | Atlantic | 7567-82645-1 | Europe | 1994 | ||
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Recently Edited
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Low (CD, Album) | Atlantic | 7567826452 | Australia | 1994 | ||
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Recently Edited
|
Low (Cassette, Album) | Atlantic | 82645-4 | US | 1994 |
Recommendations
Reviews
-
Edited 7 years agoA reissued vinyl version of this beautiful record is coming out in September through Music On Vinyl! -
My favorite Testament album. Out of all of their back catalogue, this is the most accomplished and consistent record they did.
Chuck's vocals are at their best. The guitar and bass playing is inspired, intricate enough but catchy and crushing at the same time. Both Murphy's and Peterson's solos are awesome and make me not miss Skolnick's too much. Tempesta does a remarkable job on the drums.
The production is dense and heavy, but still sharp and clear enough to hear all the details and nuances in the playing, thus highlighting the sense of great musicianship that the album exudes.
'Last Call' might be a bit of an anti-climactic way to close such a rollercoaster ride, but it doesn't take away from the 11 tracks that preceded it, and it's still a nice (if odd) addition.
Get this album and crank it up, it's a landmark of 90's heavy music!
Release
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