Apoptygma Berzerk – Harmonizer
Label: |
Metropolis – MET 243 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Synth-pop |
Tracklist
1 | More Serotonin... Please | 1:29 | |
2 | Suffer In Silence | 5:52 | |
3 | Unicorn (Duet Version) | 4:11 | |
4 | Until The End Of The World | 5:52 | |
5 | Rollergirl | 4:42 | |
6 | O.K. Amp - Let Me Out | 9:50 | |
7 | Pikachu™ | 3:45 | |
8 | Spindizzy | 5:09 | |
9 | Detroit Tickets | 7:19 | |
10 | Photoshop® Sucks | 1:58 | |
11 | Something I Should Know | 19:30 |
Companies, etc.
- Copyright © – Metropolis Records
- Published By – Dead Man Moving
- Recorded At – House Of APB
- Recorded At – Diamond Gem Studios
- Mixed At – House Of APB
- Mixed At – Strongroom
- Mastered At – Cutting Room
- Designed At – Virtual Garden
- Glass Mastered At – WEA Mfg. Olyphant – Z5703
- Pressed By – WEA Mfg. Olyphant
Credits
- Artwork [Harmonizer Symbols] – Christian Bloom
- Graphic Design, Illustration – Hal Bodin*
- Hair – Ane Haugeli*
- Management – Jon Hoiden*
- Photography By – Olaf Heine
- Photography By [Additional] – Hard:Drive
- Producer – Stephan L. Groth*
- Programmed By – Stephan L. Groth* (tracks: 2 to 10)
- Stylist [Styling] – Anne-Cecilie Olavesen*
- Typography [Infinity-font] – Rick*
- Vocals – Stephan L. Groth* (tracks: 2 to 8, 11)
- Written-By – Stephan L. Groth*
Notes
Track 11 includes a hidden, untitled bonus track after a few moments of silence.
Booklet:
All songs recorded and mixed @ House of APB except Until The End Of The World recorded @ House of APB and mixed at Strongroom Studios, London.
Additional drum recordings at Diamond Gem Studios, Texas USA.
Graphic design/illustration at Virtual Garden.
Infinity-font at Thirstype.
DeanMoving © 2001
On disc:
© 2002 Metropolis Records
Made in the USA
Booklet:
All songs recorded and mixed @ House of APB except Until The End Of The World recorded @ House of APB and mixed at Strongroom Studios, London.
Additional drum recordings at Diamond Gem Studios, Texas USA.
Graphic design/illustration at Virtual Garden.
Infinity-font at Thirstype.
DeanMoving © 2001
On disc:
© 2002 Metropolis Records
Made in the USA
Barcode and Other Identifiers
- Barcode (Text): 7 82388 02432 7
- Barcode (Scanned): 782388024327
- Matrix / Runout (Variant 2): wea mfg OLYPHANT Z5703 4 MET2 80243-2 01 M1S1
- Mastering SID Code (Variant 2): ifpi L909
- Mould SID Code (Variant 2): IFPI 2U5B
- Matrix / Runout (Variant 3): wea mfg OLYPHANT Z5703 4 MET2 80243-2 01 M1S1
- Mastering SID Code (Variant 3): ifpi L909
- Mould SID Code (Variant 3): IFPI 2U3G
- Matrix / Runout (Variant 4): wea mfg OLYPHANT Z05703 4 MET2 80243-2 03 M0S1
- Mastering SID Code (Variant 4): ifpi L909
- Mould SID Code (Variant 4): IFPI 2U8A
- Matrix / Runout (Variant 5): wea mfg OLYPHANT Z5703 4 MET2 80243-2 01 M1S1
- Mastering SID Code (Variant 5): ifpi L909
- Mould SID Code (Variant 5): IFPI 2U3Q
- Matrix / Runout (Variant 6): wea mfg OLYPHANT Z05703 4 MET2 80243-2 03 M1S5
- Mastering SID Code (Variant 6): ifpi L909
- Mould SID Code (Variant 6): IFPI 2U7A
Other Versions (5 of 16)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Harmonizer (CD, Album, Limited Edition, Digipak) | WEA | 0927 43908-2 | 2002 | ||||
Recently Edited
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Harmonizer (CD, Album) | SubSpace Communications | CDCOM 13 | Sweden | 2002 | ||
Recently Edited
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Harmonizer (CD, Album) | Nordic Records | NRCD 00002 | Norway | 2002 | ||
Recently Edited
|
Harmonizer (CD, Album) | WEA | 0927 42973-2 | 2002 | |||
Recently Edited
|
Harmonizer (CDr, Album, Promo) | WEA Records | none | 2002 |
Recommendations
Reviews
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Harmonizer is as much of a concept album as Welcome to Earth and 7 was. But while 7 dealt with Christianity, belief and Jesus, Welcome to Earth dealt with alienation, Harmonizer deals with love and relationships, and is by far Stephan's most personal album. While Harmonizer might seem like a superficial dance-album on the surface, if you look beyond it, you will find that the songs are surprisingly abstract and deep, and that you can always find something there to relate to.
Suffer In Silence, Unicorn, Until the End of the World and Rollergirl are all very good tracks to start with. While they all have a driving beat and catchy melodies, what makes them good is the actual lyrical content. If you understand what situation Stephan was going through at the time he wrote the songs, I think you will have more understanding for them. Until the End of the World is undoubtedly inspired by Stephan's then broken relationship with his wife. Pikachu is also a song about his daughter.
The track Photoshop Sucks is actually a surprisingly deep track if you listen to it. It deals with our modern age and how reality is distorted through computers, by the use of Photoshop. In the notes for the album, Stephan is actually saying "embrace the real things in life".
Nobody should judge Harmonizer for what it seems like at the surface. Don't compare it to older or newer releases, because Apop is a project in constant change, and Stephan takes it in whatever direction he wants. Harmonizer stands alone as Stephan's elegy after the breakup with his dearest treasure, now torn away. When I listen to Harmonizer, I feel sympathy, and although many of the songs are sad, they have a very positive and happy take to them. I don't think Harmonizer could've been done in any other way, and I wouldn't want it to either. -
Edited 18 years agoAs much as I want to like this album, I just can't. When I first heard that Apoptygma Berzerk was back in the studio recording a new album, I was estatic. But then when I was looking at it on the internet and saw some stupid names for some of the track titles, it kind of turned me off from this release. Photoshop sucks and Pikachu, even a 12yr old could come up with better track titles. Then when I heard it, I was thinking to myself, "what the hell is this? This isnt Apoptygma". The only notable tracks on here are Unicorn and Until The End Of The World. If you are a die hard APB fan, then by all means, go buy this album. On the other hand, if you were expecting something along the lines of his older stuff or a sound similar to that of Welcome To Earth, just this one by. As far as the direction his sound is going, he's just trying too hard to be the new flavor of the week. Get some sleep Mr. Groth, as it seems that your getting delerious.
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Though many question the change in the sound of the band, and the true meaning and intent behind this album, i find that the more i listen to it, the more i love it. Sure, it's a lot different than most (if not all) previous APB releases, but there's something so catchy and hidden that lures me to it whenever i'm in the mood for upbeat techno, which has a strong melancholic undertone to it. "Unicorn (Duet Version)" is an absolutely brilliant track in every aspect, and even those who don't like this album usually agree on this. There are some cheesier dance songs included, but even those tend to be good in their own way. Several of the tracks are shorter interludes, which link a couple songs together, but don't contribute much to the overall greatness of the album. Though many say this album is a lot weaker than <i>Welcome to Earth</i>, i believe the opposite. WTE is <b>a lot</b> cheesier and very boring at times, while <i>Harmonizer</i> is something fresh and enjoyable when it comes to APB material.
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