Freddie HubbardReady For Freddie

Label:

UMe – 00602435967912

Series:

Blue Note Classic Vinyl Series

Format:

Vinyl , LP, Album, Reissue, Stereo , 180 Gram

Country:

Worldwide

Released:

Genre:

Jazz

Style:

Hard Bop

Tracklist

A1 Arietis
Written-ByFreddie Hubbard
A2 Weaver Of Dreams
Written-ByYoung*
A3 Marie Antoinette
Written-ByShorter*
B1 Birdlike
Written-ByFreddie Hubbard
B2 Crisis
Written-ByHubbard*

Companies, etc.

  • Record CompanyUniversal Music
  • Record CompanyUniversal International Music B.V.
  • Record CompanyCapitol Records, LLC
  • Record CompanyBlue Note Records Inc.
  • Copyright ©UMG Recordings, Inc.
  • Mastered AtCohearent Audio
  • Lacquer Cut AtCohearent Audio
  • Pressed ByOptimal Media GmbH – BL40341

Credits

  • BassArt Davis
  • DrumsElvin Jones
  • EuphoniumBernard McKinney
  • Lacquer Cut ByKPG*
  • Liner NotesNat Hentoff
  • Mastered ByKevin Gray
  • Photography By [Cover Photo], Cover [Cover Photo]Francis Wolff
  • PianoMcCoy Tyner
  • Recorded By [Recording By]Rudy Van Gelder
  • Tenor SaxophoneWayne Shorter
  • TrumpetFreddie Hubbard

Notes

Recorded on August 21, 1961

©2021 UMG Recordings Inc.

Made in

In runouts, Optimal plating markings such as "1=" and "1x" are mirrored.

Barcode and Other Identifiers

  • Barcode (Text): 6 02435 96791 2
  • Barcode (Scanned, UPC-A): 602435967912
  • Rights Society: BIEM/SDRM
  • Label Code: LC00383
  • Matrix / Runout (Label side A): BNST 84085-A
  • Matrix / Runout (Label side B): BNST 84085-B
  • Matrix / Runout (Side A runout, etched, variant 1): 3596791-A 00602435967912 KPG@CA BL 40341-01 A1
  • Matrix / Runout (Side B runout, etched, variant 1): 3596791-B 00602435967912 KPG@CA BL 40341-01 B1
  • Matrix / Runout (Side A runout, etched, variant 2): 3596791-A 00602435967912 KPG@CA BL 40341-01 A1 1=
  • Matrix / Runout (Side B runout, etched, variant 2): 3596791-B 00602435967912 KPG@CA BL 40341-01 B1 1x

Other Versions (5 of 50)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Ready For Freddie (LP, Album, Stereo) Blue Note BST 84085 US 1962
Recently Edited
Ready For Freddie (LP, Album, Mono) Blue Note BLP 4085 US 1962
New Submission
Ready For Freddie (LP, Album, Repress, Stereo) Blue Note BST 84085 US 1966
Ready For Freddie (LP, Album, Repress, Mono) Blue Note BLP 4085 US 1966
Ready For Freddie (LP, Album, Reissue, Stereo) Blue Note BST 84085 US 1967

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Reviews

  • northropfrye's avatar
    northropfrye
    Edited 18 days ago
    Was a little worried after reading some reviews. No noise on my copy. And fantastic mastering from Kevin Gray.
    • motown1974's avatar
      motown1974
      My copy sounds really good—no noise, clean, and flat. BN did a great job on this one
      • Mfurst's avatar
        Mfurst
        I'll add another voice to the praise. I had an early press that had some issues on certain tasks but was overall in very good condition. Compared to that, this is every bit as well mastered, if not often better. Mine has absolutely no pressing issues. Not a single pop or crackle to be heard. In my experience, these classic series are pressed at the sane level as the Tone Poets. I think Optimal has upped their game to be on par with RTI.
        • RadicalNoize's avatar
          RadicalNoize
          My copy is much more than “just ok”. For this price (13 Euros from hhv) its great actually… And the album is magnificent of course…
          • ronipop's avatar
            ronipop
            Another shitty pressing from Optimal. Several non-fills on side B. Trash again.
            • AdrianMcM's avatar
              AdrianMcM
              Such beautiful music! I wish that there that was someone (or anyone that is not HAL) in 'Universal Music Enterprise' that could check the editing (or just check things) before 'opening the pods gates' of this little gem to the public. For example Wayne "Sorter" in the third last paragraph is "Shorter" in my old copy. Maybe those 'old ones' (non-AI?) liked to refer to legends by their actual name?
              The bonfiring-pyrotechnical 'Universal Music Enterprise' do not deserve this (or any) quality music.
              Free Blue Note!

              PS Crisis is an epic way to finish an epic album!
              • davidmthekidd's avatar
                davidmthekidd
                Is it me or everyone's having issues with these BN Classic pressings? I can't seem to land a single record without clicks, and this is after multiple ultrasonic cleaning.

                Anyhow, music sounds great.
                • EarlGreyt's avatar
                  EarlGreyt
                  Sounds really good, overall, but missing the tunefulness of bass I'm used to hearing from the mid-70s "b"-label Hubbard compilation ("Crisis", for example). The bass reaches deep, and thumps, but is lacking its mid-bass. Not sure if this is an EQ decision or just the state of the master tapes in the post-2020s.

                  Also, the drums are eq'd too trebly for my taste.

                  I still enjoy this reissue, perfect pressing, no distortion, but highs & lows on the frequency spectrum leave me a bit cold.
                  • _XTOPH_'s avatar
                    _XTOPH_
                    Also got a copy with some terrible noise/mistakes in Side A Track 2. :(
                    • mikeSF_'s avatar
                      mikeSF_
                      Edited 2 years ago
                      This is one of Freddie's best, from a long list of excellent leader and sideman recordings. His playing is clean and technical with some gorgeous lyrical moments. Moreover, the arrangements are tight and exquisite, with very pleasant instrumentation, ie the euphonium adds a beautiful mellow bottom to the horn voicings. Wayne Shorter is a superstar here, mellifluous and slightly edgy. With all these horn superstars, it's easy to forget McCoy Tyner at the keys; he adds a forward leaning bent to the harmony here.
                      Elvin's drums are recorded beautifully, some of the best RVG-captured drums I've heard.

                      Truly a beautiful recording and excellent presentation here. The pressing is decent with the obvious improvement of Kevin Gray at the remaster. There's ghosting between tracks, but not bad.

                      5 stars. Recommended.

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