Beyoncé – Renaissance

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Label:	Columbia – 19658744502
Format:	CD , Album, Partially Mixed
Country:	US
Released:	Jul 29, 2022
Genre:	Pop
Style:	Hip-House

Tracklist

1	I'm That Girl Backing Vocals [Background Vocals By] – Terius “The-Dream” Nash* Co-producer – Mike Dean Drum Programming – Kelman Duran Drum Programming [Additional Drum Programming By] – Stuart White Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Kelman Duran Producer [Additional Production By] – Stuart White Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Written-By – Terius “The-Dream” Nash* Written-By [“I’m Still Pimpin’” Sample Written By] – Tommy Wright III Backing Vocals [Background Vocals By] – Terius “The-Dream” Nash* Co-producer – Mike Dean Drum Programming – Kelman Duran Drum Programming [Additional Drum Programming By] – Stuart White Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Kelman Duran Producer [Additional Production By] – Stuart White Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Written-By – Terius “The-Dream” Nash* Written-By [“I’m Still Pimpin’” Sample Written By] – Tommy Wright III	3:28
2	Cozy Backing Vocals [Background Vocals] – Nija Charles Co-producer – Mike Dean Drum Programming – Luke Solomon Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Matheus Braz Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Luke Solomon Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Vocals [Additional Vocals By] – Dave Giles* Written-By – Terius “The-Dream” Nash* Written-By [“Get With U” Sample Written By] – Curtis Alan Jones Written-By [“I’m Black” Sample Written By] – TS Madison Backing Vocals [Background Vocals] – Nija Charles Co-producer – Mike Dean Drum Programming – Luke Solomon Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Matheus Braz Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Luke Solomon Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Vocals [Additional Vocals By] – Dave Giles* Written-By – Terius “The-Dream” Nash* Written-By [“Get With U” Sample Written By] – Curtis Alan Jones Written-By [“I’m Black” Sample Written By] – TS Madison	3:30
3	Alien Superstar Backing Vocals [Background Vocals By] – Blu June Co-producer – Terius “The-Dream” Nash* Drum Programming – Luke Solomon Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Luke Solomon Producer [Additional Production By] – Novawav Producer [Vocal Production By] – Beyoncé Synth – Terius “The-Dream” Nash* Written-By – Timothy Lee McKenzie* Written-By [“Black Theater Speech” Written By] – Barbara Ann Teer Written-By [“I’m Too Sexy” Interpolation Written By] – Robert Francis Anthony Manzoli* Written-By [“Moonraker” Sample Written by] – John Michael Holiday* Written-By [“Unique” Sample Written By] – Peter Rauhofer Backing Vocals [Background Vocals By] – Blu June Co-producer – Terius “The-Dream” Nash* Drum Programming – Luke Solomon Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Luke Solomon Producer [Additional Production By] – Novawav Producer [Vocal Production By] – Beyoncé Synth – Terius “The-Dream” Nash* Written-By – Timothy Lee McKenzie* Written-By [“Black Theater Speech” Written By] – Barbara Ann Teer Written-By [“I’m Too Sexy” Interpolation Written By] – Robert Francis Anthony Manzoli* Written-By [“Moonraker” Sample Written by] – John Michael Holiday* Written-By [“Unique” Sample Written By] – Peter Rauhofer	3:35
4	Cuff It Bass, Drums, Strings [Arp String], Clavinet – Raphael Saadiq Co-producer – Rissi Drum Programming – Luke Solomon Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Guitar – Nile Rodgers Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Percussion – Sheila E. Piano – Daniel Crawford Producer – Raphael Saadiq Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Recorded By [Bass, Drums, Percussion, Piano, Arp String, Clavinet, Saxophone, Trumpet And Trombone Recorded By] – Steve Rusch Recorded By [Nile Rodgers Guitar Recorded By] – Russell Graham (2) Saxophone – Scott Mayo Synth – Terius “The-Dream” Nash* Trombone – Lemar Guillary Trumpet – Jamelle Adisa Vocals [Additional Vocal By] – Beam (18) Written-By – Terius “The-Dream” Nash* Written-By [“Ooo La La” Interpolation Written By] – Mary Christine Brockert Bass, Drums, Strings [Arp String], Clavinet – Raphael Saadiq Co-producer – Rissi Drum Programming – Luke Solomon Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Guitar – Nile Rodgers Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Percussion – Sheila E. Piano – Daniel Crawford Producer – Raphael Saadiq Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Recorded By [Bass, Drums, Percussion, Piano, Arp String, Clavinet, Saxophone, Trumpet And Trombone Recorded By] – Steve Rusch Recorded By [Nile Rodgers Guitar Recorded By] – Russell Graham (2) Saxophone – Scott Mayo Synth – Terius “The-Dream” Nash* Trombone – Lemar Guillary Trumpet – Jamelle Adisa Vocals [Additional Vocal By] – Beam (18) Written-By – Terius “The-Dream” Nash* Written-By [“Ooo La La” Interpolation Written By] – Mary Christine Brockert	3:45
5	Energy Drums – Skrillex Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Featuring – Beam (18) Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Performer [Performed By] – Beyoncé Producer – Skrillex Producer [Additional Production By], Synth [Additional Synths By] – Novawav Producer [Vocal Production By] – Beyoncé Vocals [Additional Vocals By] – Big Freedia Written-By – Tyshane Thompson Written-By [“Explode” Sample Written By] – Freddie Ross* Written-By [“Milkshake” Interpolation Written By] – Pharrell Williams Written-By [“Ooo La La” Interpolation Written By] – Mary Christine Brockert Drums – Skrillex Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Featuring – Beam (18) Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Performer [Performed By] – Beyoncé Producer – Skrillex Producer [Additional Production By], Synth [Additional Synths By] – Novawav Producer [Vocal Production By] – Beyoncé Vocals [Additional Vocals By] – Big Freedia Written-By – Tyshane Thompson Written-By [“Explode” Sample Written By] – Freddie Ross* Written-By [“Milkshake” Interpolation Written By] – Pharrell Williams Written-By [“Ooo La La” Interpolation Written By] – Mary Christine Brockert	1:56
6	Break My Soul Arranged By [Vocal Arrangement By] – Nikki Grier Choir – The Samples (4) Co-producer – Jens Christian Isaken* Conductor [Choir Conductor] – Jason White (6) Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – C. “Tricky” Stewart* Producer [Vocal Production By] – Beyoncé Recorded By [Choir Recorded By] – Chris McLaughlin (8) Vocals [Additional Vocals By] – Big Freedia Vocals [Choir Vocals By] – Porcha Clay Written-By – Christopher A. Stewart* Written-By [“Explode” Sample Written By] – Freddie Ross* Written-By [“Show Me Love” Elements Written By] – Fred Craig McFarlane* Arranged By [Vocal Arrangement By] – Nikki Grier Choir – The Samples (4) Co-producer – Jens Christian Isaken* Conductor [Choir Conductor] – Jason White (6) Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – C. “Tricky” Stewart* Producer [Vocal Production By] – Beyoncé Recorded By [Choir Recorded By] – Chris McLaughlin (8) Vocals [Additional Vocals By] – Big Freedia Vocals [Choir Vocals By] – Porcha Clay Written-By – Christopher A. Stewart* Written-By [“Explode” Sample Written By] – Freddie Ross* Written-By [“Show Me Love” Elements Written By] – Fred Craig McFarlane*	4:38
7	Church Girl Drum Programming – Terius “The-Dream” Nash* Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Producer – Terius “The-Dream” Nash* Producer [Additional Production By], Mixed By, Recorded By [Beyoncé Vocals Recorded By], Drums [Additional Drums By] – Stuart White Producer [Vocal Production By] – Beyoncé Written-By – William Salter Written-By [“Center Thy Will” Sample Written By] – Elbernita Clark Terrell* Written-By [“Drag Rap (Triggerman)” Elements Written By] – Phillip Glen Price* Written-By [“Think About It” Elements And Interpolation Written By] – James Brown Written-By [“Where They At” Elements And Interpolation Written By] – Jimi Stephen Payton* Drum Programming – Terius “The-Dream” Nash* Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Producer – Terius “The-Dream” Nash* Producer [Additional Production By], Mixed By, Recorded By [Beyoncé Vocals Recorded By], Drums [Additional Drums By] – Stuart White Producer [Vocal Production By] – Beyoncé Written-By – William Salter Written-By [“Center Thy Will” Sample Written By] – Elbernita Clark Terrell* Written-By [“Drag Rap (Triggerman)” Elements Written By] – Phillip Glen Price* Written-By [“Think About It” Elements And Interpolation Written By] – James Brown Written-By [“Where They At” Elements And Interpolation Written By] – Jimi Stephen Payton*	3:44
8	Plastic Off The Sofa Backing Vocals [Background Vocals By] – Sabrina Claudio Bass – Patrick Paige II Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Guitar – Derek Renfroe Mastered By – Colin Leonard Mixed By – Tony Maserati Producer – Syd (17) Producer [Additional Production By], Synth – Leven Kali Producer [Vocal Production By] – Beyoncé Recorded By [Beyoncé Vocals Recorded By] – Stuart White Written-By – Sydney Bennett Backing Vocals [Background Vocals By] – Sabrina Claudio Bass – Patrick Paige II Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Guitar – Derek Renfroe Mastered By – Colin Leonard Mixed By – Tony Maserati Producer – Syd (17) Producer [Additional Production By], Synth – Leven Kali Producer [Vocal Production By] – Beyoncé Recorded By [Beyoncé Vocals Recorded By] – Stuart White Written-By – Sydney Bennett	4:14
9	Virgo's Groove Backing Vocals [Background Vocals By] – Leven Kali Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Leven Kali Producer [Additional Production By], Synth – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Written-By – Leven Kali Backing Vocals [Background Vocals By] – Leven Kali Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Leven Kali Producer [Additional Production By], Synth – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Written-By – Leven Kali	6:08
10	Move Backing Vocals [Background Vocals By] – Ari Pensmith Co-producer – Guiltybeatz Engineer [Assistant Engineer] – Matheus Braz Engineer [Grace Jones Recording Engineer] – Delroy “Phatta” Pottinger* Engineer [Protools Engineer] – John Cranfield Featuring – Tems (2) Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Performer [Performed By] – Tems (2) Producer – P2J Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Grace Jones Vocals Production By] – Ivor Guest Producer [Vocal Production By] – Beyoncé Recorded By [Tem’s Vocals Recorded By] – Guiltybeatz Written-By – Temilade Openiyi Backing Vocals [Background Vocals By] – Ari Pensmith Co-producer – Guiltybeatz Engineer [Assistant Engineer] – Matheus Braz Engineer [Grace Jones Recording Engineer] – Delroy “Phatta” Pottinger* Engineer [Protools Engineer] – John Cranfield Featuring – Tems (2) Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Performer [Performed By] – Tems (2) Producer – P2J Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Grace Jones Vocals Production By] – Ivor Guest Producer [Vocal Production By] – Beyoncé Recorded By [Tem’s Vocals Recorded By] – Guiltybeatz Written-By – Temilade Openiyi	3:23
11	Heated Backing Vocals [Background Vocals By] – Terius “The-Dream” Nash* Drum Programming – Kelman Duran Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By], Drums [Additional Drums By] – Stuart White Performer [Fans By] – Maurice Harris (3) Producer – Sevn Thomas Producer [Additional Production By] – Stuart White Producer [Vocal Production By] – Beyoncé Vocals [Additional Vocals By] – Beam (18) Written-By – Sean Seaton Backing Vocals [Background Vocals By] – Terius “The-Dream” Nash* Drum Programming – Kelman Duran Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By], Drums [Additional Drums By] – Stuart White Performer [Fans By] – Maurice Harris (3) Producer – Sevn Thomas Producer [Additional Production By] – Stuart White Producer [Vocal Production By] – Beyoncé Vocals [Additional Vocals By] – Beam (18) Written-By – Sean Seaton	4:20
12	Thique Co-producer – Lil Ju Drum Programming – Lil Ju Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Mastered By – Colin Leonard Producer – Hit-Boy Producer [Additional Production By], Mixed By, Recorded By [Beyoncé Vocals Recorded By], Effects [Additional Sound FX By], Drums [Additional Drums By] – Stuart White Producer [Vocal Production By] – Beyoncé Written-By – Terius “The Dream” Nash* Co-producer – Lil Ju Drum Programming – Lil Ju Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Mastered By – Colin Leonard Producer – Hit-Boy Producer [Additional Production By], Mixed By, Recorded By [Beyoncé Vocals Recorded By], Effects [Additional Sound FX By], Drums [Additional Drums By] – Stuart White Producer [Vocal Production By] – Beyoncé Written-By – Terius “The Dream” Nash*	4:04
13	All Up In Your Mind Co-producer – S1A0 Drum Programming – Bloodpop Drums [Additional Drums By] – Terius “The-Dream” Nash* Effects [Sound FX By] – S1A0 Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Jabbar Stevens* Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Beyoncé Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Written-By – Mike Dean Co-producer – S1A0 Drum Programming – Bloodpop Drums [Additional Drums By] – Terius “The-Dream” Nash* Effects [Sound FX By] – S1A0 Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Jabbar Stevens* Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Beyoncé Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Written-By – Mike Dean	2:49
14	America Has A Problem Co-producer – Mike Dean Drum Programming – Terius “The-Dream” Nash* Effects [Sound FX BY] – Terius “The-Dream” Nash* Effects [Sound FX By] – Mike Dean Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Mixed By, Recorded By [Beyonce Vocals Recorded By] – Stuart White Producer – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Written-By – Terius “The-Dream” Nash* Written-By [“Cocaine” Sample Written By] – Tino Santron McIntosh* Co-producer – Mike Dean Drum Programming – Terius “The-Dream” Nash* Effects [Sound FX BY] – Terius “The-Dream” Nash* Effects [Sound FX By] – Mike Dean Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Brandon Harding Mastered By – Colin Leonard Mixed By, Recorded By [Beyonce Vocals Recorded By] – Stuart White Producer – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Synth – Mike Dean Written-By – Terius “The-Dream” Nash* Written-By [“Cocaine” Sample Written By] – Tino Santron McIntosh*	3:18
15	Pure / Honey Arranged By [Horn Arrangement By] – Raphael Saadiq Backing Vocals [Background Vocals By] – Dixson Co-producer – Raphael Saadiq Drum Programming – Bloodpop Drums [Additional Drums By] – Terius “The-Dream” Nash* Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Novawav Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Recorded By [Horns And Bass Recorded By] – Hotae Alexander Jang Saxophone – Kenneth Whalum Trumpet – Keyon Harrold Written-By – Terius “The-Dream” Nash* Written-By [“Cunty (Wave Mix)” Sample Written By] – Joseph P Barlow Written-By [“Feels Like” Sample Written By] – Vejai Marcel Alston Arranged By [Horn Arrangement By] – Raphael Saadiq Backing Vocals [Background Vocals By] – Dixson Co-producer – Raphael Saadiq Drum Programming – Bloodpop Drums [Additional Drums By] – Terius “The-Dream” Nash* Engineer [Assistant Engineer] – Matheus Braz Engineer [Protools Engineer] – John Cranfield Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Novawav Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Recorded By [Horns And Bass Recorded By] – Hotae Alexander Jang Saxophone – Kenneth Whalum Trumpet – Keyon Harrold Written-By – Terius “The-Dream” Nash* Written-By [“Cunty (Wave Mix)” Sample Written By] – Joseph P Barlow Written-By [“Feels Like” Sample Written By] – Vejai Marcel Alston	4:48
16	Summer Renaissance Arranged By [Synth Arrangement By], Drum Programming – Mike Dean Backing Vocals [Background Vocals By] – Leven Kali Co-producer – Mike Dean Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Novawav Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Written-By – Terius “The Dream” Nash* Written-By [“I Feel Love” Elements Written By] – Peter Bellotte* Arranged By [Synth Arrangement By], Drum Programming – Mike Dean Backing Vocals [Background Vocals By] – Leven Kali Co-producer – Mike Dean Engineer [Recording Engineer] – Chi Coney Mastered By – Colin Leonard Mixed By, Recorded By [Beyoncé Vocals Recorded By] – Stuart White Producer – Novawav Producer [Additional Production By] – Terius “The-Dream” Nash* Producer [Vocal Production By] – Beyoncé Written-By – Terius “The Dream” Nash* Written-By [“I Feel Love” Elements Written By] – Peter Bellotte*	4:34

Companies, etc.

Record Company – Sony Music Entertainment
Manufactured By – The ADS Group
Distributed By – Columbia Records
Copyright © – Parkwood Entertainment LLC
Phonographic Copyright ℗ – Parkwood Entertainment LLC
Phonographic Copyright ℗ – Smithsonian Folkways Recordings
Phonographic Copyright ℗ – Folkways Records
Licensed To – Columbia Records
Published By – Oakland 13 Music
Published By – Sony ATV
Published By – 2082 Music Publishing
Published By – WB Music Corp.
Published By – Publishing Designee
Published By – Papa George Music
Published By – Warner-Tamerlane Publishing Corp.
Published By – Lyrics Of Fury Publishing
Published By – Defected Music
Published By – Songs Of Universal, Inc.
Published By – Songs Of Aminja
Published By – Curtis A. Jones Music
Published By – W.B.M. Music Corp.
Published By – Coney Cosmos Music Publishing
Published By – Carter Boys Music Inc.
Published By – Music By Lucky Daye Publishing
Published By – David Hamelin Publishing
Published By – Sony/ATV Tunes LLC
Published By – LT Music Publishing
Published By – MXM
Published By – Kobalt Publishing
Published By – Leven Kali Publishing
Published By – Sony/ATV Ballad
Published By – Wait That's Mine
Published By – Diagne Digital Publishing
Published By – Spirit Services Holdings s.a.r.l.
Published By – Spirit One Music
Published By – Foremost Poets Publishing
Published By – Spiegel Musik
Published By – 114 Sounds
Published By – WC Music Corp
Published By – Halla!Halla! Publishing
Published By – Ugmoe Music
Published By – Universal Music Publishing Group
Published By – McNella Music
Published By – Midnight Magnet Music
Published By – XLC Music
Published By – Hipgnosis Songs
Published By – Sony Music Publishing
Published By – Copaface
Published By – Kobalt Songs Music Publishing
Published By – Yours Truly Entertainment
Published By – Waters Of Nazareth Publishing
Published By – EMI Pop Music Publishing
Published By – Universal Music-Careers
Published By – Girl Down
Published By – Levels To This Music
Published By – Spirit Two Music Inc.
Published By – EMI Blackwood Music Inc.
Published By – Song-A-Tron Music
Published By – Songs Of Kobalt Music Publishing
Published By – Let The Story Begin Publishing
Published By – Songs By Twinkie Music Publishing
Published By – Soh Music
Published By – Scarred Life
Published By – Dirty Clean Publishing
Published By – Dynatone Publishing Co.
Published By – Warner Chappell Music Ltd.
Published By – Antisia Music, Inc.
Published By – BMG Ruby Songs
Published By – Take Fo' Publishing
Published By – Syd's Beautiful Music
Published By – Artist 101 Publishing Group
Published By – Songs For Don
Published By – These Are Pulse Songs
Published By – I Love Humes
Published By – Memmi
Published By – Sony Sounds
Published By – WNDRKND
Published By – New Graceland Music Publishing
Published By – Sony Songs
Published By – For The Art Of Winning, LLC
Published By – Warner Chappell UK
Published By – SM Publishing Ltd.
Published By – Sony/ATV Songs
Published By – Sandra Gale
Published By – Matthew Samuels
Published By – 1damentional Publishing
Published By – The Sweet Life, LLC
Published By – U Can't Teach Bein' The Shhh, Inc.
Published By – Lil Ju Publishing
Published By – Sony/ATV Songs LLC
Published By – Vohndee's Soul Music Pub
Published By – Kobalt Music
Published By – Dean Aossey Publishing
Published By – Olik Publishing
Published By – Santron Publishing
Published By – What Key Do You Want It In Music
Published By – Songs With A Pure Tone
Published By – Rising Notes Publishing
Published By – Above Heaven Music
Published By – Qween Beat Worldwide
Published By – Warner-Tamerlane Publishing
Published By – Sweet Summer Night Music
Published By – Rick's Music, Inc.
Recorded At – The Trailer, East Hampton, NY
Recorded At – The Juicy Juicy, Los Angeles
Recorded At – Parkwood West, Los Angeles
Recorded At – Record Plant, Los Angeles
Recorded At – Tree Sound Studios
Recorded At – Blakeslee Studios
Recorded At – Nightbird Studios
Recorded At – Le Crib Studios
Recorded At – Kings Landing West, Los Angeles
Recorded At – Henson Recording Studios
Recorded At – Zak Starkey Studio
Recorded At – Hardcover, Los Angeles
Mixed At – Avenue A Studio West, Los Angeles
Mixed At – The Juicy Juicy, Los Angeles
Mixed At – Parkwood West, Los Angeles
Mastered At – SING Mastering, Atlanta
Produced For – Dean's List Productions
Produced For – S.K.P. Inc
Produced For – Radiokilla Records
Produced For – Tricky Stewart Music
Produced For – 1Da Productions

Credits

A&R – Mariel Gomerez
A&R [A&R Executive] – Jon “Big Jon” Platt*
Artwork [Album Art], Design – Simon Renggli
Artwork [Billboard Art] – Frederik Heyman
Booklet Editor [Photo Editor] – Tyler Johnson (11)
Creative Director [Creative Direction] – Andrew Makadsi
Creative Director [Creative Producer] – Hillary Coy
Creative Director [Senior Creative Producer] – Lauren Baker (6)
Executive-Producer – Beyoncé Knowles-Carter*
Management [Parkwood Head Of Music & Touring] – Damien Smith (2)
Photography By – Mason Poole
Project Manager – Ricky Lawson (2)

Notes

This is the original release with an interpolation of "Milkshake" by Kelis on Track 5, and the word "Spaz" on Track 11.

Track 1 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Kelman Duran Publishing Designee (BMI) / Papa George Music (BMI), all rights istered by Warner-Tamerlane Publishing Corp. / Lyrics Of Fury Publishing Co. (BMI) / Andrea Yvette Summers Publishing Designee. Co-produced for Dean’s List Productions. Additional production for S.K.P., Inc. Recorded at The Trailer, East Hampton, NY; The Juicy Juicy, Los Angeles and Parkwood West, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta, GA using Sing technology. Contains elements of “Still Pimpin'”, performed by Tommy Wright III.

Track 2 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Defected Music (ASCAP) / Defected Music (BMI) / Defected Music (PRS) / Dave Giles Publishing Designee / Songs Of Universal, Inc. / Songs Of Aminja, all rights of Songs Of Aminja controlled and istered by Songs Of Universal, Inc. / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Papa George Music (BMI), all rights istered by Warner-Tamerlane Publishing Corp. / TS Madison Designee / Curtis A. Jones Music (ASCAP). Co-produced for Dean’s List Productions. Recorded at The Trailer, East Hampton, NY; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains a sample of “I’m Black”, performed by Lidell Townsell & M.T.F..

Track 3 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Defected Music (ASCAP) / Defected Music (BMI) / Defected Music (PRS) / 114 Sounds / W.B.M. Music Corp. (SESAC) / Coney Cosmos Music Publishing / Warner-Tamerlane Publishing Corp. (BMI) / Carter Boys Music Inc. (ASCAP), all rights istered by Sony/ATV obo itself and Carter Boys Music Inc. / Music By Lucky Daye Publishing (BMI) / David Hamelin Publishing (SOCAN) / Sony/ATV Tunes LLC (ASCAP) / L.T. Music Publishing (BMI) / MXM, istered by Kobalt Publishing (BMI) / Leven Kali Music (ASCAP) / Sony/ATV Ballad (BMI) / Wait That’s Mine (BMI) / Diagne Digital Publishing (ASCAP) / Papa George Music (BMI), all rights istered by Warner-Tamerlane Publishing Corp. / Spirit Services Holdings S.A.R.L. (BMI) / Spirit One Music (BMI) / Foremost Poets Publishing (BMI) / Barbara Ann Teer Publishing Designee / Spiegel Music Wien (AKM) / Warner-Tamerlane Publishing Corp. (BMI). Co-produced for Radiokilla Records and for Dean’s List Productions. Recorded at The Juicy Juicy, Los Angeles, CA; Parkwood West, Lost Angeles, CA and Record Plant Recording Studios, Los Angeles, CA. Mixed at The Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains an interpolation of “Danube Dance, published by Spiegel Musik Wien (AKM) / Warner-Tamerlane Publishing Corp. (BMI).

Track 4 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / 114 Sounds / W.B.M. Music Corp. (SESAC) / Coney Cosmos Music Publishing / Warner-Tamerlane Publishing Corp. (BMI) / WC Music Corp. (ASCAP) obo itself and Halla! Halla! Publishing (ASCAP) / Ugmoe Music (ASCAP), istered by UMPG / 2082 Music Publishing (ASCAP) / Mc Nella Music (ASCAP) / Midnight Magnet Music Publishing (ASCAP) / XLC Music (BMI) / Hipgnosis Songs / Sony Music Publishing (BMI) / WB Music Corp., istered by WB Music Corp. Additional production for Radiokilla Records. Recorded at The Trailer, East Hampton, NY; The Juicy Juicy, Los Angeles, CA; Parkwood West, Los Angeles, CA; Tree Sounds Studios, Atlanta, GA; Blakeslee Studio, North Hollywood, CA; Nightbird Recording Studios, Los Angeles, CA and Le Crib, Westport, CT. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy, Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains an interpolation of “Teena Marie, published by Mc Nella Music (ASCAP) / Midnight Magnet Music Publishing (ASCAP).

Track 5 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Be I Am LLC / Warner-Tamerlane Publishing Corp. (BMI) / Copaface (ASCAP), . by Kobalt Songs Music Publishing / Almando Cresso Publishing Designee (BMI) / Yours Truly Entertainment (BMI) / Tizita Makuria Publishing Designee (ASCAP) / 114 Sounds / W.B.M. Music Corp. (SESAC) / Coney Cosmos Music Publishing / Warner-Tamerlane Publishing Corp. (BMI) / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Mc Nella Music (ASCAP) / Midnight Magnet Music Publishing (ASCAP) / Waters Of Nazareth Publishing (BMI) / EMI Pop Music Publishing (GMR) / Universal Music-Careers (BMI) / Adam James Pigott Publishing Designee (BMI) / Girl Down (BMI). Recorded at Kings Landing West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Big Freedia, published by Adam James Pigott Publishing Designee (BMI) / Girl Down (BMI).

Track 6 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Levels To This Music (ASCAP) / Spirit Two Music Inc. (ASCAP) / Carter Boys Music Inc. (ASCAP), all rights istered by Sony/ATV obo itself and Carter Boys Music Inc. / EMI Blackwood Music Inc. (BMI) / Song A Tron Music (BMI) / Adam James Pigott Publishing Designee (BMI) / Girl Down / Songs Of Kobalt Music Publishing (BMI). Produced for Radiokilla Records and for Tricky Stewart Music. Recorded at The Trailer, East Hampton, NY; The Juicy Juicy, Los Angeles, CA; Parkwood West, Los Angeles, CA and Henson Recording Studios, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains elements of “Big Freedia, published by Adam James Pigott Publishing Designee (BMI) / Girl Down (BMI).

Track 7 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Let The Story Begin Publishing (ASCAP) / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Songs By Twinkie Music Publishing (BMI) / Soh Music (ASCAP) / Scarred Life (ASCAP) / Dirty Clean Publishing (ASCAP) / Dynatone Publishing Co. (BMI) / Warner Chappell Music Ltd. (PRS) / Antisia Music Inc. (ASCAP) / BMG Ruby Songs (ASCAP) / Take Fo Publishing (BMI). Produced for Radiokilla Records. Recorded at The Trailer, East Hampton, NY; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains a sample of “Center Thy Will”, performed by The Showboys, published by Warner Chappell Music Ltd. (PRS) / Antisia Music Inc. (ASCAP) / BMG Ruby Songs (ASCAP).

Track 8 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Syd’s Beautiful Music / Songs Of Kobalt Music Publishing (BMI) / Artist 101 Publishing (BMI) / Sony/ATV Ballad (BMI) / Songs For Don (BMI) / These Are Pulse Songs (BMI). Bass by .... from The Internet. Recorded at Kings Landing West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology.

Track 9 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Leven Kali Music (ASCAP) / I Love Humes (ASCAP) / Memmi (ASCAP) / Songs Of Kobalt Music Publishing (ASCAP) / Sony Sounds / WNDRKND (SESAC) / New Graceland Music Publishing / Sony Songs (BMI) / For The Art Of Winning, LLC / Sony/ATV (ASCAP). Additional production for Radiokilla Records. Recorded at Kings Landing West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology.

Track 10 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Warner Chappell UK (PRS) / 114 Sounds / W.B.M. Music Corp. (SESAC) / Coney Cosmos Music Publishing / Warner-Tamerlane Publishing Corp. (BMI) / SM Publishing Limited (PRS) / Sony/ATV Songs (BMI) / Sony Music Publishing (PRS). Additional production for Radiokilla Records. Recorded at Kings Landing West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA; Parkwood West, Los Angeles, CA and Zak Starkey Studio, Ochi Rios, Jamaica. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Grace Jones appears courtesy of Wall Of Sound.

Track 11 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Sandra Gale (GMR) / Matthew Samuels (SOCAN) / 1Damentional Publishing (ASCAP) / The Sweet Life LLC / Songs Of Kobalt Music Publishing (BMI) / Sean Seaton Publishing Designee (SOCAN) / 114 Sounds / W.B.M. MusiC corp. (SESAC) / Coney Cosmos Music Publishing / Warner-Tamerlane Publishing Corp. (BMI) / Ricky Lawson Publishing Designee. Produced for 1Da Productions. Background vocals for Radiokilla Records. Recorded at Kings Landing West, Los Angeles, CA; The Trailer, East Hampton, NY; The Juicy Juicy, Los Angeles, CA; Parkwood West, Los Angeles, CA and Henson Recording Studios, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology.

Track 12 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Songs Of Universal Inc. / U Can’t Teach Bein’ The Shhh Inc. (BMI) / Sony/ATV Ballad (BMI) / Lil Ju Publishing / Sony/ATV Songs LLC (BMI) / Sony/ATV (ASCAP) / Cherdericka Nichols Publishing Designee (ASCAP). Recorded at Kings Landing West, Los Angeles, CA; The Trailer, Easy Hampton, NY; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology.

Track 13 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Sony/ATV (ASCAP) / Cherdericka Nichols Publishing Designee (ASCAP) / Papa George Music (BMI), all rights istered by Warner-Tamerlane Publishing Corp. / Vohndee’s Soul Music Pub / Kobalt Music (ASCAP) / Dean Aossey Publishing (ASCAP). Co-produced for Dean’s List Productions and for S.K.P., Inc. Additional production for Radiokilla Records. Sound FX for S.K.P., Inc. Recorded at The Juicy Juicy, Los Angeles, CA And Hardcover, Los Angeles, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology.

Track 14 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Carter Boys Music Inc. (ASCAP), all rights istered by Sony/ATV obo itself and Carter Boys Music Inc. / Papa George Music (BMI), all rights istered by Warner-Tamerlane Publishing Corp. / Olik Music (BMI) / Santron Publishing (BMI). Produced for Radiokilla Records. Co-produced for Dean’s List Productions. Recorded at The Trailer, East Hampton, NY. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains sample of “Kilo Ali, published by Olik Music (BMI) / Santron Publishing (BMI).

Track 15 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / Genpop Music (BMI), istered by Sony/ATV Songs LLC / Sony Sounds / WNDRKND (SESAC) / What Key Do You Want It In Music (BMI) / Songs With A Pure Tone (BMI) / Warner-Tamerlane Publihisng Corp. (BMI), all rights on behalf of itself and What Key Do You Want It In Music and Songs With A Pure Tone istered by Warner-Tamerlane Publishing Corp. / 114 Sounds / W.B.M. Music Corp. (SESAC) / Coney Cosmos Music Publishing / Warner-Tamerlane Publishing Corp. (BMI) / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Ugmoe Music (ASCAP), istered by UPMG / Rising Notes Publishing / Above Heaven Music / Jospeh P. Barlow Publishing Designee (ASCAP) / Vejai Marcel Alston Publishing Designee / Qween Beat Worldwide (BMI). Additional production for Dean’s List Productions. Recorded at Kings Landing West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA; Parkwood West, Los Angeles, CA; Record Plant Recording Studios, Los Angeles, CA and Blakeslee Studios, North Hollywood, CA. Mixed at Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains a sample of “MikeQ, published by Vejai Marcel Alston Publishing Designee / Qween Beat Worldwide (BMI).

Track 16 published by Oakland 13 Music (ASCAP), all rights istered by Sony/ATV obo itself and Oakland 13 Music / 114 Sounds / W.B.M. Music Corp. (SESAC) / Coney Cosmos Music Publishing / Warner-Tamerlane Publishing Corp. (BMI) / 2082 Music Publishing (ASCAP) / WB Music Corp., istered by WB Music Corp. / Leven Kali Music (ASCAP) / Papa George Music (BMI), all rights istered by Warner-Tamerlane Publishing / Sony/ATV Ballad (BMI) / Wait That’s Mine (BMI) / Diagne Digital Publishing (ASCAP) / Ricky Lawson Publishing Designee / Peter Bellotte Publishing Designee (GEMA) / Sweet Summer Night Music (ASCAP) / Rick’s Music Inc. (BMI). Co-produced for Dean’s List Productions. Recorded at Kings Landing West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA; Parkwood West, Los Angeles, CA and Tree Sound Studios, Atlanta, GA. Mixed at. Avenue A Studio West, Los Angeles, CA; The Juicy Juicy, Los Angeles, CA and Parkwood West, Los Angeles, CA. Mastered at Sing Mastering in Atlanta using Sing technology. Contains elements and interpolations of “Donna Summer, published by Peter Bellotte Publishing Designee (GEMA) / Sweet Summer Night Music (ASCAP) / Rick’s Music Inc. (BMI).

On back cover:
℗&© 2022 Parkwood Entertainment LLC, under exclusive license to Columbia Records, a division of Sony Music Entertainment. Manufactured and distributed by Columbia Records, a division of Sony Music Entertainment.

In booklet and on disc:
℗&© 2022 Parkwood Entertainment LLC, under exclusive license to Columbia Records, a division of Sony Music Entertainment.

The release is issued in a gatefold cardboard sleeve with two slots, one to hold the 28-page booklet and the other for the disc. Also included is four- double-sided foldout poster. Sticker on shrinkwrap front says: “Renaissance Includes: 28-page photo booklet + collectible poster Parental Advisory Explicit Content 19658744502S2”. Barcode "1 96587 44502 7" is stickered directly onto back cover.
Back of sleeve features Beyoncé's charity foundation BeyGood logo.

The subtitle “Act 1” appears on the spine and back cover but does not appear on the front cover or disc.

Publishing entity ‘Curtis A. Jones Music’ is misspelled as 'Curtis A. Jackson Music’ in the liner notes for track 2; publishing entity ‘Vohndee's Soul Music Pub’ is misspelled as ‘Vohndee's Coul Music Pub’ in the liner notes for track 13, these have been corrected above.

Barcode and Other Identifiers

Barcode (Printed Text (Stickered)): 1 96587 44502 7
Barcode (Scanned (Stickered)): 196587445027
Matrix / Runout (Variant 1): U19658744502 22-178-07-2
Mastering SID Code (Variant 1): IFPI LY89
Mould SID Code (Variant 1): IFPI L814
Matrix / Runout (Variant 2): U19658744502 22-178-08-2
Mastering SID Code (Variant 2): IFPI LY89
Mould SID Code (Variant 2): none
Matrix / Runout (Variant 3): U19658744502 22-178-08-2
Mastering SID Code (Variant 3): IFPI LY89
Mould SID Code (Variant 3): IFPI L817
Matrix / Runout (Variant 4): U19658744502 22-178-07-2
Mastering SID Code (Variant 4): IFPI LY89
Mould SID Code (Variant 4): IFPI L823

Other Versions (5 of 20)

View All

	Title (Format)	Label	Cat#	Country	Year
New Submission	Renaissance (2×LP, Album, Limited Edition, Alternative Cover, 180g)	Columbia	19658747571	US	2022
New Submission	Renaissance (16×File, AAC, Album, 256 kbps, Explicit)	Columbia	none	Worldwide	2022
New Submission	Renaissance (CD, Album)	Sony Music	19658744502	Australia	2022
New Submission	Renaissance (CD, Album, Partially Mixed)	Sony Music	19658744502	Europe	2022
New Submission	Renaissance (16×File, FLAC, Album, 24-Bit / 44.1 kHz)	Columbia	none	Worldwide	2022

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Reviews

librious Feb 28, 2024
Digisleeve sucks, my CD is already scratched from removing it only twice out of the sleeve. I wish her team just made this a digipack instead. However, everything else about this has stellar quality. Love the booklet and the quality of the printing. The mini poster is also pretty nice. And though I bought this late 2023, I actually got the version with the original lyrics for Heated and the Milkshake interpolation in Energy, which was a nice surprise. Musically, a perfect album. No skips.
Seand67 Sep 5, 2023
Awesome CD with stellar packaging. I almost purchased the 2 LP edition, but most new pressings removed the ‘Milkshake’ sample. Also, turning the vinyl over 3-4 times would disrupt the flow. The CD retains the Kelis sample and everything flows perfectly. Amazing sound quality….highs, mids and lows are banging.
mandomtz Aug 27, 2022
BEWARE THERE ARE MANY SELLERS FROM CANADA AND NETHERLANDS SELLING THIS FOR 50 bucks.THEY ARE NOT LEGIT! DO NOT GET SCAMMED! DO NOT BUY FROM "NEW SELLERS" without any customer ratings!
Gregory22 Aug 20, 2022
Looking for the cd box set version. Is it here somewhere?
musicvulpine Aug 2, 2022
What does "partially mixed" mean? Not all the way mixed?

Beyoncé – Renaissance

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